Sentences with phrase «photographic book by»

Not exact matches

A book of photographic images of birth, with accompanying birth stories by the mothers and their midwives.

Because the picture boasts production values considerably above those usually found in AA features and, more importantly, because of the use of the new photographic technique, the film is sure to be accorded more important programming than the company's average product, an evaluation already established by initial bookings.

The book's chronology is cued by her photographic output.

This groundbreaking photographic book relays a stunning visual story of the birth and growth of modern China, from 1949 to present day, in photos from 88 Chinese photographers (along with their individual biographies), including those by Chairman Mao's personal photographer, Hou Bo.

It's no secret that we love books about libraries, but the recent arrival of The Public Library: A Photographic Essay by Robert Dawson — published just in time for National Library Week — sent us into a swoon.

Our company was founded by an indie author to fill the existing gap in the book cover market for high quality photographic and editing services for book covers at reasonable prices.

Pass Thru Fire, by Lou Reed (Bloomsbury Paperbacks), Undiscovered Gyrl, by Allison Burnett, (Vintage), and Faraway Places by Tom Spanbauer (Hawthorne Books), each use the photographic image in distinctive and powerful fashion.

MADE IN THE USA Wine Across America: A Photographic Road Trip, by husband - and - wife team Charles O'Rear and Daphne Larkin, took two years and 80,000 miles to create; but as a coffee - table book, it makes a pretty travel brochure.

(d) A licensee's books and records may be maintained, produced, and reproduced for examination by photostatic, photographic, microphotographic, optical imaging, or by any other generally recognized process for data storage and reproduction.

Other valuable books are Canine Body Language: A Photographic Guide to Interpreting the Native Language of the Domestic Dog by Brenda Aloff, Canine Behavior: A Photo Illustrated Handbook by Barbara Handelman, and Dog Language: An Encyclopedia of Canine Behavior by Roger Abrantes.

This 96 - page, hard cover, coffee - table - sized book contains more than 80 high - quality photographs, accompanied by subtitles and small maps that will take the reader on a photographic journey to some of the most exquisitely beautiful natural sites on our planet!

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.

The chronicle of the history of African Americans as photographers and as photographic subjects, based on the book «Reflections in Black» by Deborah Willis, will be shown on Thursday, March 19, at the Wadsworth Atheneum Museum of Art.

This book features a series of photographic collaborations by Copley and Jaqueline Hyde wherein the ostensible subject — a painting by Copley, perfectly exposed and ready to be cropped for reproduction — also reveals a broader scene.

The photographic art works and books by Eliot Dudik are found in institutional and private collections across the globe.

Curated by Sara Reisman, Executive and Artistic Director of The Shelley & Donald Rubin Foundation, The Supper Club is comprised of three components: an ongoing series of socially - engaged dinners, an exhibition of 60 photographic portraits of the artists who participated in the dinner conversations, and a book scheduled for publication in 2018.

His work has been included in significant survey exhibitions including Manifesta 10, The State Hermitage Museum, St. Petersburg, Russia (2014), Fundamentals, the 14th International Architecture Biennale directed by Rem Koolhaas, Book for Architects, La Biennale di Venezia, Venice, Italy (2014); the Berlin Biennale, Germany (2014, 1998), the British Art Show 5 and 7, UK (2000, 2010); the 3rd Moscow Biennale of Contemporary Art, Russia (2009); the 51st and 53rd Venice Biennale, Italy (2005, 2009); Turin Triennial, Italy (2008); 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA (2008) and the 2nd Ars Baltica Triennial of Photographic Art, Kiel, Germany (1999).

Spanish publisher Fuego Books presents an anthology of photographic works inspired by Twin Peaks and the work of David Lynch.

The exhibition will include hundreds of photographic works, along with additional materials including books, ephemera and objects - created by the artist in many formats and mediums of photography, allowing the viewers for a fuller understanding of the diversity of his output.

Each instantiation features new works, and in Beijing these will include a major installation by Sudarshan Shetty, a Bharti Kher triptych, a new photographic series by Dayanita Singh from her House of Love book project, and video work by Ayisha Abraham and Hetain Patel.

Victoria Miro is delighted to announce the publication of Isaac Julien: Looking for Langston, a lavishly illustrated, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works, texts by the artist and Pulitzer Prize winning critic Hilton Als, in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material including storyboards by artist John Hewitt.

Arnold Newman is responsible for creating a new vocabulary for photographic portraiture, as explained by Gregory Heisler, Professor of Photography, Syracuse University in the introduction to the upcoming book Arnold Newman: One Hundred.

Curated by Abdellah Karroum, the exhibition will feature Neshat's existing and newly produced works, including the major photographic series, The Book of Kings (2012) as well as a selection of video installations commenting on the historical, cultural and political realities that she has focused on for over 30 years.

His work appears in «Face: The New Photographic Portrait» by William Ewing and «Exploring Color Photography» by Robert Hirsch, among other books.

Three poetry books are on view by Paul Laurence Dunbar (1872 - 1906) and show the beautifully illustrated book covers and pages including photographic work of the Hampton Institute Camera Club.

The former's book Monsanto: A Photographic Investigation is a powerful indictment of corporate power and ecological irresponsibility, while Thompson's 35 mm film, called Autoportrait, was made in collaboration with Diamond Reynolds, who broadcast on social media the moments following her partner Philando Castile's fatal shooting by a police officer in Minnesota.

Also included in the publication is a 48 - page artist's book by Soth titled The Loneliest Man in Missouri, a photographic essay with short, diaristic texts capturing the banality and ennui of middle America's suburban fringes, with their corporate office parks, strip clubs and chain restaurants.

Designed and curated by Elliott Jerome Brown Jr. and Devin N. Morris, this fair is devoted entirely to self - published photographic books.

Designed and curated by Eliott Jerome Brown and Devin N. Morris, this fair is devoted entirely to self - published photographic books.

Ruscha achieved recognition for paintings incorporating words and phrases and for his many photographic books, all influenced by the deadpan irreverence of the Pop Art movement.

Jenison was inspired by Vermeer's paintings and by the book Secret Knowledge, in which the contemporary English artist David Hockney theorized that Renaissance painters might have achieved photographic accuracy by employing tools that anticipated photography.

Victoria Miro is delighted to announce the publication of Isaac Julien: Looking for Langston, a lavishly illustrated, signed, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.

Isaac Julien: Looking for Langston, is a lavishly illustrated, signed, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.

Isaac Julien: Looking for Langston is a lavishly illustrated, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.

Victoria Miro is delighted to announce the publication of Isaac Julien: Looking for Langston, a lavishly illustrated, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.

The exhibition can be combined with the ephemera supplement, which features archival materials, including photographic contact sheets, scrapbooks, diaries, Soviet publications, and the photographers» personal book maquettes, which reveal the photographic process side by side with the finished versions.

Gonzalez is a contributing author for The Book of Alternative Photographic Processes, Second Edition and Third Edition by Christopher James and is featured most recently in the news book Gum Printing, A Step - by - Step Manual Highlighting Artists and Their Creative Practice by Christina Z. Anderson and Alternate Processes in Photography by Brian ArnBook of Alternative Photographic Processes, Second Edition and Third Edition by Christopher James and is featured most recently in the news book Gum Printing, A Step - by - Step Manual Highlighting Artists and Their Creative Practice by Christina Z. Anderson and Alternate Processes in Photography by Brian Arnbook Gum Printing, A Step - by - Step Manual Highlighting Artists and Their Creative Practice by Christina Z. Anderson and Alternate Processes in Photography by Brian Arnold.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Curated by Jonathan Openshaw and photographed by Anton Rodriguez, best known for his recent book, Residents: Inside the Iconic Barbican Estate, the exhibition consists of eight original photographic commissions that explore the ways in which the physical office space remains indispensable in the digital age, but also opens up questions about how it needs to innovate to remain relevant.

Written by freelance journalist Rachel Segal Hamilton — who has written extensively on photography for The British Journal of Photography, VICE, The Telegraph, The Royal Photographic Society Journal and Professional Photography — the book shows «London as it is today, and as you've never seen it before.»

Study for Art and Culture by John Latham, dating from the late Sixties, is a photographic record of the artist's disgust with the book of the same title by Clement Greenberg, the influential American critic.

Artist Olivia Locher, who scoured the statute books of all 50 states in America, discovering these peculiar eccentricities and many others, doesn't have the answers to these questions, but has created a series of striking photographic images lampooning some of the hundreds of decisions, big and small, made every year by local and state lawmakers.

[ENG] The third exhibition by Peter Downsbrough at àngels barcelona focuses on the conceptual photographic work that the artist has been consistently producing since 1978 and that has been of major relevance in his multidisciplinary artistic practice which includes sculpture, works on paper, photographs, films and books.

All Power: Visual Legacies of the Black Panther Party, curated by Michelle Dunn Marsh, Executive Director and Curator at the Photographic Center Northwest, is drawn from a book of the same name (Minor Matters Books, 2016).

Red Roses for a Blue Lady, Damon Zucconi's second exhibition at JTT, consists of photographic prints, a series of pre-existing books re-published by the artist, four web - accessible works, and a video.

The following year she received the Kraszna - Krausz Book Award for In Retrospect; in 1997 she was granted honorary degrees by three universities; in 2003 she received the distinction of an honorary OBE; and in 2010 the Sony World Photography Awards paid tribute to her leading role in the photographic community with a Lifetime Achievement Award.

The issue toggles between past and present, and between science and art, and features Jennifer Tucker on Victorian science photography, spectacle and rational amusement; Kelley Wilder on what it means for photography to make visible the invisible; Brian Dillon on the cosmic and the mundane; a conversation between artist Trevor Paglen and the eminent science historian Peter Galison; a selection from Harold «Doc» Edgerton's lab books; David Campany on photographic abstraction and perception; curator Joel Smith's guide to «photographic nothing»; and portfolios by British photographer Stephen Gill, Amsterdam - based artist Eva - Fiore Kovakovsky, curator Lynne Cooke on Horst Ademeit's mysterious annotated Polaroids and much more.

The show additionally includes an entirely new series of collage works inspired by the photographic work of Diane Arbus and Robert Mapplethorpe's Black Book.

CHANEL's photographic exhibition dedicated to Karl Lagerfeld's latest book, The Little Black Jacket: CHANEL's classic revisited by Karl Lagerfeld and Carine Roitfeld, opened at the Saatchi Gallery in London on 12 October.

31 x 31 cm The book Lucio Fontana, with title - page, text and photographic repodructions, published by Edition Gustavo Gili S.A., Barcelona, and Marlbourgh Galery, Rome