Note from the editor: This interview with poet Ed Steck concerning his book - length poem sleep as information / the fountain is a water feature — recently published by The Center for Ongoing Research & Projects along with a newsprint broadsheet and
photocopied zine containing an essay on memory, insomnia, and replication — was conducted telepathically before being transcribed via email and finally transferred to the Brooklyn Rail.
This interview with poet Ed Steck concerning his book - length poem sleep as information / the fountain is a water feature, recently published by The Center for Ongoing Research & Projects along with a newsprint broadsheet and
photocopied zine containing an essay on memory, insomnia, and replication, was conducted telepathically before being transcribed via email and finally transferred to The Brooklyn Rail.
In conjunction with Indianapolis - based Gluestick 2017, this exhibition will highlight local and national DIY publishing and art - making and feature master copies and
photocopied zines along with original art, concept sketches, preparatory drawings, and other aspects of the zine making process.
Not exact matches
From an early age, I was producing punk & skateboarding
zines, self - made publications that were cut and pasted together,
photocopied, and stapled — they were quick & dirty, uncensored renditions — but as I got older, I started to produce my own books of poetry the same way.
Combines hand - screen - printing, monoprint, and variable editions with traditional
zines techniques such as
photocopy.
Having already worked on a project titled The Self - Publisher, gathering refuse
photocopying from various shops in different cities, stapling them into ready - made
zines full of anecdotes, such as exercise routines or CVs, this project carries on that idea of gathering locally - sourced information.
Zines by Joe Locke «highlight the affect of place» through the obsolescence of
photocopy reproduction.