Sentences with phrase «photograms in»

From Georgy Zimin and El Lissitzky's playful photograms in the studio to Alexander Rodchenko's unique and extreme view of the street — making one see all anew, they push the boundaries of the young medium.

Lisa Oppenheim Landscape Portraits (Birdseye Maple and Cherry)(Version II), 2015 Two silver gelatin photograms in Birdseye Maple and Cherry frames 38 5/8 x 50 1/4 inches; 98.1 x 127.6 cm (overall) 38 5/8 x 24 5/8 inches; 98.1 x 62.5 cm (each frame)

In 2009 and 2010, in two versions of a piece called tilt / swing (360 ° field of vision), Deschenes playfully deployed mounted photograms in a 360 degree circuit from floor to ceiling; the prints in this piece behave like the seats on a carousel, abstracted into planes.

Lisa Oppenheim Landscape Portraits (Butternut)(Version I) 2015 Set of four silver gelatin photograms in Butternut frames 24 3/8 x 24 1/4 inches; 61.9 x 61.6 cm (each frame) 49 3/8 x 49 3/8 inches; 125.4 x 125.4 cm (overall)

Lisa Oppenheim Landscape Portraits (Engineered Eastern Red Cedar)(Version I) 2015 set of four silver gelatin photograms in Eastern Red Cedar and Birch frames 50 3/8 x 54 1/4 inches; 128 x 137.8 cm (overall) 24 7/8 x 26 3/4 inches; 63.2 x 67.9 cm (each frame)

Lisa Oppenheim Landscape Portraits (Apple)(Version I) 2015 Set of four silver gelatin photograms in Apple frames 49 1/2 x 49 1/2 inches; 125.7 x 125.7 cm (overall) 24 3/8 x 24 3/8 inches; 61.9 x 61.9 cm (each frame)

Lisa Oppenheim Landscape Portraits (Birdseye Maple and Cherry)(Version I), 2015 Two silver gelatin photograms in Birdseye Maple and Cherry frames 38 5/8 x 50 1/4 inches; 98.1 x 127.6 cm (overall) 38 5/8 x 24 5/8 inches; 98.1 x 62.5 cm (each frame)

Lisa Oppenheim Landscape Portraits (Poplar)(Version III), 2015 Set of four silver gelatin photograms in Poplar frames 51 1/2 x 54 3/8 inches; 130.8 x 138.1 cm (overall) 25 3/4 x 26 3/4 inches; 65.4 x 67.9 cm (each frame)

Landscape Portraits is a new series of photograms in which Oppenheim uses very thin slices of wood as negatives applied directly to a photosensitive surface.

Photograms in saturated emerald, aqua and gold on matte or metallic paper elicit an immediate how?

Later she created abstract photograms in her darkroom, creating imaginary scenes often with just the light of a kitchen match to expose the images.

The MoMA show will open with their collaborations — namely, the so - called «blueprints,» life - size photograms in which their bodies appear as white silhouettes bathed against a Prussian blue background.

Hank Ketelsen of Savannah College of Art and Design created this silver gelatin photogram in the darkroom on 11x14 - inch Oriental RC paper.

Not exact matches

Welling's work in and around photography in the decades since informed his choices of FCA art to sell, and one of his own pieces is also on offer, Hands (1976), a series of six photograms of fists and fingers in different arrangements.

In her current exhibition at Lori Bookstein Fine Art, Eve Aschheim is showing both drawings and photograms.

Bryan Graf's second full - scale gallery exhibition, Broken Lattice, will open at Yancey Richardson Gallery on April 11, 2013, featuring a series of new photograms and camera-less images created in the artist's studio and in the field.

LONDON - Presenting works made between 2008 and 2017 in various media, including sculpture, painting, film, installation, photograms and posters, the exhibition asserts McElheny's view that «reconstructing history» can be a creative process itself and that aesthetics are always political.

In this discourse of evolution, the figure of Shakespeare appears frequently represented by busts and a series of photograms which will be presented together with the video inside the gallery.

Removing my own 8 ″ square painting Duke Street Tetractys from my bag, I place it in a position that had been left especially for it, directly beneath a lovely painting that could be a photogram of a necklace.

Her work is easy to consider in art historical terms as we see direct parallels between the amorphous monochromes of the more atmospheric photograms and Helen Frankenthaler's color field paintings.

In each of her single or multi-leaf photograms, she continues to balance the positive and negative spaces leaving just the «right» amount of void to «hold» the composition.

These 5 x 7 ″ photograms made from paper that expired in September of 1911, were priced at around $ 7,500 and are already sold out and not surprisingly.

«A Gathering,» a mini-retrospective at Richard Gray featuring 25 of her drawings, paintings and photograms (plus an assortment of tiny clay sculptures) spanning more than six decades, was a big step in that direction.

These find counterparts in a series of photograms made using reams of outmoded, industrial «Phototype»: long film negatives which have entire font families printed on them.

From early assemblages to pioneering works in film, from photography and photograms to prints, drawings, paintings, and conceptual works, Conner pursued a distinctive vision that endlessly broke new ground.

In this body of work, Oppenheim makes photograms from paper - thin slices of wood, using the same arboreal species to frame the images.

In this series, «body prints» or photograms of life size figures, often children, are combined with elements from nature to create both color and monochromatic works.

In this video, 2012 Whitney Biennial artist Liz Deschenes discusses her work with photograms, a type of photographic image made without a camera.

Liz Nielsen's work joins and adds to the historical tradition of the photogram — one of the medium's earliest processes - but one which has enjoyed a renaissance in the worlds of contemporary art and color photography.

A solid - white photogram by Deschenes shifts in tone as it's exposed to light throughout the duration of the show: another comment on how art changes in a museum setting.

It consists of artworks in a range of media, including a seven - minute video, color photographs, black - and - white photograms, and aluminum and Plexiglas sculptures.

Introducing the aspect of time, Andro's Book is a photograph of a worn Edvard Munch catalogue positioned in a blue - toned studio setting that mimics the blue markings left on the book's cover from partial sun - exposure; Alexi - Meskhishvili describes the catalogue as a «found photogram.»

Gripping in its complexity, it's composed of large - scale photographic paper that she imprinted with square photograms (most likely made with Plexi, a staple of her later work) then stretched, still wet, over a canvas screen and then drew atop.

This substantial Ruff overview accompanies a major retrospective survey at the Whitechapel Gallery in London, and contains all of his most renowned series, including portraits, disasters, sky and cityscapes, internet nudes, photograms, manga images, magnetically generated images and found press photographs.

Featured images: Milly, Tom Butler, Goauche on Albumen Print, 2014 Courtesy Charlie Smith, London Where Is It Now, Marie Navarre Film positive, book page, glass, steel, 1998 Courtesy Lisa Sette Gallery, Phoenix, Arizona Slip 17, Farrah Karapetian, unique photogram, 2014 Courtesy Von Lintel Gallery Alison Rossiter Nepera Chemical Company Carbon Velox, shipped from works November 8, 1897, processed 2014 (# 1), Courtesy Yossi Milo Gallery Broadway, New York City in the Rain, Edward Anthony, Albumen Print Courtesy Metropolitan Museum of Art Church Gate, Sebastao Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gallery

We visited The Crystal Lands show of Josiah McElheny works at White Cube in Bermondsey, filled with installations, paintings, photograms, posters and video

Exhibitions on view — Ronald Jones: 16 Isarstrasse An exhibition of 15 photograms produced by the artist in 1991 in East Berlin and published by Edition Julie Sylvester, New York.

The Iranian - born artist Sheree Hovsepian has been working with photograms, producing abstract images — such as in her «Haptic Wonders» series — that seem to exist, palpably, in real space.

She acquainted him with the art of photograms and possibly with photography itself, a medium that came to play an enormous role in his art.

Ms. Weil had been making photograms since her precocious girlhood, and she mentioned how annoying it is to find herself described in articles as «Bob's helper.»

In his recent photograms, he has used no camera at all.

The zigzag tracings of the palm leaves recall photograms or the stylized manipulations of light in film noir (in which many of these trees once featured), while the inky gloss of the images simultaneously reflects viewers» gaze and sucks them into an interstellar vastness.

In larger - scale works directly mounted to the wall, lengths of black fabric are pinned at four corners, resembling flayed skin and, just as readily, a protective shroud; behind, there are gently suspended rolls of paper cascading down the length of the fabric or a partially unfurled photogram.

Forsyth's work explores a breadth of themes, reflected in the range of techniques he employs: analogue and digital exposures taken by the artist exist in his work, alongside computer generated imagery, photograms, and photographic collages from historic magazines and vintage postcards.

Tatiana Kronberg's work is created from and is a document of an interactive performance involving both persons and material, resulting in a photogram — an image created directly onto light - sensitive photo paper exposed by a series of light flashes without the use of a camera.

Carey: The 20th century art movements — Abstract Expressionism, Minimal, Conceptual Art — give my experimental photogram work a context in the 21st century, from this camera-less method at the dawn of the medium in the 19th century to fresh interpretations in the present.

The fabric veiling the photogram references the artist's physical movements to cover and uncover the light - sensitive paper in the darkroom.

Her conceptual expansions of photographic abstraction manifest in series such as Sleight of Hand and Haptic Wonders (both 2011 — ongoing), which primarily focus on the photogram.

Her experimentation with abstraction in stone and her pioneering piercing of the block went hand in hand with her experimentation with collage, photograms, and prints.

In 1910 Kandinsky made the first modern abstract painting; in 1911, the Italian Futurists Bruno Corra and Arnaldo Ginna made the first abstract films; in 1913, inspired by the Futurists, Wyndham Lewis made his first Vorticist abstractions; in 1915, Malevich painted his «Black Square»; in 1916, Mondrian and Van Doesburg founded De Stijl; and in 1921, Man Ray made his first photogramIn 1910 Kandinsky made the first modern abstract painting; in 1911, the Italian Futurists Bruno Corra and Arnaldo Ginna made the first abstract films; in 1913, inspired by the Futurists, Wyndham Lewis made his first Vorticist abstractions; in 1915, Malevich painted his «Black Square»; in 1916, Mondrian and Van Doesburg founded De Stijl; and in 1921, Man Ray made his first photogramin 1911, the Italian Futurists Bruno Corra and Arnaldo Ginna made the first abstract films; in 1913, inspired by the Futurists, Wyndham Lewis made his first Vorticist abstractions; in 1915, Malevich painted his «Black Square»; in 1916, Mondrian and Van Doesburg founded De Stijl; and in 1921, Man Ray made his first photogramin 1913, inspired by the Futurists, Wyndham Lewis made his first Vorticist abstractions; in 1915, Malevich painted his «Black Square»; in 1916, Mondrian and Van Doesburg founded De Stijl; and in 1921, Man Ray made his first photogramin 1915, Malevich painted his «Black Square»; in 1916, Mondrian and Van Doesburg founded De Stijl; and in 1921, Man Ray made his first photogramin 1916, Mondrian and Van Doesburg founded De Stijl; and in 1921, Man Ray made his first photogramin 1921, Man Ray made his first photograms.