A protégé of Dario Argento who matured to develop a unique style of his own while at once carrying the tradition of such Italian horror icons as Mario Bava and Riccardo Freda, Michele Soavi almost single - handedly kept the slumping Italian horror / fantasy tradition afloat in the 1990s with his strikingly original
philosophical zombie film Dellamorte, Dellamore (1994).
Not exact matches
Cemetery Man is Soavi's best
film, and one of the most uniquely
philosophical zombie movies ever made, and, I think, definitely superior to The Church.