Sentences with phrase «photograph on the billboard»

If he or she does not appear to be that photograph on the billboard ad, forget it!

He and the whole of Sweden had seen Salander's passport photograph on billboards outside every newspaper kiosk for weeks.

Not exact matches

Pennsylvania About Blog Michael has over 16 years photographing commercial photographs that have run in magazines, television, on product labels, billboards and online for clients of all sizes from local Mom and Pops to National and International clients.

The large photographs are installed side by side on either half of the billboard, separated by a narrow space.

Next door, at Metro Pictures, Louise Lawler also broke new ground by blowing up some of her photographs to billboard size and printing them on vinyl.

Moulène's contribution to documenta X (1997) can be comprehended as a subtle but wide - ranging intervention: The artist supplied diverse photographs at that time, which were exhibited on billboards and in daily newspapers, the media that — before the flood of digital images — dominated everyday life.

«Wheels and Heels» on a billboard featuring David Drebin's photographs at Galerie de Bellefeuille in Montreal.

Positioned on billboards in downtown Toronto and in eight cities across Canada, Erizku's photographs upend still life traditions and visual marketing strategies.

Her words and pictures have been displayed in both galleries and public spaces, as well as framed and unframed photographs, posters, postcards, t - shirts, electronic signboards, billboards and on a train station platform in Strasbourg, France.

Except for a few earlier examples, the photographs shown in the new book OX Public Posters, published by International Neighborhood Verlag and distributed by Gestalten, are selected from the three hundred or so paintings he has placed on public billboards around the world from 2004 to 2014.

In addition to the presentation of these 24 photographs, the artist will restage his 1979 billboard project A Salesman on Market Street at Guerrero, blocks away from the original site.

Continuing the celebration of San Francisco's «Sultan Spring», Minnesota Street Project will also feature Sultan and Mandel's Billboards series (1974 — 1989), including the original Oranges on Fire billboard, 1975, a series of photographs of Billboard works in situ and a slide show of the billboards in pBillboards series (1974 — 1989), including the original Oranges on Fire billboard, 1975, a series of photographs of Billboard works in situ and a slide show of the billboards in prbillboard, 1975, a series of photographs of Billboard works in situ and a slide show of the billboards in prBillboard works in situ and a slide show of the billboards in pbillboards in production.

Beginning with the series Trackers (2005), eighty - five photographs of Bedouin - descended Palestinians who have served or still serve as volunteers in the Israeli Army, the show concludes with the haunting series Death (2011 - 12), sixty - eight photographs of posters, billboards, and cardboard cutouts of Palestinian martyrs, depicted with weapons in hand, which are displayed in people's homes or on the streets to preserve their memory.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

These billboards, photographed in 1941, show another venue for getting the word out to the public about the benefits of working with NAR members on real estate transactions.