Sentences with phrase «photograph of the artist standing»

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

Not exact matches

Bible Road is a very different book from Church Signs Across America, in large part because the Paulsons stood in front of a lot of signs and took snapshots of them, whereas Fentress is a gifted artist whose photographs embrace the varying moods and textures of the many distinctly American scenes he portrays.

«Vertical Elevated Oblique» included C - stands used as workhorses for lighting, fabric, showcards and other apparatus in the film industry (Syms grew up in Los Angeles around this business and remains based in the city) strung with found photographs in which several hands were pictured forming the kind of gestures seen in her video, while items of the artist's clothing printed with phrases were also slung over these tubular frames, suggesting an absent body.

1996 Mixed media installation (hand - painted signs, mounted color photographs, standing metal sign and books from the collection of the artist) Dimensions variable ARG # RUA1996 - 001

Some of China's most established contemporary artists and several younger names appear in this group exhibition (the letters in the title stand for «video» and «photograph»).

Discussing her large - format photograph Presently, Here Standing, Ntombi (2016)-- an arresting image of Brand's friend standing in a bathroom with breasts bared, staring directly into the camera — the artist explained: «That work was about the experience of being in Cape Town and feeling inStanding, Ntombi (2016)-- an arresting image of Brand's friend standing in a bathroom with breasts bared, staring directly into the camera — the artist explained: «That work was about the experience of being in Cape Town and feeling instanding in a bathroom with breasts bared, staring directly into the camera — the artist explained: «That work was about the experience of being in Cape Town and feeling invisible.

This large - scale retrospective — the artist's second posthumous exhibition in India — of 135 drawings, paintings, and photographs by Karachi - born Nasreen Mohamedi (1937 — 1990) stands out among a trio of shows the museum has ambitiously organized to explore links among artwork by women of South Asian descent over the last century.

James Casebere first came to notice as a member of the famed «Pictures Generation,» standing out from fellow artists like Cindy Sherman and Richard Prince for his uncanny take on appropriation: instead of lifting images from popular culture, Casebere created tabletop models of architectural settings out of modest materials and photographed them in eerily flat, theatrical light.

Desire as a Form of Energy (2015) is a new floor - standing work that expands Pirecki's Image Persistence series, using an image taken from digital documentation of an artwork the artist no longer owns, photographed directly from her computer screen with all the attendant pixelation.

A recreation of a bust that Mayo made of Giacometti, long destroyed, stands nearby, its features somewhat less delicate than his aquiline profile in the only known photograph of the work, in which it sits between the two young artists.

The foam block in Another Interlude may make you think of fellow German artist Joseph Beuys; the sole photograph in the exhibition will surely make you think of Hans Bellmer and Man Ray — it's a restaged version of the latter's 1920 work The Coat - Stand (Porte manteau), the original of which is at the National Gallery of Modern Art in Rome, and appears briefly in Another Interlude.

Namuth's photographs and films of Pollock still stand among the most important documents showing an artist in his studio and continue to influence artists as diverse as Richard Serra (whose molten - lead sculptures from the late»60s transpose the drip paintings into three dimensions) and Vik Muniz (who appropriated one of the images for a painting in chocolate).

Mame Diarra Niang's «Metropolis Central» series of photographs flattens Johannesburg's urban landscape into arrangements of colored planes, refashioning it into an imaginary, mutable territory that stands in for the artist's peripatetic upbringing.

There's a photograph of all the artists of the New York School standing next to Barge, including artists of the next generation.

Last night at Baxter St at the Camera Club of New York's opening of «Do Not Destroy,» California artist Sadie Barnette's first solo exhibition in New York City, Rodney Barnette stood in between two large framed photographs of himself from nearly 50 years ago: one, dressed in the uniform of the U.S. Army before he was sent to fight in Vietnam, and after, outfitted in the black turtleneck, black leather jacket, solidarity - fist button, and black beret that were the de-facto uniform of the Black Panther Party, of whom he was once an organizer.

«In Iraq, there are no institutions, there are no curators, there is hardly a gallery scene, he said, standing in rooms showing modernist photographs from the mid-1960s by an Iraqi artist no in his 90s, and images of tortured prisoners taken by a 30 - year - old Iraqi refugee now living in Turkey.

But those questions seem remote when you're standing in front of Dallas artist Jesse Morgan Barnett's photographs of scrapes left by cars on roadside guardrails that somehow evoke the stillness and grandeur of landscape and the speed and grandeur of mid-20th century abstract expressionism.

Juxtaposed with the ongoing video work, the artist has created an installation of double - sided photographs and «cookies»; these forms are mounted on century stands, devices often employed in film production.

This exhibition will include four works: a Giacometti painted bronze sculpture, Standing Woman, 1948; a large Mark di Suvero sculpture in metal and wood, entitled The A Train, 1966; a large - scale color photograph by Jeff Wall, A ventriloquist at a birthday party in October 1947, 1990; and a suite of seven carved wood sculptures by the American folk artist Edgar Tolson, entitled The Fall of Man.

To take just one example, consider Michael Landy's Semi-Detached — John and Ethel Landy (2004), a photograph of the artist's parents standing in front of a full - scale model of their modest, pebbledash - fronted suburban house, which he had installed inside Tate Britain.

Mira Dancy's gorgeous, joyful mural of a reclining female nude, for instance, takes off across from the ecstasy of feminist artist Mary Beth Edelson's Woman Rising (1973), a black - and - white photograph in which a woman stands in an open desert, her arms stretched out toward the sky in a gesture of empowerment and freedom that is reinforced by a V - shaped line of contrails in the sky.