and the date it was painted — two years after the Cuban revolutionary was killed in Bolivia, where
the photograph of his corpse on a concrete slab in the laundry room was made to available to the press — suggest that the painting is both a memorial and an attempt (signaled by the exclamation point) to resurrect him or, at least, his spirit.
This is a dead portrait, named after the German news magazine that first printed the shocking
photograph of the corpse of Ulrike Meinhof, the Red Army Faction terrorist who was cut down from the towel noose with which she either killed herself or was murdered (perhaps having been previously raped), in her Stammheim prison cell in 1976.
This consensus lasted only a few days before it was demolished by an angry cascade of angry objections to the inclusion of Dana Schutz's painting Open Casket, a semi-abstract rendering of
a photograph of the corpse of Emmett Till, an African - American youth who was brutally lynched in 1955 after being falsely accused of flirting with a white woman.
Such is the case with Jeremy Blake's woozy film tour of a ghost - haunted California mansion; Judith Schaechter's stained - glass windows with clowns instead of sacred emblems; a sound piece by Archive (Chris Kubick and Anne Walsh) that conjures the spirit of Joseph Cornell; and AA Bronson's candy - color
photograph of the corpse of his fellow artist Felix Partz, a Pop version of a Victorian post-mortem portrait.
Not exact matches
The Revenant: Handsomely assembled and gorgeously
photographed, the most trying aspect
of watching this year's probable Best Picture winner isn't enduring the bear attacks, equine
corpse mutilations, or midnight snacking on organ meats; it's simply trying to figure out why we're seeing what we're seeing.
There are remarkable moments too though: Sambo's Banjo, for example, by Betye Saar, in which the banjo case opens to reveal a hanged
corpse beside a hanged skeleton, or the rich, tonally dark
photographs of Roy DeCarava, or the forceful simplicity
of Faith Ringgold's posters.
Schutz's 2016 painting Open Casket was inspired by the
photograph of the mutilated
corpse of Emmett Till, whose mother, Mamie Till Mobley, insisted on an open casket at his funeral because she wanted her community to see what had happened to her son.
The Multi-Coloured Deluxe Spin Bass Guitars are an edition
of 50 and come in a specially designed, hand spun case, including a «exquisite
corpse» drawing by Hirst and Flea; a 6 x 6» framed monochrome butterfly gloss on canvas; a unique
photograph of Hirst and Flea holding the guitar and 20 specially designed plectrums.