A robust public programme also accompanies the show, including the opening and closing night performances of Thomas Teurlai's intriguing Score for Bodies and Machines (2017) in which two
photocopying machines create a choreographic sequence for, and in response to, the movements of local performers Benjamin Wardell and Anna - Martine Whitehead.
Not exact matches
In the mid-1970s, the artist began using the
photocopy machine as a new type of photographic lens through which she
created series of works that defy an accepted understanding of the limitations of the photocopier.
Long before the advent of current visual technologies, he foresaw our digital reality, employing
photocopy machines and other midcentury tools in his early works to
create analog visualizations of what are now fundamental traits of our digital culture.