The publication is introduced by a set of
photographic archive images representing the formal and iconographic sources of the paintings, which are then shown in a chromatic sequence highlighting the artist's deep research on colors, light and space.
Not exact matches
A decade later, he set up the Aerial
Photographic Archive for Archaeology in the Middle East — an initiative to map the area that now has more than 140,000 aerial
images.
Danish artist Mette Juul works primarily in video and photography, focusing on
photographic archives and
images as narrative structures.
Appropriated from the Library of Congress»
photographic archive, the
images depict adolescent textile workers — primarily young women with physically misshapen backs — that Hine photographed to illustrate the damaging effects of textile manufacturing on the spine.
His recent works take the form of large
photographic grids, often including text,
archive materials and moving
image as multiple, composite forms of examining temporary settlements, sites of corporate development and exclusion, border territories, and geographies of extraction.
Taryn Simon's exhibition at the architecturally distinguished Milwaukee Art Museum offered up a generous and inquisitive
photographic archive that spanned ten years and three distinct projects: «The Innocents,» 2002, portraits of people wrongfully convicted of violent crimes; «An American Index of the Hidden and Unfamiliar,» 2007,
images of sites and holdings generally inaccessible to the public; and «Contraband,» 2010, a series that documents, with clinical precision, items seized over a given week from airline passengers entering the United States.
These representations include
photographic archives and related artifacts, which she treats as material to produce new
images and installations.
Anne, named «America's Best Curator» by TIME, was granted special access to the
photographic archives for the excavation from a collection of over 14 million
images.
Over time, my production has evolved from black and white
photographic portraits and narrative videos to creating hybrid «sites»,
images and installations employing photographs, videos and film,
archives and found materials, projected sounds and reflective surfaces, works focusing on the individual's role in history and in time.
Having recently worked on conserving and restoring Looking for Langston
images from his extensive
archive, he exhibited of
photographic works at Victoria Miro Gallery, London (2017), Jessica Silverman Gallery, San Francisco (2016) and Ron Mandos Gallery, Amsterdam (2016) with a screening of the film in its original 16 mm print at Tate Britain.
The exhibit featuring more than 440
images from the Library of Congress»
photographic archives is on view at the Annenberg Space for Photography in Los Angeles from April 21 to September 9 and features two
images by SKG aritst Jerome Liebling.
Rotem is currently pursuing her Dissertation project, in which she explores the intersections of Zionist
photographic archives, the
image of the body and the writing of a national territory under the guidance of Prof. John Tagg (Binghamton University, NY).
Woodman has worked with curators and archivists to scan and catalogue thousands of
photographic images, and Shooting Performance draws on this extraordinary
archive.
In place of this systemic deficit, he has assembled and created an
archive of
photographic images and documents, both personal and familial.
The noted photographer and installation artist, who often turns arrangements of
images into wild, immersive environments, will show selections from her extensive
photographic archive, which covers the two decades beginning in 1995.
Since its inception in 2008, the project is involved with contemporary issues like the changing perception of authorship, de - and recontextualization of
images, appropriation, artistic approaches to
photographic archives and the rise of the remix culture.
Lyle Ashton Harris's Once (Now) Again is part of a larger ongoing project, the Ektachrome
Archive, comprising slide
images shot between 1986 and 1998,
photographic prints from the artist's journals, and diaristic video works.
Open for browsing during gallery hours, our Bookshop stocks a range of thought provoking
photographic, arts and social sciences titles, while our Reading Room provides welcoming space for study and research, with access to an extensive collection of books and reference materials, and a selection of almost 2,000
images from our
archive has been digitised and made available for browsing on an iMac.
His practice explores the relationship between the
photographic image and object, between photography and narrative, and the slippery nature of
archives.
Esopus 21 includes artists» projects by Stephen Eichhorn, Penny McCarthy, Thomas Nozkowski and Leslie Wayne; an essay on the design of the 9/11 Memorial by architect Michael Arad; poems by Chantal Bizzini; a new installment of the «Modern Artifacts» series, copresented with the Museum of Modern Art
Archives, and featuring documents related to the never - published second issue of Possibilities (edited by Robert Motherwell and Harold Rosenberg); photographer Dennis Stock's
images of the 1954 world premiere of Judy Garland's A Star Is Born; an interview with playwright / filmmaker Kenneth Lonergan relating to his childhood fascination with science fiction; pages from the late Austrian artist Otto Meuhl's sketchbook featuring drawings based on Cézanne paintings; and several perspectives on the African art collective Invisible Borders: an essay by Emmanuel Iduma accompanied by a
photographic portfolio; and a downloadable audio compilation of music and sounds curated by Emeka Okereke that relates to the collective's 2012 road trip.
Also during his residency, Manchee plans to shoot new
images of bookstores and of personal
photographic archives as a further exploration of how we catalog and preserve our visual history.
Inspired by the impossibility of knowing oneself through photographs, even after an endless accumulation of
images, the artist reimagines and intervenes in the extensive personal
photographic archive of Michelle duBois, a call girl who traveled extensively in the Pacific Rim during the 1970s and»80s.
Morris will also be exploring VSW's
photographic archive for
images relating to mortality, spirits, ghosts, etc. as research for this project.
Some find photographs in historical
archives, flea markets and antique stores; others mine the vast field of stock
photographic images available online.
Sultan's editorial work was an outgrowth of his long history of engagement with a number of different, if overlapping,
photographic languages, be it that of the institutional
archive (Evidence), the home movie and family album (Pictures from Home), the forensic photograph (The Valley), or the advertising
image (Billboards).
Over the past year, Edward Woodman has been participating in the Art360 project which has made it possible for Woodman to work with curators and archivists and to scan and catalogue thousands of
photographic images in his
archive.
Images from Asger Jorn's
photographic archive 10,000 Years of Nordic Folk Art selected by Kasper Bosmans,
photographic prints, installation view Witte de With Center for Contemporary Art, photo by Aad Hoogendoorn
He used the binocular - like cut - outs in his
photographic archive material to focus and frame details of an
image.
Appropriation and the
Archive: In the early 1960s, Robert Rauschenberg and Andy Warhol began to incorporate
photographic images into their paintings, establishing a new mode of visual production that relied not on the then - dominant tradition of gestural abstraction but rather on mechanical processes such as screenprinting.
Both featured artists are engaged with the status of the
photographic image and exploring the nature of
archives.
Regarding the present through a wealth of
photographic records from the past, Zaatari co-founded the Beirut - based Arab
Image Foundation in 1997, and he has been working on the extensive
archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999.