Not exact matches
Leave it to famed rock «n» roll
photographer and visual director for Depeche Mode and U2, Anton Corbijn, to make his second
feature film an achingly beautiful event and so very European for its American
production company.
Special
Features include: an «Entertainment Tonight» segment in which Paul McCartney tells a spectacularly shallow anecdote about his Oscar - nominated title song; the clip - laced video for «Afrika Shox» by Leftfield / Afrika Bambaataa; eight still galleries introduced by Vanilla Sky's on - set
photographer Neal Preston, who used to accompany Crowe on his ROLLING STONE assignments; Vanilla Sky's (unreleased) teaser and theatrical trailers, in 5.1; and a long listing of the Paramount DVD's
production credits.
Special
Features Audio commentary from 2002
featuring director Robert Altman and producer David Foster New making - of documentary,
featuring members of the Cast and Crew New conversation about the film and Altman's career between film historians Cari Beauchamp and Rick Jewell Featurette from the film's 1970
production Art Directors Guild Film Society Q&A from 1999 with
production designer Leon Ericksen Excerpts from archival interviews with cinematographer Vilmos Zsigmond Gallery of stills from the set by
photographer Steve Schapiro Excerpts from two 1971 episodes of The Dick Cavett Show
featuring Altman and film critic Pauline Kael Trailer PLUS: An essay by novelist and critic Nathaniel Rich
An artist book, directed by renowned
photographer Juergen Teller and published by Rodovid Press, will
feature works from the exhibition along with a «backstage look» at the
production of Mikhailov's Parliament series.
An artist book, directed by renowned
photographer Juergen Teller and published by Rodovid Press,
features works from the exhibition along with a «backstage look» at the
production of Mikhailov's Parliament series.
Photographer shall properly identify «Clyfford Still Museum» in the credits of any
feature - length
productions or publications in which the photographs / film may appear.
Chronologically arranged, it
features works from the 1970s and 1980s interspersed with never - before - seen watercolors, collages, notes,
production stills, music, and other ephemera that provide insights into the working process of one of America's most innovative and significant
photographers.