The film itself is, for the most part, the National Theatre production (splitting hairs a bit, Olivier called it «not
a photographed stage performance... [but] a film of a performance»).
Not exact matches
Photographed mostly on Australian soundstages, with Australian actors approximating a turn - of - the - century
performance style better suited to a turn - of - the - century
stage melodrama, «Winchester» pauses now and then for Mirren's Sarah to expound on the grim slaughter that created her late husband's fortune.
There are also documentary
photographs and other archival ephemera, books printed on campus by BMC poets and sound works of readings, and a
stage and piano for
performances to take place regularly during the run of the exhibition.
The exhibition, which will be held at the Museum of Contemporary Art, Andros, through September 26, 2010, will feature a total of 76 works, including 42 sculptures, 34 drawings and preliminary sketches, and a series of
photographs documenting
stage sets designed by the artist for various
performances, as well as public works realized across Europe, Asia and the United States.
Posters, fliers, mailers,
performance scripts, sketches and dog - eared
photographs accompany and enrich the costumes, props, films, and
stage sets.
The script provides particular insight into Rainer's thought process as it includes a
stage diagram, set specifications, approximate length of
performance, and
photographs of specific moments throughout the piece.
In 2011, she made a wall piece collaging hundreds of Kruger look - alikes that she found on the internet, and in November, she
staged her first - ever
performance: a flash sale of Barbara Kruger merch modeled after a «drop» from Supreme, the skatewear brand whose logo mimics the white - Futura - on - red text treatment that she layers over black - and - white
photographs...
Sherman's
photographs are a kind of
performance art, which usually feature herself as a model in the guise of some stereotyped female role, in a setting
staged in her studio.
From the first Gutai Art Exhibition (1955), a large - scale documentary
photograph and video of Shiraga's
performance piece, Challenging Mud, set the
stage for the radical and progressive art in the exhibition.
In the
performance, a nude male actor, Mehdi Berkouki (who goes by the
stage name Monico Chiquito), will move through the galleries of the biennial in a psychoactively dissociated state and obsessively post
photographs of himself to various social media, including Vine and Instagram.
This exhibition — his first retrospective in the United States — examines each
stage of Graham's career through his
photographs, projects for magazine pages, films, architectural models and pavilions,
performances, video installations, prints, drawings, writings, and his work with musicians Sonic Youth, Glenn Branca, and Japanther.
And she convinced her mother to become her first model, producing erotically charged images that became the basis for her early paintings, In fact, much of her process comes from
performance, and
photographing performances that she
stages.
For the Armory, the agency's first - ever United States fair, Jaroljmek has
staged a powerful solo exhibition of the LGBTQ Kenyan video and
performance artist Ato Malinda, who was on hand at the VIP preview; among her works is a series of light - box
photographs that show her wearing makeup in the pattern of the rainbow flag and then wiping it off, so as to question, in her words, «whether the flag is a coherent representation for a black lesbian in Kenya.»
Norte Maar will showcase more than eighty of Lemberger's
photographs, offering a comprehensive overview of New York's world of dance and
performance, both on
stage and behind the scenes.
Oscillating between «previous» and «current» show, and functioning as a layered afterimage of the former, the
photograph documents a
performance staged in Chambaud's installation, one pregnant with art - historical implications.
Taking this aspect as its lens, the exhibition has put together
photographs, videos, objects, paintings, and installations that address theater, film,
performance, role play,
staging and production.
Over 500
photographs are on display, from vintage prints of Victorian
stage stars, through documentation of
performance art happenings in the 1960s, to recent work by Instagram artist Amalia Ulman.
Helnwein's drawings, paintings, and
photographs owe a clear debt to the work of the Viennese Actionists, who
staged gruesome
performances in the 1960s, just a few years before Helnwein became a student at the Akademie der Bildenden Künste in Vienna.
Artist Lenora de Barros has been known to
stage performances in front of the camera, thus documenting her actions in energetic images such as this — here, a
photograph (produced in an edition of 30) captures the artist mid-air, playing with a ping pong ball.
Where Beckers's
performance stages personal stories of problematic human relationships in The Exact Opposite of the Exact Opposite, Miliani's series Folding Characters combines found footage of scene
photographs from plays with a collection of folded fabrics, and Ivison and Tcharfas, in turn, created a reading room and event space after Cecil Court's antique bookshops.
Whether by
staging a
photograph of two zebras on a snowy mountaintop or transforming a contemporary art museum into an arena of screaming people, her irreverent installations, sculptures,
performances, and
photographs bring together playful and unexpected elements from our everyday world that present the inconceivable as real.
That set then becomes the
stage for video and
photographs with choreographed actors who activate the set in a filmed
performance.
A wall painting transports the visitor from one space to the next, and a room filled with
photographs makes it clear that Lotte Lyon's
staging is meant to give an impression of theatricality and
performance, as much as they are referencing various Minimalist traditions.
Installed in the middle of the Yokohama Museum of Art, Michael Landy's massive Art Bin (2014) was the exhibition centerpiece — matched in scale and exuberance by installations such as Miwa Yanagi's mobile
stage truck, which provided a site for gravity - defying pole dancing
performances, and Shinro Ohtake's wheeled shed assembled from scrap materials and
photographs — but many of the other works were distinguished by intimate reserve, apparent, for example, in René Magritte's small, black - and - white
photographs from the portfolio «The Fidelity of Images» (1935), and Melvin Moti's film No Show (2004), depicting an empty Hermitage Museum through a single image accompanied by a voice track.