Sentences with phrase «photographic books for»

Religion, biblical literature, theology, liturgy, psychology, spirituality, dictionaries, educational books, high quality illustrated children's books and photographic books for international co-editions, electronic publisher.

Not exact matches

Each month someone will be randomly selected for a gift card @ Amazon -LCB- 100 $ -RCB- & joy - in - a-box -LCB- signed copies of One Thousand Gifts, the photographic gift book, One Thousand Gifts Devotional, and The Greatest Gift. -RCB-

The editors, Amy Janello and Brennon Jones, who were responsible for several photographic books in the Day in the Life series, have found dozens of images to support Updike's observation.

The Paris Observatory takes this photograph of the Moon for its Photographic Atlas of the Moon, a reference book without equal until 1960.

It's no secret that we love books about libraries, but the recent arrival of The Public Library: A Photographic Essay by Robert Dawson — published just in time for National Library Week — sent us into a swoon.

Our company was founded by an indie author to fill the existing gap in the book cover market for high quality photographic and editing services for book covers at reasonable prices.

Thank you to Smith Publicity for your assistance in publicizing our book, The Sarcastic Lens: An Ordinary Couple's Photographic Journey through the Animal Kingdom.

For examples, The Ansel Adams Gallery carries my book due to its photographic merit, and the Santa Cruz Museum of Natural History gift shop carries my book due to its ornithological merit.

(d) A licensee's books and records may be maintained, produced, and reproduced for examination by photostatic, photographic, microphotographic, optical imaging, or by any other generally recognized process for data storage and reproduction.

For all Credit Card pre-payments the card used at the time of booking must be produced on check - in at the hotel and photographic ID shown.

You will be required to produce your booking confirmation and valid photographic ID for all passengers to check - in at the airport.

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.

This book features a series of photographic collaborations by Copley and Jaqueline Hyde wherein the ostensible subject — a painting by Copley, perfectly exposed and ready to be cropped for reproduction — also reveals a broader scene.

Curated by Sara Reisman, Executive and Artistic Director of The Shelley & Donald Rubin Foundation, The Supper Club is comprised of three components: an ongoing series of socially - engaged dinners, an exhibition of 60 photographic portraits of the artists who participated in the dinner conversations, and a book scheduled for publication in 2018.

His work has been included in significant survey exhibitions including Manifesta 10, The State Hermitage Museum, St. Petersburg, Russia (2014), Fundamentals, the 14th International Architecture Biennale directed by Rem Koolhaas, Book for Architects, La Biennale di Venezia, Venice, Italy (2014); the Berlin Biennale, Germany (2014, 1998), the British Art Show 5 and 7, UK (2000, 2010); the 3rd Moscow Biennale of Contemporary Art, Russia (2009); the 51st and 53rd Venice Biennale, Italy (2005, 2009); Turin Triennial, Italy (2008); 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA (2008) and the 2nd Ars Baltica Triennial of Photographic Art, Kiel, Germany (1999).

In November 2017, Eisler published Voices East London, a photographic journey through East London's creative scene — a book for which she is both author and photographer.

The exhibition will include hundreds of photographic works, along with additional materials including books, ephemera and objects - created by the artist in many formats and mediums of photography, allowing the viewers for a fuller understanding of the diversity of his output.

Victoria Miro is delighted to announce the publication of Isaac Julien: Looking for Langston, a lavishly illustrated, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works, texts by the artist and Pulitzer Prize winning critic Hilton Als, in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material including storyboards by artist John Hewitt.

Arnold Newman is responsible for creating a new vocabulary for photographic portraiture, as explained by Gregory Heisler, Professor of Photography, Syracuse University in the introduction to the upcoming book Arnold Newman: One Hundred.

Curated by Abdellah Karroum, the exhibition will feature Neshat's existing and newly produced works, including the major photographic series, The Book of Kings (2012) as well as a selection of video installations commenting on the historical, cultural and political realities that she has focused on for over 30 years.

In November 2017, Eisler published Voices East London, a photographic journey through East London's creative scene - a book for which she is both author and photographer.

Known for extravagant and baroque site - specific work, the Bartram's piece is McDonald's most pared - down work to date, and the clear, compact book reflects a new sort of logic with its juxtapositions of raking photographic documentary from the performance with chapters of floss embroideries containing a minimal, unfolding narrative about loss and the evolution of the species.

For his writing, David has received the ICP Infinity Award, the Kraszna - Krausz Book Award, the Alice Award, a Deutscher Fotobuchpreis, and the Royal Photographic Society's award for writiFor his writing, David has received the ICP Infinity Award, the Kraszna - Krausz Book Award, the Alice Award, a Deutscher Fotobuchpreis, and the Royal Photographic Society's award for writifor writing.

Ruscha achieved recognition for paintings incorporating words and phrases and for his many photographic books, all influenced by the deadpan irreverence of the Pop Art movement.

These found film cuttings would later serve as the new «emulsion» for Cracknell's photographic work, which has appeared on several magazine covers and over 300 book jackets.

Victoria Miro is delighted to announce the publication of Isaac Julien: Looking for Langston, a lavishly illustrated, signed, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.

Isaac Julien: Looking for Langston, is a lavishly illustrated, signed, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.

Isaac Julien: Looking for Langston is a lavishly illustrated, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.

-- Candela Books + Gallery is looking for photographic work.

Victoria Miro is delighted to announce the publication of Isaac Julien: Looking for Langston, a lavishly illustrated, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.

The author of several important books on landscape, Spirn is known for her multi - disciplinary practice that evolves from her photographic work.

Gonzalez is a contributing author for The Book of Alternative Photographic Processes, Second Edition and Third Edition by Christopher James and is featured most recently in the news book Gum Printing, A Step - by - Step Manual Highlighting Artists and Their Creative Practice by Christina Z. Anderson and Alternate Processes in Photography by Brian ArnBook of Alternative Photographic Processes, Second Edition and Third Edition by Christopher James and is featured most recently in the news book Gum Printing, A Step - by - Step Manual Highlighting Artists and Their Creative Practice by Christina Z. Anderson and Alternate Processes in Photography by Brian Arnbook Gum Printing, A Step - by - Step Manual Highlighting Artists and Their Creative Practice by Christina Z. Anderson and Alternate Processes in Photography by Brian Arnold.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Curated by Jonathan Openshaw and photographed by Anton Rodriguez, best known for his recent book, Residents: Inside the Iconic Barbican Estate, the exhibition consists of eight original photographic commissions that explore the ways in which the physical office space remains indispensable in the digital age, but also opens up questions about how it needs to innovate to remain relevant.

Written by freelance journalist Rachel Segal Hamilton — who has written extensively on photography for The British Journal of Photography, VICE, The Telegraph, The Royal Photographic Society Journal and Professional Photography — the book shows «London as it is today, and as you've never seen it before.»

Study for Art and Culture by John Latham, dating from the late Sixties, is a photographic record of the artist's disgust with the book of the same title by Clement Greenberg, the influential American critic.

The exhibited works have been taken from Broadbent's recent book, The Photographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic prints.

Freud «s Viennese Library was fragmented and dispersed when he fled the city from the Nazi regime in 1938, and the installation reunited for the first time books from his collection on the psychoanatlytical concept of displacement, later photographed and replaced with photographic prints.

She is currently working on the final manuscript for her book The Benefit of the Doubt: Regarding the Photographic Conditions of Conceptual Art, 1966 - 1973, and editing a volume on the critical conjunction between conceptual art and humor, based on a panel she co-chaired at the College Art Conference (CAA) in Los Angeles (2012), entitled «Conceptual Art as Comedic Practice.»

Besides his conceptual video and photographic work, he created film and video segments which aired on «Saturday Night Live, «Sesame Street,» and the Nickelodeon channel; a film that went to the Sundance Film Festival, commercial imagery for magazines, and both artist and children's books.

George Hallett's original 1970s and 80s photographic compositions for Heinemann's African Writers Series and his portraits of African writers are presented alongside rare editions of the series, and books from the curator's collection documenting the 1976 Soweto Uprising.

AIPAD Archisle: The Jersey Photography Programme Artnet Belfast Photo Festival Berlin Foto Kiez Bitcasa Brighton Photo Biennial Centre de Cultura Contemporania de Barcelona Clikpic Colombia University School of the Arts Colophon Deutsche Börse Photography Foundation Prize Diffusion International Photography Festival Foto8 Fotobook Festival FORMAT Festival Flowers Gallery frieze Fundació Foto Colectania Gomma Books ICP International Center of Photography New York Kowasa L'Artiere Editions Le Book Leica Les Rencontres d'Arles Life Framer Linhof Young Photographer Award London Art Fair London College of Communication — University of the Arts, London Magnum METRO Printing MIA Photo Fair Michael Hoppen Gallery MOO Cards Month of Photography Los Angeles Musée de l'Elysée New York Photo Festival Next Level NIKON Noorderlicht International Photography Festival Nottingham Trent University One Life Photos Paris Photo Peter Watkins Framing Phaidon Photobox PHOTOFAIRS PhotoEspaña PhotoIreland Photo Oxford Photomonth London Photoworks Prix Elysée Roehampton University Salon Photo Prize Scotiabank CONTACT Photography Festival Self Publish, Be Happy Seiten Ansichten SCOPE Art Show Miami Sony World Photography Awards Sothebys Spectrum Steidl Still / Moving Thames and Hudson The Addiction Project The Cord Prize The Photographers» Gallery The Photography Show theprintspace The RPS Royal Photographic Society Troika Editions University College for the Creative Arts Universitat Politècnica de València University of Westminster UNSEEN UWE Bristol University of the West of England Vevey International Photography Award wetransfer Yossi Milo Gallery Zofia Rydet Sociological Record

Red Roses for a Blue Lady, Damon Zucconi's second exhibition at JTT, consists of photographic prints, a series of pre-existing books re-published by the artist, four web - accessible works, and a video.

The following year she received the Kraszna - Krausz Book Award for In Retrospect; in 1997 she was granted honorary degrees by three universities; in 2003 she received the distinction of an honorary OBE; and in 2010 the Sony World Photography Awards paid tribute to her leading role in the photographic community with a Lifetime Achievement Award.

Please join us for a dual book signing and conversation: JP Williams of Wms & Co. launches the limited edition book, A Designers Eye, a photographic essay of objects from the personal collection of Paul Rand, while Stockholm - based Henrik Nygren presents his recently - published monograph, Graphic Design: Henrik Nygren.

The issue toggles between past and present, and between science and art, and features Jennifer Tucker on Victorian science photography, spectacle and rational amusement; Kelley Wilder on what it means for photography to make visible the invisible; Brian Dillon on the cosmic and the mundane; a conversation between artist Trevor Paglen and the eminent science historian Peter Galison; a selection from Harold «Doc» Edgerton's lab books; David Campany on photographic abstraction and perception; curator Joel Smith's guide to «photographic nothing»; and portfolios by British photographer Stephen Gill, Amsterdam - based artist Eva - Fiore Kovakovsky, curator Lynne Cooke on Horst Ademeit's mysterious annotated Polaroids and much more.

The exhibition is comprised of three components: an ongoing series of socially - engaged dinners, an exhibition of 60 photographic portraits of the artists who participated in the dinner conversations, and a book scheduled for publication in 2018.

Gargash's first artist book titled Presence, is a photographic series which documents recently vacated houses and structures in the United Arab Emirates that have been abandoned or left for demolition.

Along with artist Francis Picabia, Tzara sent solicitation letters to 50 artists and writers in 10 countries, requesting four categories of artworks — photographic self - portraits, photographs of artworks, original drawings, and designs for book pages — along with prose, poetry, or other verbal «inventions.»

For Reduction, Reduction, a selection of works have been taken from Broadbent's recent book, The Photographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic photographic prinFor Reduction, Reduction, a selection of works have been taken from Broadbent's recent book, The Photographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic photograPhotographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic photographic prinfor the exhibition as silver gelatin and digital chromogenic photographicphotographic prints.