Sentences with phrase «pet in the standing position»

To teach it, start with your pet in the standing position.

Not exact matches

«She knows that she is in an unusual position and has the standing to have a major impact on the world stage,» said Peter Seligmann, chief executive of Conservation International, on whose board Ms. Powell Jobs sits.
The Senator representing Delta North in the National Assembly, Peter Nwaoboshi, has disclosed that his persecution by the Economic and Financial Crimes Commission (EFCC) is because of his position and stand at the National Assembly.
Starting from the pole position, O'Connell stalled off of the standing start and while looking to regain lost positions in the first lap, came together with GTS drivers Jack Baldwin and Peter Cunningham, resulting in a severely damaged CTS - V.
The travel container must be large enough for the pet to stand, turn around and lie down in a natural position.
In a standing position, your pet may not stand evenly on all 4 legs.
Such classes teach pets to perform cued behaviors such as sit, stand, and lie on their side to aid in positioning for procedures, going to a mat or station to be able to get an accurate weight, or even performing a «chin rest» to keep their head still during a blood draw or ear cleaning.
Boasting its position as first in the industry to manufacture tables exclusively for pet grooming, PetLift makes grooming tables that stand out from the competition in a variety of ways.
Your pet is usually placed in a standing or lying position and electrodes are attached to the elbows and knees.
- Peter Doig1 British / Canadian artist Peter Doig stands in a position seemingly riddled with contradictions: straddling national identities; employing a medium (photography) historically thought to lead to the eventual disappearance of his own medium (painting); and working within a continuum of large scale figurative and landscape oil paintings.
Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.
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