Sentences with phrase «personal video art»

In addition to documentaries, feature films, and cultural programming, he has continuously created his own personal video art and worked on high - profile projects with other video artists.

Not exact matches

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And Glen or Glenda, at least, is so personal and horrifying an object that it arguably qualifies as great art, despite the fact that the corporate video store I worked at in the 90s deemed it so bad we would rent it out free of charge.

In these moments, art becomes personal home video, replete with nostalgia for moments in time that can only be glimpsed by representation; of course, these representations mask what happens off screen — mainly, the sustaining intensities of the artists involved.

Now a remarkable website started by a group of young Chicago activists — all women between the ages of 12 and 22 — is collecting the personal stories of such students in print, video, and audio and combining them with survey research, popular education, art, and more.

Experience unprecedented access to over 400 pieces of original costumes, handwritten lyrics, album art, photographs, and videos from the personal archives.

Genre: Arts & Photography, Individual Artists, Biographies & Memoirs, Historical, Memoirs, Professionals & Academics, Business & Investing, Industries & Professions, Personal Finance, Children's eBooks, History, Literature & Fiction, Comics & Graphic Novels, Geography & Cultures, Biographies, Sports & Outdoors, Manga, Computers & Technology, Microsoft, Software, Cookbooks, Food & Wine, Culinary Arts & Techniques, Drinks & Beverages, Meals, Professional Cooking, Quick & Easy, Special Occasions, Humor & Entertainment, Movies & Video, Pop Cultur Size: 91 pages Free eBook download for Kindle from 11 May 2018 onward PDT / PST

Genre: Arts & Photography, Individual Artists, Biographies & Memoirs, Historical, Memoirs, Professionals & Academics, Business & Investing, Industries & Professions, Personal Finance, Children's eBooks, History, Literature & Fiction, Comics & Graphic Novels, Geography & Cultures, Biographies, Sports & Outdoors, Manga, Computers & Technology, Microsoft, Software, Cookbooks, Food & Wine, Culinary Arts & Techniques, Drinks & Beverages, Meals, Professional Cooking, Quick & Easy, Special Occasions, Humor & Entertainment, Movies & Video, Pop Cultur Size: 91 pages Free download for Kindle from 11 May 2018 onward PDT / PST

It tells an incredibly personal story about love, loss, and growth that serves as an example of how far the video game medium has come as an art form.

Basic Infomation: Features PvP PvE Map Traits Systems System Requirements Microtransactions Region free Professions: Ranger Warrior Elementalist Necromancer Guardian Engineer Mesmer Conjecture Races: Overview Human Sylvari Norn Asura Charr Gameplay: Dynamic Event System Structured PvP Healing and Death Custom Maps Personal Story Leveling Q&A: Character Design Skills Trading System Mini-games Maps and Travel Ranger Skill / Pets Lore Elite Skills Videos: Concept Art Compilation Manifesto Video Guardian Video Beauty of Guild Wars 2 Tools: Character Creator Interactive Maps of Tyria Card Game Character Tool Lore: Kodan Sylvari Download: Wallpaper

He also offers personal art critiques and additional videos for higher tiers.

Informed by personal experience, her father is a Chinese violinist and mother an English pianist, Tse's art, which encompasses photography, sculpture, and video, combines the artistic and cultural traditions of both her parents.

An assistant professor of art and director of the Diggs Gallery at Winston - Salem State University, Beal is recognized for her «photographic narratives and video testimonies that examine the personal, yet contemporary stories of women of color working within the corporate space.»

Recent exhibitions include his solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014), as well as group exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller Gallery, New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).

Kanye West may have claimed the great Matthew Barney as his personal Jesus, but just look at his «Famous» sculpture on view at Blum & Poe in Los Angeles — no true disciple of the letting - it - all - hang - out godhead of freaky video art would so demurely cover up his own manhood with a delicately positioned blanket, even while Kanye presents his wife's truly famous naked posterior for all to see.

Museum of Modern Art, New York, NY, Young and Restless American Fine Arts, New York, NY, 100 Photographs Philadelphia Museum of Art, Philadelphia, PA, Up Close and Personal, Kunsthalle Nurenburg and Sadie Coles HQ, London, UK, Some Kind of Heaven (curated by Sadie Coles) 7e Semaine Internationale de Video (Biennale de Saint - Cervats), Geneva, Switzerland, Video Divertmento (curated by Susan Hapgood, San Casciano and Dei Bagni) Taka Ishii Gallery, Tokyo, Japan, Doug Aitken, Alex Bag, Naotaka Hiro

Brand 10 Art Space Many of the videos in the exhibition can be viewed on - line at the artist's personal website.

She uses video performance, live performance, textile and fiber art to explore concepts related to gender roles, migrations, and Hispanic and American cultures from a personal point of view.

Qiao is most interested in contemporary art that relates to personal experience, but his collection is informative and comprehensive, including all media: painting, sculpture, installation, photography, video and so on.

Art Trichotomy shows the story of four South Florida gallerists, curators and artists — Dina Mitrani, Tami Katz - Freiman, Lisa Rockford and Jillian Mayer — through video portraits and personal interviews.

Art Trichotomy is a multi-part video series exploring personal stories and perspectives of women who hail from three pillars of the art industry: the gallerist, the curator, and the artiArt Trichotomy is a multi-part video series exploring personal stories and perspectives of women who hail from three pillars of the art industry: the gallerist, the curator, and the artiart industry: the gallerist, the curator, and the artist.

In three up - close - and - personal videos at the Massachusetts Museum of Contemporary Art, «Part 1,» «Part 2» and «Up!»

Funded entirely by personal contributions from community members, these grants promote artistic growth among all genres including visual art, dance, literature, performance, digital media, music, critical writing, independent curatorial projects, film, and video.

Tracey Emin's art is one of disclosure — inspired by her personal life events, she creates pieces that are ranging from painting, drawing, video and installation, to photography, needlework and sculpture.

Though her mother has since recovered and is now cancer - free, this decisive moment in Reidel's personal life unifies the wide - ranging works of painting, digital prints, video, sculpture, and installation on view at the Sheldon Art Galleries.

On the first level, visitors can enjoy one experience by watching the short videos on two «storyviewers,» use our interactive timeline to situate Still's life and art amidst pop culture, art history, and historical events and examine the archives displays to discover more about the artist and the man from his own personal effects.

Show Notes: Brand 10 Art Space Many of the videos in the exhibition can be viewed on - line at the artist's personal website.

Her personal project involves music, illustration, design & animation by creating Cd covers artwork, Music videos & art collaborations.

Inviting the viewer to enter a space charged with symbolic elements, from the more obvious to the more covert, that configure the multiple realities and readings which give life to the artist's personal universe, «Something old, something new, something borrowed» essentially speaks of personal records and comforts, of the past and the present, of what was and what is — a series of reflections that convey a repertoire of emotions, interests, and stories particularly important to the author: distant family recollections, but also recent intimate memories; pleasant re-connections with domesticity after long periods of travel in the real world, but also disconnections and ironic provocations with the virtual world of social media; a long relationship with the universe of animation and video games, but also another with themes of classical representation from the history of art.

Amanda Ross - Ho assembles materials and detritus, from found objects, photographs, drawings, sculptures, to paintings and video clips, into installations that explore questions of craft and «high» art and seem to clue us into a rich and personal socio - cultural world.

Along with the more traditional mediums of painting, photography, drawing, sculpture, conceptual, video and performance art we also encourage the submission of sound, text, spoken word, dance, comedy, cooking, large scale painting... As a new century begins and the last still informs every move we make an anxiety of where we are takes many forms from the personal to the political.

A special screening of Selections from Cory Arcangel's personal archive of video and film footage takes place on Saturday April 3 at 2 p.m.. On Saturday April 24, as part of the Sanford L. and Dolores Ziff Art Talk series, Arcangel will speak about his work.

These videos create a meeting point between apparent oppositions: high art and everyday life; the personal and private spheres; elite and mass culture; art and commerce; East and West.

The sensibility that he began to develop during his time as an art student transferred to the spectrum of his work for R.E.M., from art directing all graphic, video and stage design, to writing, composing and performance, and his iconoclastic personal style.

This is why the pieces of art featured in the show, which is presented in this video interview, represent abstract works, which he has a personal attachment to.

Recent Histories: Contemporary African Photography and Video Art from The Walther Collection unites the perspectives of 14 contemporary artists of African descent, who investigate social identity, questions of belonging, and an array of sociopolitical concerns — including migration, lineage, the legacies of colonialism and Calvinism, and local custom — as well as personal experiences in Africa and the African diaspora.

His photographs, sculptures and videos are about his personal memories, art historical sources, and notions of racial and cultural identity.

In conjunction with the White Column show, Queer / Art / Film, the monthly series at the IFC Center, has invited Crimp to present a highly personal selection of activist videos, including Gregg Bordowitz's Fast Trip, Long Drop, and works by Matt Ebert, Ryan Landry, Maria Maggenti, and Jean Carlomusto, many of whom will be present for the screenings.

This approach to artmaking has taken the form of a startup that produced stock video clips (which Wilson then liquidated during a performance at the Museum of Modern Art Warsaw earlier this year) and a multi-year collaboration with an outsourced personal assistant from India.

«If the video represents her personal experience of Sun Ra's work, it also depicts the concert in relation to the socio - cultural context of that time, when ideas in music and art were invested with revolutionary meaning and «Free Jazz!»

The video provides an interesting and personal view into the collective histories of Pritikin and McGee, as well as San Francisco's contemporary art community.

The videos are semi-autobiographical, probing both his personal drama and satirizing real art world challenges.

Interlacing film and sculpture as well as the domestic and the public, Jonas Dahlberg's video installations work at the intersection between art and architecture, the personal and the political.

Focuses on the personal fine art creations of commercial artists who work at Vivarious Visions, a video game company located in Menands.

's video installations work at the intersection between art and architecture, the personal and the political.

Artists use video to explore diverse temporal realities: the personal and the political, ritual and technology and the body and automation on show at the Los Angeles County Museum of Art (LACMA).

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, ChristcVideo Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, ChristcVideo Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christcvideo», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

Prospect (2008) was included in the international video art exhibition 2MOVE, curated by Mieke Bal and Miguel Harnandez - Navarro and explores personal stories and experiences of illegal immigrants attempting to reach «Fortress Europe».

the artwork on show includes rarely displayed collaged works on postcards by Wangechi Mutu ART ’00 from her personal collection, a site - specific installation in ink, pencil and wash on paper by Firelei Baez titled «Memory, Like Fire, is Radiant and Immutable,» and a video piece by William Pope.L where, dressed as Superman with a skateboard on his back, he crawls all the way to the Bronx from the base of the Statue of Liberty.

Myers» full report will be released in the coming days — a preview is in this video basically suggests that even with the rise of ad exchange platforms that largely boil down the art of buying and selling media to the science of algorithms, the personal touch is what counts, especially in the area of premium ad sales.