Untitled 2008 - 2016 Enamel paint, acrylic medium, dyed paper, dyed colour
photograms mounted on colour photogram, mounted on newsprint with enamel paint 51.6 x 43.8 x 3.8 cm / 20.3 x 17.3 x 1.5 in framed
, silver gelatin
photograms mounted to sheets of aluminum stand upright on the gallery floor, stabilized by rectangular white frames.
Silver - toned gelatin silver
photograms mounted on metal.
Tatiana Kronberg Untitled (frustration would have presence as its figure), 2016 chromogenic
photogram mounted on aluminum 46 x 30 inches
Tatiana Kronberg Untitled (isn't the object always absent), 2016 chromogenic
photogram mounted on aluminum 45 x 32 inches
Gelatin silver print
photogram mounted on canvas, 62 1/4 x 102 in.
Not exact matches
In larger - scale works directly
mounted to the wall, lengths of black fabric are pinned at four corners, resembling flayed skin and, just as readily, a protective shroud; behind, there are gently suspended rolls of paper cascading down the length of the fabric or a partially unfurled
photogram.
At Neven - DuMont - Straße, the exhibition «Ma - re
Mount» brings together new
photograms by Deschenes alongside works by Carl Andre, Richard Prince and R.H. Quaytmen, all made or selected especially for this show.
Four elongated
photograms made by exposing photographic paper to moonlight are
mounted on Dibond and hung on the walls in a symmetrical fashion that mimics both 19th - century stereoscopy and the receding lines of linear perspective.
In 2009 and 2010, in two versions of a piece called tilt / swing (360 ° field of vision), Deschenes playfully deployed
mounted photograms in a 360 degree circuit from floor to ceiling; the prints in this piece behave like the seats on a carousel, abstracted into planes.
MAN RAY (1890 - 1976) Untitled Rayograph, 1922 unique gelatin silver
photogram signed in pencil (on the
mount); annotation «Original Man Ray 23» in ink (on the reverse of the
mount) image / sheet: 9 1/4 x 7in.