Sentences with phrase «photograms by»

Lisa Oppenheim (American, b. 1975) produces photograms by culling Flickr images of fire in natural disasters or bombing attacks.
Reflecting Ruff's own deep engagement with the history of photography, selections from his extensive personal collection of photographic materials will be included in the show, including an 1885 study of a spark by Trouvelot; electrocardiograms from 1909; nude studies from 1923, and two majestic photograms by Arthur Siegel from the 1940s.
Major carvings including Kneeling Figure 1932 and Large and Small Form 1934 are shown with paintings, prints and drawings by Nicholson and rarely seen textiles, drawings, collages and photograms by Hepworth.
These works will be accompanied by selections from Ruff's extensive personal collection of photographic materials, including an 1885 study of a spark by Trouvelot; electrocardiograms from 1909; nude studies from 1923, and two majestic photograms by Arthur Siegel from the 1940s.
At Neven - DuMont - Straße, the exhibition «Ma - re Mount» brings together new photograms by Deschenes alongside works by Carl Andre, Richard Prince and R.H. Quaytmen, all made or selected especially for this show.
New York and Zurich - based Edwynn Houk Gallery (booth D05) is bringing the sublime black and white photographs and photograms by the great Modernist — Emmanuel Radnitzky or as he is better - known — Man Ray.
The exhibition features paintings by Baker and photograms by Kronberg.
Paris London Hong Kong is proud to present Mirror Lamp Hammer a new series of photograms by Anthea Behm.
The collection has grown to represent the full historical range of the medium, including early daguerreotypes, anonymous stereoviews, and cartes de visite; gelatin silver prints by Walker Evans, Robert Frank, and Ansel Adams; Kenneth Snelson's expansive panorama; landscapes by Carleton Watkins; photograms by Man Ray and Lotte Jacobi; and works by a range of contemporary American photographers, such as Robert Mapplethorpe, Cindy Sherman, and Andy Warhol (Polaroids).
1996 New Image Gallery, James Madison University, Harrisonburg, VA Human Nature: Solar Photograms by Martha Madigan, Haggerty Museum of Art, Marquette University, Milwaukee, WI
Twenty - Five copies of the edition will be sold for $ 450.00 with an original photogram by conceptual / sound artist Christian Marclay.
A solid - white photogram by Deschenes shifts in tone as it's exposed to light throughout the duration of the show: another comment on how art changes in a museum setting.
I was inspired to make this photogram by two things: finding in the New York Times a documentary photograph of a house blown apart by a hurricane, and thinking about the notion of shape as form in high Modernist painting.

Not exact matches

In this discourse of evolution, the figure of Shakespeare appears frequently represented by busts and a series of photograms which will be presented together with the video inside the gallery.
, silver gelatin photograms mounted to sheets of aluminum stand upright on the gallery floor, stabilized by rectangular white frames.
Over the past twenty years, Fuss has created a distinctive style by reinterpreting some of photography's earliest techniques, particularly the camera-less methods of the daguerreotype and photogram.
Simply described, a photogram is an image created without a camera by placing objects or shining light directly onto photographic paper and developing the paper.
Featured images: Milly, Tom Butler, Goauche on Albumen Print, 2014 Courtesy Charlie Smith, London Where Is It Now, Marie Navarre Film positive, book page, glass, steel, 1998 Courtesy Lisa Sette Gallery, Phoenix, Arizona Slip 17, Farrah Karapetian, unique photogram, 2014 Courtesy Von Lintel Gallery Alison Rossiter Nepera Chemical Company Carbon Velox, shipped from works November 8, 1897, processed 2014 (# 1), Courtesy Yossi Milo Gallery Broadway, New York City in the Rain, Edward Anthony, Albumen Print Courtesy Metropolitan Museum of Art Church Gate, Sebastao Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gallery
The background, selected for its resemblance to a generic abstract or experimental photogram, perhaps from the 1920s, is an image made by chance, a piece of light - sensitive commercial photographic paper marked by random accidents of storage — and here digitally scanned.
Behm's photograms engage the connections between two seemingly distinct media: drawing, characterized by gesture and the artist's hand, and photography, an ostensibly objective representation of the world around us.
Exhibitions on view — Ronald Jones: 16 Isarstrasse An exhibition of 15 photograms produced by the artist in 1991 in East Berlin and published by Edition Julie Sylvester, New York.
Photograms, here too pierced by flaps and photos, recall Surrealism.
Forsyth's work explores a breadth of themes, reflected in the range of techniques he employs: analogue and digital exposures taken by the artist exist in his work, alongside computer generated imagery, photograms, and photographic collages from historic magazines and vintage postcards.
Recent works include a series of beautifully coloured photograms, Lycopodium, created by burning the spores of Lycopodium moss against photographic paper and Replaying the mistake of a broken hammer (2011), a shimmering metal rod with the brittle properties of glass, created by deliberately interrupting the steel - tempering process.
Tatiana Kronberg's work is created from and is a document of an interactive performance involving both persons and material, resulting in a photogram — an image created directly onto light - sensitive photo paper exposed by a series of light flashes without the use of a camera.
Camera - based film negatives are enlarged onto light - sensitive paper that is partially obstructed by other materials (the technique used to make photograms).
The alchemical romance of bio-polymer research, from the finery and wonder of pinkish grey silk embedded with gold nano - rods to a grave - yard of assault by photogram.
He even developed special software for his digital abstract «Photograms» which was inspired by Lázsló Moholy - Nagy and Man Ray, the inventors of the photogram; the technique of laying objects onto photographic paper and exposing it to light.
In 1910 Kandinsky made the first modern abstract painting; in 1911, the Italian Futurists Bruno Corra and Arnaldo Ginna made the first abstract films; in 1913, inspired by the Futurists, Wyndham Lewis made his first Vorticist abstractions; in 1915, Malevich painted his «Black Square»; in 1916, Mondrian and Van Doesburg founded De Stijl; and in 1921, Man Ray made his first photograms.
Humanity looms larger and closer to the picture plane, in what are actually photograms touched by drawing.
Featuring works by leading artists from the 1960s to the present day, the exhibition takes as its starting point Robert Heinecken's seminal series of photograms Are You Rea, 1964 — 68, as well as works by «Pictures Generation» artists, including Richard Prince, Barbara Kruger and Louise Lawler, who came of age during the media - driven consumer culture of the late 1970s and early 1980s.
Lisa Oppenheim and Ana Cardoso, Untitled, 2011 Unique color photogram 14 x 11 inches July 2 — September 4, 2011 We are pleased to announce YIN YANG MUSIC, our sixth summer NOS exhibition and residency program curated by artist Amy Granat.
Untitled, from 1971, is a suite of photograms produced by scattering donuts on photographic paper.
Beshty's latest show, «Open Source» at Petzel Gallery in New York, contains new works by the Los Angeles - based artist, including large - scale photograms, sculptures made from disemboweled office machines and pierced flatscreens, and new copper works.
In this new series he works on the idea of photograms which were played around with by artists such as Man Ray, Moholy - Nagy.
These unique photogram prints are made in the darkroom by a process which orients the paper vertically in relation to the enlarger above.
They have a hermetic self - contained logic in that each is a photogram of the shadow cast by the enlarger light upon the fold.
LV: In your second «umbrella concept» Struck by light, you present a collection of works made with the color photogram technique.
The selection of work includes examples of calotypes, tintypes, photograms and other unusual, unlikely and untimely processes by featured artists, Marco Breuer, Eric William Carroll, Dan Estabrook, Michael Flomen (watch an example of Michael's video work), Michelle Kloehn, and Chris McCaw.
«Photogram» by László Moholy - Nagy, 1926.
Richard Caldicott's photograms and paper negatives are part of a group exhibition at M+B Gallery, organized by Phil Chang and Matthew Porter, and shown alongside work by Julie Cockburn, Adam Putnam, and Hannah Whitaker, among others.
The resulting marks are reminiscent of photograms, a cameraless photographic technique developed by early photographers but often associated with experimental 20th century photography.
Produced by lying directly upon the paper, the photograms anticipate not simply Le Va's collisions, but Yves Klein's Anthropometries (1960 — 1961), Jasper Johns» Skin drawings (1962)(fig. 19), David Hammons» bodyprints (1969 — 1976), and Bruce Conner's ANGEL self - portrait photograms (1973 — 1975)(fig. 18).
Her work falls within a tradition of «rayographs», or photograms, established by artists such as Man Ray, and Laszlo Moholy - Nagy, in the 1920's, artists whose work in photography was informed by their painting and sculptural practice.
In «Bracket (London)» (October 14 — December 14, 2013) and «Bracket (Paris)» (October 24 — November 16, 2013) at both of Campoli Presti's galleries, Liz Deschenes addressed the determining role of light in photography by invoking the work of nineteenth - century photographers William Henry Fox Talbot (English) and Louis Jacques - Mandé Daguerre (French) to produce ten new photograms.
The exhibition Thomas Ruff: Lichten at S.M.A.K. (Stedelijk Museum voor Actuele Kunst) in Ghent, Belgium, presents two new series by the German photographer Thomas Ruff: Phg (Photograms, started in 2012), a virtual simulation of the classical genre of the photogram, and Negative (started in 2014), a series in which Ruff reaches back to photography's roots in the 19th century.
According to Aperture Magazine: Turning away from straight photography in the mid-1990s, «Ruff has taken up a study of the photogram, updating the form for the digital era by creating his works in a 3 - D digital studio environment and outputting the resulting images in the large scale he tends to favour.»
The action of sunlight on kitchen surfaces produces a sequence of beautiful photograms: whorls left by wires, discs by plates and so on, geometric abstractions that resemble graceful paintings.
Barbara Hepworth (l - r) Double Exposure of Two Forms, 1937, Photograph Photo - collage with Helicoids in Sphere in the entrance hall of flats designed by Alfred and Emil Roth and Marcel Breuer, Zurich, 1939 Both from Private collections and © Hepworth Photograph Collection Self - Photogram, 1933 Tate © Bowness, Hepworth Estate
From a series of beautifully coloured photograms, Lycopodium, created by burning the spores of the eponymous moss against photographic paper, to Replaying the mistake of a broken hammer (2011), a steel bar that has been subjected to different and sometimes interrupted stages of the hardening process leaving the metal at different stages of fragility.
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