Instead of the patient's
phenomenological view offering us only the first page, perhaps it constitutes the whole problem; it is ultimate as well as preliminary.
Furthermore, by itself,
the phenomenological view leads to a subjective hyper - individualism that weakens Rogers» approach to therapy; Rogers declares:
Not exact matches
Even with the existentialist
view of the
phenomenological reduction, such influences should he p urged from a description of the lived world.
On the part of the minister there is an empathetic or
phenomenological concern for the attitudes of all the other people (and their conditions such as broken arms) to all serious things, including Christian faith but not confined to it, regardless of the existing content of those
views and conditions.
We hinted at our own
view in the introduction: philosophy can sometimes profitably illuminate the
phenomenological and semantic path from experience to science, and, in so doing, both the beginning and the end of the journey are prime data.
From a
phenomenological perspective D would identify three general differences: (a) the scope and status of the principle of functional ultimacy; (b) a different concept of soteriology that derives from (c) a dissimilar
view about the benevolent character of ultimate reality.
This is to say, then, that a Christian world
view does not, except within the broadest limits, dictate any particular understanding of phenomena; indeed, it can properly be said that there is no such thing as a Christian approach to any field of inquiry — no Christian astronomy or anthropology, for example — just as there is no such thing as a Marxist, or a democratic humanist, approach to
phenomenological inquiry.
Experiencing this piece under new conditions, notably, without
viewing the work as originally conceived as a filmic audience — from a specific set time, beginning to end — contributes to the shift in emphasis of the work as a cinematic deconstruction to a
phenomenological experience.
This
phenomenological approach allows us to
view ourselves from the outside — as part of the representation — and thus to learn about ourselves and challenge preconceptions of our surroundings, specifically of the nature of matter.
Attentive
viewing may turn from
phenomenological moments to states of reflection which bring with it a heightened awareness of being in the world where vision, thought, and feeling concur.
High and low culture are used with equal zeal in collisions of the
phenomenological expectations of the art
viewing experience, with similar expectations driven by cinematic and other technological clichés, leading to a reinvigoration of the power of material production and a revealing of contemporary judgments of production value.