The result is an arcade of
phenomenological experience where the human body follows an ironic second to architecture and environment.
Not exact matches
The kind of
phenomenological method which is often advocated is of a non-metaphysical type; that is, it is interested in description, in terms of how living religion, as a matter of deepest intuitive observation, effectively operates in human
experience in the world
where men live.
Newman, who was a frequent interlocutor with Herrera after she moved from her native Cuba,
where she studied architecture, to New York in 1939, would likely have impressed on her the capacity of abstract painting to address a viewer's
phenomenological experience as it is grounded