Sentences with phrase «perspectives on art history»

Opening: Lorraine O'Grady at Alexander Gray Associates This exhibition focuses on two early projects: the performance art piece Rivers, First Draft and her first collage series Cutting Out The New York Times, showcasing «the artist's nuanced perspectives on art history — specifically Dada and Surrealism — and the topical issues of the late - 1970s and early 1980s, when Multiculturalism and Feminism were articulated and tested in the art world,» according to a press release.

These courses introduce traditional art - making processes, as well as perspectives on art history, theory, business and trade.

The organisation was established to present «unheard voices» and provide perspectives on art histories beyond those of Western Europe and America.

Their second book, «The Guerrilla Girls» Bedside Companion to the History of Western Art» (Penguin Books, 1998), deconstructed the «stale, male, pale, Yale» perspective on art history.

Not exact matches

And for Roberts, «listening to problems that span all history, art, culture, and time is a perfect way to reset your perspective on the problems in front of you on a given day.

Professor of Art History Anne Higonnet, who was instrumental in connecting Ojih Odutola with Orzeck earlier this year, commented, «Toyin has a unique, timely perspective on racial identity and we're excited to dive more deeply into her inspiration.

The artists in the exhibition inflect Modernist forms with contemporary perspectives on intimate subjects including: the poetics of domestic architecture, the pertinence of ancient myth, and the solipsism of art history.

Opening up new perspectives on recent art history, Spotlight continues to expand its scope, with a record 35 presentations.

In these figurative works, Channer questions established hierarchies within the history of art, objects and clothing, and offers a unique perspective on manufacturing, the hand - made and consumer culture.

Born in poverty in Alabama, Dial has lived his entire life in the American South, and his art, informed by decades of struggle as a black working - class man, reveals a unique perspective on America's most difficult and pervasive challenges, such as its long history of race and class conflict, the war in Iraq, and the 9/11 tragedy.

The history of Russian art can not be imagined without Ignatovich, a great innovator, who left an indelible mark on the evolution of early Soviet experimental photography, and reformed reportage with startling perspectives and artistic expressiveness.

Over our 23 year history ARTSPACE has been led by seven Directors, each of whom has offered a passionate perspective on contemporary art and its changing conditions.

On view June 12, 2016 through Sept. 25, 2016, the exhibition presents a nuanced profile of women working on the East and West Coasts during the 1940s and»50s, providing scholars and audiences with a new perspective on this important chapter in art historOn view June 12, 2016 through Sept. 25, 2016, the exhibition presents a nuanced profile of women working on the East and West Coasts during the 1940s and»50s, providing scholars and audiences with a new perspective on this important chapter in art historon the East and West Coasts during the 1940s and»50s, providing scholars and audiences with a new perspective on this important chapter in art historon this important chapter in art history.

In the Boiler House, the collection — from 1900 to the present — has been reorganized by theme rather than chronology, with an emphasis on an international perspective in art history.

The emphasis on educational institutions is not incidental — for an exhibition that seeks to assert new perspectives on the evolution of art history, it is essential that a new generation of students are confronted with an exhibition such as Solidary & Solitary.

Suggesting a subversive history of Minimal Art, this project sheds fresh light on common focuses and intersecting perspectives in a mixture of visual art, dance and music of the sixties and seventies in the New YoArt, this project sheds fresh light on common focuses and intersecting perspectives in a mixture of visual art, dance and music of the sixties and seventies in the New Yoart, dance and music of the sixties and seventies in the New York.

Spanning the rich history of media art through its current developments, the gallery's program offers an incisive perspective on the fields of digital, internet, time - based, and new media art forms.

But after extensive research, she said her perspective on Wood's place in art history has shifted.

Providing new perspective on vital female contributions to art history across mediums, genres, and periods, the exhibition schedule is anchored by major solo exhibitions of work by Laura Owens, Ida O'Keeffe, and Berthe Morisot and showcases a range of significant works by female artists in the Museum's collection.

Coming up to date with historical perspectives on conceptual art's engagement with alterity, Exiles, Diasporas & Strangers makes a unique contribution to art history's rapprochement with the post-colonial turn.

The gallery retains its commitment to experimental artists of the 60s and 70s and holds 7 to 8 exhibitions per year, many of which are conceived in collaboration with independent external curators with the aim of providing unique and often unexpected perspectives on contemporary art history.

With her hundreds of hours working as a volunteer for the Menil Archive, and the formal archivist training she has pursued, she has a valuable perspective on Houston's art history and contemporary activity.

«Joseph Beuys and Tadeusz Kantor are two of the most important figures in 20th century European art, each offering provocative and deeply personal perspectives on the horrific events that shaped both their personal lives and world history,» said James S. Snyder, Anne and Jerome Fisher Director.

To offer a context of these questions, Lauren van Haaften - Schick (PhD Candidate in the History of Art at Cornell University) will discuss artists» contracts in historical perspective, with a focus on exhibition and resale rights.

Keeping that in perspective, the show's second section, Saints and Martyrs, will focus on the incredible importance sainthood and martyrdom had both in Iran's history and its contemporary art.

In recognition of the Museum's history, guest curator Sarah Tanguy relates the artworks thematically to the building's architecture and aspects of the collection.From installations, paintings, sculptures and works on paper to video, the selection offers a fresh perspective, not only on individual practices, but also on the collective strength of Washington's art community - and honors Carmen and David Lloyd Kreeger's legacy and the Museum's future.»

(Group Show)(Berlin 2006), The Wonderful World of irational.org (Dortmund 2006, Glasgow 2007, Novi Sad 2008, Leuven 2012), History Will Repeat Itself (Dortmund 2007, Berlin 2007 - 2008, Warsaw 2008, Hong Kong 2008), Anna Kournikova... Art in the Age of Intellectual Property (Dortmund 2008), «Awake are only the Spirits» — On Ghosts and their Media (Dortmund 2009, Toruń 2010), Building Memory (Vilnius, Lodz, Tel Aviv, Dortmund 2010), Arctic Perspective (Dortmund 2010), Laure Prouvost: Monolog (Bielefeld 2011), Barbara Breitenfellner: Traum einer Ausstellung (Dortmund 2011), The Oil Show (Dortmund 2011 - 2012), Artur Zmijewski: Democracies (2012), Suzanne Treister: HEXEN 2.0 (2012), Francis Hunger: History has left the Building (2012), Sounds Like Silence (John Cage — 4» 33» — Silence today / 1912 — 1952 — 2012)(2012 — 2013), His Master's Voice: On Voice and Language (Dortmund 2013, Montpellier 2015), INDUSTRIAL (Research)(2013 — 2014), Evil Clowns (Dortmund 2014, Erlangen 2016).

These changing exhibitions are developed specifically to suggest new perspectives on art and invite fresh questions that expand accepted notions of history.

• On Friday, September 28th, following the conference keynote by Leslie King Hammond, we will celebrate the exhibition Between Form + Content: Perspectives on Jacob Lawrence and Black Mountain College, co-curated by Dr. Julie Levin Caro, Professor of Art History at Warren Wilson College and Jeff Arnal, Executive Director of Black Mountain College Museum + Arts Center, with a reception at the museuOn Friday, September 28th, following the conference keynote by Leslie King Hammond, we will celebrate the exhibition Between Form + Content: Perspectives on Jacob Lawrence and Black Mountain College, co-curated by Dr. Julie Levin Caro, Professor of Art History at Warren Wilson College and Jeff Arnal, Executive Director of Black Mountain College Museum + Arts Center, with a reception at the museuon Jacob Lawrence and Black Mountain College, co-curated by Dr. Julie Levin Caro, Professor of Art History at Warren Wilson College and Jeff Arnal, Executive Director of Black Mountain College Museum + Arts Center, with a reception at the museum.

Performa, the organization that puts on the biennial, refers to itself as «a museum without walls,» whose goal is to broaden the field of art history by supporting and producing live art from many different cultural perspectives.

Durham's work offers a vital perspective on present - day discussions about the relationship between the local and the global; the interface between art and activism; and the history of sculpture as a medium tactically and conceptually entwined with everyday life.

Deftly creating dynamic illusions of depth and space on a two - dimensional surface, Grotjhan makes reference to various points in the history of painting, from Renaissance linear perspective, to the utopian shapes and visions of early 20th century Russian Constructivism, to the hallucinatory images of 1960s Op Art.

The gallery's curatorial vision endeavours to foster a transcultural perspective on the history of art, encompassing both modernism and the emergence of contemporary cultural thought in an increasingly interconnected world.

T.L. Solien entertains the paradox of «The Foreseeable Past» by imparting a contemporary perspective on classic narrative images from the annals of art history.

This ground - breaking fair brings together works of art from throughout history under one roof and gives a unique, contemporary perspective on historical art.

1989 Concept - Decoratif (Anti-Formalist Art of the 70s), Nahan Contemporary, New York, US The Presence of Absence: New Installations, Gallery 400, University of Illinois at Chicago, Chicago, Illinois, US; University of Arizona Museum of Art, Tucson, Arizona, US; Laumeire Sculpture Park and Garden, St. Louis, Missouri, US; Albany Institute of History and Art, Albany, New York, US; Oakville Galleries, Oakville, Ontario, CA; University of Kentucky Art Museum, Lexington, Kentucky, US; Longview Museum and Arts Center, Longview, Texas, US; Prichard Art Gallery, University of Idaho, Idaho, US; Museum of Art, Penn State University, University Park, Pennsylvania, US; The University of Iowa Museum of Art, Iowa City, Iowa, US; University Art Museum, University of New Mexico, Albuquerque, MX; Otis / Parsons Gallery, Los Angeles, California, US Words, Tony Shafrazi Gallery, New York, US Inedits / I, FRAC Bourgogne, Dijon, FR; APAC, Centre d'Art Contemporain, Nevers, FR Micro Sculpture, Fine Arts Center, University of Rhode Island, Kingston, Rhode Island, US Early Conceptual Works, Sperone Westwater Gallery, New York, US From Concept to Context, The Art Gallery of York University, Toronto, CA Saga 89, Eric Linard Editions, Grand - Palais, Paris, FR Un Choix dans les Collections du Nouveau Musee de Villeurbanne, Palais de Beaux Arts de Charleroi, Charleroi, BE Collections du Frac Nord Pas - de-Calais, Santa Scolastica, Bari, IT Group Show, San Francisco University Art Department Gallery, A&I Room 201, San Francisco, US Word / Image, Lehman College Art Gallery, Bronx, New York, US Ad Usum Dimorae, Palazzo Querini Stampalia, Venice, IT Bilderstreit, Ludwig Museum, Rheinhallen, Cologne fair grounds, Cologne, DE From the Collection of Dorothy and Herbert Vogel, Terra Museum of American Art, Chicago, Illinois, US Open Mind - Circuit Ferme, Museum van Hedendaagse Kunst, Ghent, BE Ohne Auftrag, Mai 36 Gallery, Art Frankfurt, The New International Art Fair, Frankfurt, DE Magiciens de la Terre, Centre Georges Pompidou and Grande Halle, La Villette, Paris, FR Competition Diomede, The Clocktower Gallery, New York, US; San Francisco State University Art Department Gallery, A&I Room 201, San Francisco, California, US Ideas and Ephemera, Real Art Ways, Hartford, Conneticut, US Geometrie Meridienne, Chateau Coquelle, FRAC Nord Pas - de-Calais, Dunkerque, FR Noise et Fenetres en Vue, Musee d'Art Moderne, Liege, BE Locus Solus XII, Galerie Hubert Winter, Vienna, AT Fondation Daniel Templon, L'Exposition Inaugurale, Capitou, FR Furkart 1989, Furkapasshoehe, CH Analytic to Poetic, Burnett Miller Gallery, Los Angeles, California, US Skulpturen für Krefeld I, Museum Haus Esters, Krefeld, DE John Miller / Gary Mirabelle / Lawrence Weiner, American Fine Arts Co, New York, US In Other Words, Museum am Ostwall, Dortmund, DE Gran Pavese: The Flag Project, Museum van Hedendaagse Kunst, Antwerpen, BE; Druot Montaigne, Paris, FR Another Group Show, Galerie Hubert Winter, Vienna, AT Forum, Stalke Gallery, Hamburg, DE Hier Wird Getanzt, XPO Galerie, Hamburg, DE Group Show, Elizabeth Kaufman, Basel, CH Lineart»89 Gent, Galerie B. Coppens and R. Van De Velde, Flanders Expo, Brussels, BE «Dreams» and Other Works on Paper, Leo Castelli Gallery, New York, US Moscow - Vienna - New York, Wiener Festwochen, Messepalast, Vienna, AT Minimal and Conceptuel, Oeuvres Anciennes, Gabrielle Maubrie, Paris, FR The Library - Artists» Books, A / D, New York, US Hamburg Projekt 1989, Hamburg, DE Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg, DE Musee d'Art Contemporain Lyon / Werke aus der Sammlung, Stadtische Galerie Goppingen, Goppingen, DE Sculptures de Kabakof, et al, ELAC, Lyon, FR Conceptual Art - Une Perspective, ARC, Paris, FR; Deichtorhallen Hamburg, Hamburg, DE; Fundacio Caixa de Pensions, Madrid, ES Broken Lines, Victoria Miro Gallery, London, UK Bel voor de Laatste Ronde, Art and Project, Amsterdam, NL Die Letzen 22 Jahre, Kunstverein in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, DE

The resulting Economic Impact Study confirms the Torpedo Factory Art Center is critical to Alexandria's economy, and offers a broad perspective on what needs to happen in order to capitalize on the Art Center's history and grow it's success.

Having lived his entire life in the rural American South as a black working - class man, his art reveals a unique perspective on America's most difficult and pervasive challenges, including its long history of race and class conflict, the war in Iraq, and the tragedy of 9/11.

Highlights from Wolverhampton Art Gallery collection are shown alongside borrowed exhibits that offer different perspectives on the history of the conflict and its resolution.

True to its original vocation to support the French art scene, the Fair will be juxtaposing the subjective, historical and critical perspective of a Curator, with a selection of specific projects focusing on artists in France who, both in the past and today, have managed to preserve their independence from dominant trends, or were situated on the margin of mainstream art history.

At POTSE 68, he will introduce his new project called Le Grand Verre, (a reference to Marcel Duchamp's iconic work by the same name) it merges abstract painting, photography and light art into new perspectives on the history of art.

▸ Overwhelming Imagination Achieving & Undermining Contradictions - Conference / / This conference, Overwhelming Imagination: Achieving and Undermining Contradictions, as the title suggests, was designed to push back on traditional notions of art, history, and culture from multiple methodological and geographical perspectives, often revealing antinomies but sometimes unearthing unexpected congruities.

Drawing heavily from the history of art in both style and subject matter, these works recall the innovative imagery of artists like Rodin, de Chirico, and Matisse, while eliciting an especially contemporary perspective on painting.

The exhibition will be accompanied by various side events including discussions, lectures, a theatrical production, and public readings, each focused on different forms of feminist and gender research (from the perspective of art history, social sciences, philosophy, etc.).

2017 Desert X Biennial, Coachella Valley, CA 2016 SITElines.2016: New Perspectives on Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyon Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, BrooklyOn Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyn.

His multifaceted sculptural approach reexamines Western art history from a Guatemalan perspective and registers the effects of the global economy on the culture of Central America.

The two galleries are both based in New York, and both offered perspectives on the city's recent art history in their presentations this year.

From her earliest experiments with painting old - master landscapes as graffiti on the streets of New York, to her recent project The Alien's Guide to the Ruins of Washington, DC (2013) at the Corcoran in Washington, DC, Ellen Harvey (born 1967) has applied her unique and humorous perspective to unpacking the history of art and aesthetics.

Opening up new perspectives on recent art history, Spotlight at Frieze New York continues to expand its scope, with a record 35 presentations that bring together visionary artists and radical practice.

The Contemporary Jewish Museum explores contemporary perspectives on Jewish culture, history, art, and ideas through exhibitions and programs.