Dean is a champion of
photochemical film, yet her wide - ranging practice extends across a multitude of mediums.
Of late, Dean has been a high - profile campaigner for the preservation of
photochemical film, which she calls the 20th century's «most important form of artistic expression».
She regularly stands up for the survival of
photochemical film, one of her signature mediums, in an increasingly digital world.
Tacita Dean is a founding member of savefilm.org, the campaign to protect and safeguard
photochemical film.
The Dark Crystal was shot on 35 mm
photochemical film using Panavision cameras and anamorphic lenses.
The Post was shot on 35 mm
photochemical film using Panavision cameras and finished as a native 4K Digital Intermediate.
A true
photochemical film recreation, this print was struck from new printing elements made from the original camera negative.
My video interview calling for the continued production and exhibition of
photochemical film for the Film Advocacy Task Force.
Not exact matches
Tacita Dean created
Film as a portrait of the analogue,
photochemical, non-digital medium of
film.
The artist has taken silk
film through
photochemical processes, coating these delicate surfaces with cyanotype solution.