Sentences with phrase «photographic artist whose»

Celestial is a show of five photographic artists whose work charms and prods our sense of wonder with astounding economy.

Not exact matches

Additional highlights include Helen Frankenthaler's Belfry and February Turn (both 1979), which mimic the look and feel of Abstract Expressionism yet in truth represent a rupture with that tradition through the use of a staining technique that seemingly minimizes the artist's role in the process; Frank Stella's Double Scramble (1978), whose nested squares, color contrasts, and pulsing optical effects bridge the artist's early minimalism and later illusionism; and Robert Rauschenberg's Golden Chalice (1989) which, insofar as it marries abstraction and representation and juxtaposes gestural brushwork and photographic media, affords a crucial link to late 20th - century abstraction.

How to Flatten a Mountain is an exciting 12 days residency opportunity presented by PhotoIreland Foundation & Cow House Studios, and with the support of OPW, open to emerging and mid-career visual artists whose artistic practice in whole or part, makes use of digital and / or analogue photographic processes.

Aikaterini Gegisian is one of the young participating artists, whose body of work (A Small Guide to the Invisible Seas, 2015) is inspired by photographic albums of Soviet Armenia, Turkey, and Greece from the 1960s, 70s and 80s.

Suzanne Lacy is a visual artist whose prolific career includes performances, video and photographic installation, critical writing and public practices in communities.

In New York, just after the turn of the century, a small circle of photographic visionaries revolved around the magnetic figure of Alfred Stieglitz (1864 - 1946), whose influence as artist, patron and gallerist galvanised this tight - knit community.

Adam Pendleton is a Virginia - born conceptual artist whose practice encompasses painting, performance, photographic collage, publishing, and video.

Also included in «Big Spaces and Large Planes» are: the loosely graphic paintings of Cathy Fiorelli who shares studio space with eleven other artists at the Middletown Pendleton Art Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and camera.

Adrià Julià, born in Barcelona and based in Los Angeles, is a multidisciplinary artist whose practice encompasses film, video and photographic installations.

Jeanine Oleson is an artist whose practice incorporates interdisciplinary uses of performance, film / video, installation, and photographic work, often collaboratively.

Misty Keasler is a Dallas - based artist whose immersive photographic projects explore intriguing and probing subjects such as orphanages, Japanese love hotels, garbage dumps in developing countries, taxidermy, and her own familial roots.

When asked what artists came to mind when she thought of Patrick Wilson, Marvin mentioned several that the art genome did not link to Wilson's work: David Mitchell, who translates out - of - body experiences into photographic abstractions that look strikingly similar to Wilson's paintings; Johnnie Winona Ross, a painter who captures the attractive and intimate quality of Wilson's compositions but also channels Agnes Martin and the landscape of the Southwest; and James Siena, whose highly detailed, vibrant paintings are derived from mathematical systems, varying from Wilson's own mode of production yet sharing a similarly immersive quality.

Named after the Amanda Lear song, «I Am a Photograph,» and curated by German photographer Marco Breuer — whose works are famously made without the use of the camera or film — this exhibition brings together a group of 27 artists who engage in photographic processes or are concerned with photographic issues.

Rose Marie Cromwell is a photographic and video artist whose work explores the effects of globalization on human interaction and social politics.

Bob and Roberta Smith creates brightly coloured text - based paintings with powerful social messages; Yinka Shonibare clads figures in colourful batik to create politically loaded sculptural or photographic tableaux; Thomas Heatherwick is one of the world's leading designers, whose Olympic Cauldron fired the imagination of viewers in the opening ceremony in 2012; Rebecca Warren fuses everything from the ideas of conceptual artist Joseph Beuys to the cartoons of Robert Crumb, creating vitrines and lumpy sculptural figures; Conrad Shawcross brings engineering and sculpture into collisions of mechanics, sound, light and space; and Louisa Hutton, of architects Sauerbruch Hutton, designs buildings with a flair for colour and material richness.

In 1968 there is a change of route with the performance titled Cancellazione d'Artista, held at La Tartaruga, whose photographic record is on view at the Roman exhibition: the artist stands behind a glass sheet that he starts painting until the color completely deletes his image.

Artist Natalie Czech, whose work blurs the act of writing and photographing, is joined by Berlin - based writer and ongoing collaborator John Holten to consider the conflation of language, fiction and photographic imagery.

Thania Petersen is a multi-disciplinary artist from South Africa whose creative portfolio consists of photographic self - portraits, installation works and multisensory - based performance pieces.

A little later, Doig remembers, he and his contemporaries became interested in the Pictures Generation: a loose group of artists who emerged in New York in the «70s — Richard Prince, Jack Goldstein and Sherrie Levine among them — whose work was based on appropriating photographic images.

Brian Weil, 1979 - 95: Being in the World brings forward the work of this powerful artist whose practice resonates in contemporary debates about the politics of sexuality, activist aesthetics, and photographic representation.

The Brooklyn - based artist Nona Faustine, whose White Shoes series has become one of the most acclaimed and thought - provoking photographic works in recent years, introduces her new work at Baxter St, Camera Club of New York's gallery space in Chinatown.

Gerard Byrne was born in 1969 in Dublin, and works as a visual artist whose main focus lies on photographic and video installations.

He is an installation artist whose work combines a technical photographic practice and a playful relationship between objects, light, space, and the viewer.

This group exhibition showcases five international artists from different generations — Curtis Anderson, Louisa Clement, Owen Gump, Sigmar Polke and Anna Vogel — whose diverse photographic - artistic practices examine the possibilities of the image and see its contents as ephemeral traces of external reality.

The exhibition showcases ten local and international contemporary artists, many showing in Vancouver for the first time, whose works call into question how photographic images speak to us.

(a.k.a. Stephen Tashjian, whose current Gordon Robichaux show delights); drag performance artist Kalup Linzay; Zackary Drucker's photographic muddying of gender; Matthew Weinstein's haunting fish videos; or Genesis P - Orridge, who with his — now her — late wife Lady Jaye, surgically altered their bodies to look like one another.

It brilliantly shows his talents, showcasing him as an artist, an activist, an historian... The exhibition is complemented by a small photo exhibition from several members of the Photographic Society of Mytilene, whose poignant images depict the journey made by refugees and migrants.

The artists represented in Voces and whose creative expression explores the use of the photographic image, come from Chile, Argentina, Brazil and Mexico.

might be the question that comes to mind when viewing the work of African - American commercial photographer Barbara DuMetz, whose exhibition, «The Creators: Photographic Images of Literary, Music and Visual Artists,» is on view through July 10 at the Southwest Arts Center in Atlanta.

Recent examples include Sadie Coles in London, whose exhibition «Room» brings together installations and photographic works by female artists (until 18 February), and the Fine Art Society (FAS), whose program will pay particular attention to women throughout 2017.

A prime example of young artists taking this approach is Cindy Hinant, whose row of dark photographic prints recalls the monochrome color field paintings of Ryman or Wally Hedrick.

Their work is represented here, where it is shown alongside that of contemporary artists such as Tom Hunter, whose photographic series reimagines A Midsummer's Night Dream in modern - day Hackney.

Raymond Boisjoly is an Indigenous artist of Haida descent whose photographic and text - based works reference pop culture to rethink representations of indigeneity.

Tasha Lewis is an artist originally from Indianapolis, Indiana, whose sculptural and installation works combine the historic photographic process of cyanotype with paper sculpture, stitching, magnets, and ephemeral public art.

Aspects of Portraiture addresses various approaches to photographic portraiture taken by artists such as Irving Penn, Richard Avedon, Patti Smith, and Carrie Mae Weems, and celebrates the patrons whose gifts are on view, with special homage to our late friend Robinson Grover.

Photographs March 11 - May 13, 2017 Opening: Saturday, March 11, 2017, 6 - 8 pm WORKS EXHIBITION BROSHURE The Galerie Karsten Greve is delighted to present Photographs, an exhibition devoted to the photographic oeuvre of the major twentieth - century American artist John Chamberlain, whose metallic works, resulting from a mechanical process of compression and crushing, revolutionised contemporary art.

Christina Seely is an artist and educator whose photographic practice stretches into the fields of science, design, and architecture.

Adam Pendleton is a conceptual artist whose work moves fluidly between painting, publishing, photographic collage, video, and performance.

Her presentation is disconcertingly similar to Mike Kelley's curatorial venture of 1993, The Uncanny (see my second travelogue entry), which not only included some of the same artists and pieces — for instance, Paul McCarthy's Children's Anatomical Educational Figure (1990), a giant ragdoll whose internal organs spill out of its stomach — but also featured a photographic series of mannequins and prosthetics by Sherman herself.

Catherine Opie is a renowned artist, whose photographic works have been recognized by major museums throughout the world, including a solo retrospective at the Guggenheim Museum in New York City.

Curated by artist Roe Ethridge, DEEP END highlights a diverse group of young artists whose practices explore the multitude of possibilities inherent in the photographic medium.

Sarah Charlesworth (1947 — 2013) was a highly influential artist whose work examined the role that photographic images play in contemporary culture.

Akram Zaatari Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms.

The film is accompanied by 18 photographic portraits of poets, rappers, thinkers, and artists whose work contributed materially to the artist's concept of a «Dionysian» writing, manifesting in the film as a dark, shape - shifting wordplay that collages the tragic and ludic.

One such artist was MMG's Penelope Umbrico — whose work is included in «Aperture Remix,» a traveling exhibition currently on view at the Museum of Photographic Arts in San Diego (CA).