Sentences with phrase «perspective on contemporary art»

He has a fresh and informed perspective on contemporary art and ideas that are international in scope, and he's very eager to get to know the local scene.

Frieze London 2015 provides a discerning perspective on contemporary art, utilising the expertise of leading curators including Nicola Lees (Curator, 31st Biennial of Graphic Arts, Ljubljana), Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and Gregor Muir (Executive Director, ICA, London) across its feature sections and programme.

Frieze New York 2018 is open to the public until Sunday 6 May, featuring 197 galleries from 30 countries, and offering a discerning perspective on contemporary art.

Over our 23 year history ARTSPACE has been led by seven Directors, each of whom has offered a passionate perspective on contemporary art and its changing conditions.

Responsibilities — Lead and direct Objectif's artistic programme, including curating all exhibitions, organising all commissions and other programmatic activities and events; providing an intelligible overall vision and management; and providing a unique international perspective on contemporary art developments.

2008 Law and Visual Resistance: Perspectives on Contemporary Art and Politics, South Asian Bar Association, NY Impossible Archives, Kevorkian Center for middle Eestern Studies, New York University riDYKEulous: The Odds Are Against Us, PS1MOMA, NY Gelman Studio Lecture, Columbia University, NY «Visual Ignition», Visiting Artist Lecture, American University, Washington, DC California College of Arts, Visiting Artist Lecture, San Francisco, CA

This highly public setting provides artists a unique platform for the creation of new work in response to the site and offers passersby fresh perspectives on contemporary art made in and for Houston.

Dedicated to providing readers with an informed and expert view of New York's contemporary arts, our lively conversations and reporting highlight current perspectives on contemporary art and provide an insight into what artists, curators and galleries are creating and thinking about.

The gallery retains its commitment to experimental artists of the 60s and 70s and holds 7 to 8 exhibitions per year, many of which are conceived in collaboration with independent external curators with the aim of providing unique and often unexpected perspectives on contemporary art history.

Through such accurate and important perspectives on contemporary art — and from productively shifting positions — the Turner ensures its own continuing relevance.

Fresh Art International Beginning with research, networking, and field recordings, independent curator Cathy Byrd works with a team of creatives to script, direct, produce, publish, and promote a range of perspectives on contemporary art.

Guided tours give new perspectives on contemporary art and Kiasma.

Conversations and Perspectives on Contemporary Art Criticism — the thematic focus of the 2017 EXPO CHICAGO Art Critics Forum, Criticism in the Post-Truth Era, will address the impact of the current political climate on the state of art journalism.

Francis presently serves on the Advisory Boards of Panorama: Art and Visual Culture of the United States, Third Text: Critical Perspectives on Contemporary Art and Culture, and San Francisco's Luggage Store Gallery and Root Division.

Referencing the fifty - four countries that constitute the African continent, 1:54 is a vital addition to the selection of fairs across the city during Frieze Week, presenting myriad perspectives on the contemporary art context through a ambitious, yet focused lens.

Not exact matches

Due to her experience testifying and her HGSE coursework — particularly Professor Fernando Reimers» Educational Innovation and Social Entrepreneurship in Comparative Perspective — Cavallo is now focusing her efforts on launching Alter, an organization dedicated to bridging the gaps among contemporary art communities, the city of Boston, and educators.

The collection of images, including subjects Li Binyuan, Tong Kunniao, Bian Yuan, Dong Dong, Gao Ping, Liu Donghong, Boer, Zhai Yongming, and Gao Yanjinzi, seeks to offer viewers a «nuanced perspective» on the Chinese contemporary art scene.

Opening in June 2017, major Barbican exhibition Into the Unknown: A Journey through Science Fiction is a genre - defining exploration of one of popular culture's most celebrated realms encompassing literature, contemporary art, film, music, comic books and video games to present a new, global perspective on Science Fiction.

Janine Antoni will be included in The Domestic Plane: New Perspectives on Tabletop Art Objects at the Aldrich Contemporary Art Museum, Ridgefield, CT..

A new biennial exhibition series that explores contemporary art from Nunavut to Tierra del Fuego July 20, 2014 — January 2015 Opening Festivities July 17 - 19 SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americart from Nunavut to Tierra del Fuego July 20, 2014 — January 2015 Opening Festivities July 17 - 19 SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the AmericArt of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americart and cultural production of the Americas.

2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan

Frieze Masters offers a unique contemporary perspective on historical art, from collectible objects to significant masterpieces.

Founded in 1924, TKF is organised in the tradition of the German Kunstverein and has an established tradition of emphasizing newer and experimental contemporary art with an international perspective but also with a focus on artists and on themes relating to the region.

The artists in the exhibition inflect Modernist forms with contemporary perspectives on intimate subjects including: the poetics of domestic architecture, the pertinence of ancient myth, and the solipsism of art history.

Julia Grosse is the founder and editor in chief of Contemporary And (C &), an online journal founded in 2013 which focuses on international art from African perspectives.

William Cordova, yawar mallku: sculpting in time SITElines.2016, much wider than a line July 16, 2016 — January 8, 2017 SITElines.2016: New Perspectives on Art of the Americas is part of SITE's ongoing biennial series with a focus on Contemporary Art from the Americas.

Art Featured: Ragnar Kjartansson; New York Juggernaut - the ongoing gentrification of New York; LA's Art Wave - Los Angeles's growing contemporary art scene; The Expanded Photograph - Paul Mpagi Sepuya, David Gilbert and Jonathan VanDyke; After School - three perspectives on art school educatiArt Featured: Ragnar Kjartansson; New York Juggernaut - the ongoing gentrification of New York; LA's Art Wave - Los Angeles's growing contemporary art scene; The Expanded Photograph - Paul Mpagi Sepuya, David Gilbert and Jonathan VanDyke; After School - three perspectives on art school educatiArt Wave - Los Angeles's growing contemporary art scene; The Expanded Photograph - Paul Mpagi Sepuya, David Gilbert and Jonathan VanDyke; After School - three perspectives on art school educatiart scene; The Expanded Photograph - Paul Mpagi Sepuya, David Gilbert and Jonathan VanDyke; After School - three perspectives on art school educatiart school education.

Iniva has published over 50 titles, including exhibition catalogues, artists» monographs and anthologies of new critical writing, which promote diverse perspectives on modern and contemporary art and advance critical debate internationally.

This exhibition offers a unique perspective to the contemporary art world, shifting an emphasis from its idiomatic language of criticism, biography, and context, to a focus on the artworks themselves.

Perspectives on Contemporary American Realism, Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania A Private Vision: Contemporary Art from the Graham Gund Collection Museum of Fine Arts Boston, MA A Close Look at the Human Figure in Contemporary Art Contemporary Arts Center New Orleans, LA

The writer of Orlando, To the Lighthouse and The Waves has proven a lasting influence beyond the literary sphere, and this exhibition uses her work as a prism through which to explore feminist perspectives on landscape, domesticity and identity in modern and contemporary art.

Monash University Museum of Art MUMA in partnership with the Australian Centre for Contemporary Art I ACCA is pleased to present a special lecture by renowned American art historian, writer and curator Amelia Jones that coincides with the final week of Unfinished Business - perspectives on art and feminism at ACArt MUMA in partnership with the Australian Centre for Contemporary Art I ACCA is pleased to present a special lecture by renowned American art historian, writer and curator Amelia Jones that coincides with the final week of Unfinished Business - perspectives on art and feminism at ACArt I ACCA is pleased to present a special lecture by renowned American art historian, writer and curator Amelia Jones that coincides with the final week of Unfinished Business - perspectives on art and feminism at ACart historian, writer and curator Amelia Jones that coincides with the final week of Unfinished Business - perspectives on art and feminism at ACart and feminism at ACCA.

Magnetic Fields aims to change this perspective by focusing on nonrepresentational work by women artists >> more Kemper Museum of Contemporary Art ISBN 9780996272834 US $ 60.00 CAN $ 79.00 TRADE Hbk, 9 x 11 in.

Perspectives on Contemporary American Realism: Works of Art on Paper from the Collection of Jalane and Richard Davidson.

This year the spotlight is on Africa under the curation of Yvette Mutumba and Julia Grosse, founders of Contemporary And, a Berlin - based platform for international art from African perspectives.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

The contemporary art fair focuses on contemporary art from a diverse set of African perspectives.

Past solo exhibitions include The Wood Way (2002) at Whitechapel Gallery, London; A Short text on the possibility of creating an economy of equivalence (2005) at the Palais de Tokyo, Paris; and the retrospective project, Three Perspectives and a short scenario, at Witte de With, Rotterdam, Kunsthalle Zurich, Kuntsverein, Munich, and the Museum of Contemporary Art, Chicago (2008 - 2010).

And the largest of them, the only one of traditional objects, called «Look Again: Contemporary Perspectives on African Art,» is drawn almost entirely from the holdings of yet another august local institution, the University of Pennsylvania Museum of Archaeology and Anthropology, better known as the Penn Museum.

2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA... On Paper, Michael Rosenfeld Gallery LLC, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea, Michael Rosenfeld Gallery LLC, New York, NY

Group Shows include: Adventures of the Black Square, Abstract Art and Society, 1915 - 2015, Whitechapel Gallery, 2015; Perspectives on Collage, The Photographers Gallery, London (2013); Marbled Reams, The Modern Institute, Glasgow (2012); Modernikon: Contemporary Art from Russia, Fondazione Sandretto Re Rebaudengo, Turin.

Loie Hollowell will be giving a gallery talk on Georgia O'Keefe: Living Modern, as part of a series engaging contemporary perspectives on modern art.

Organized by Fundación Banco Santander and Qatar Museums, the show features selected works from the collections of QM, in celebration of modern and contemporary art illustrating the Arab world's perspective on the international art scene.

Together with curators, librarians, and archivists, she works on broadening the scope of museum's collections, exhibitions and education programs beyond the western canon as a part of MoMA's research initiative C - MAP (Contemporary and Modern Art Perspectives in a Global Age).

This public setting provides artists hailing from Texas and beyond a unique platform for the creation of new work in response to the site and its location in downtown Houston and offers passersby ever new and fresh perspectives on the most recent developments in contemporary art made in and about Houston.

Molon has contributed to numerous publications, including: Art Review, Whitewall, Vitamin D: New Perspectives on Drawing; Art on Paper; Contemporary Magazine; Trans; and Tate Etc., as well as exhibition catalogues for Karen Kilimnik, Elmgreen & Dragset, and Muntean & Rosenblum.

This exhibition is led by her writing, which will act as a prism through which to explore feminist perspectives on landscape, domesticity and identity in modern and contemporary art - with works by over 70 artists.

Presented in conjunction with CraftNow, a citywide exhibition devoted to expanding the boundaries of craft, art, and design, «Narrative Horizons» is a group show by three female artists who use craft techniques — or, depending on your perspective, craft artists who employ contemporary - art strategies.

It is our mission to continue to lead as a hub that brings creatives together with culture consumers, elevating the Southwest's contemporary arts and culture market with an emphasis on critical perspectives and informed dialogue.