Sentences with phrase «photographic books from»

This juried exhibition will showcase 42 photographic books from 35 artists internationally for the month of August 2017.

Howard Greenberg Gallery is pleased to announce its upcoming exhibition Photo Libris; focusing on important photographic books from the personal collections of Edward Steichen, William Klein, Bruce Davidson, Eikoh Hosoe, Gilles Peress, Dave Heath, Bill Burke and FSA photographers.

Enlarged images found in photographic books from the 1940s and 1950s are the surfaces upon which Erica Daborn creates her densely layered drawings.

Cowboy Kate & Other Stories had its place in photographic history cemented in 2005 when the International Center of Photography in New York included the book in their exhibition The Open Book: A History of the Photographic Book from 1878 to the Present.

Not exact matches

... and the photographic gift book, with excerpts from One Thousand Gifts and featuring my photographs here from the farm: Selections from One Thousand Gifts: Finding Joy in What Really Matters

This groundbreaking photographic book relays a stunning visual story of the birth and growth of modern China, from 1949 to present day, in photos from 88 Chinese photographers (along with their individual biographies), including those by Chairman Mao's personal photographer, Hou Bo.

Internationally shown and a prolific artist, her photographic work, postcards, and books were exhibited in Beautiful Losers in the United States and Europe from 2004 - 2009 establishing herself as a pioneer in DIY culture.

The exhibition comprises roughly 150 works, ranging from graphic prints and artists» books to photographic editions.

The images shown are from early performances, films and photographic and graphic works from Ms. Schneeman's «Life Book 3,» 1970 - 1990s, and «Life Book 2,» 1970 - 1990s.

That includes Talbot's Pencil of Nature (1844), the first published book of photographic images in her photographic work Law of the Series # 1 (2012), and 1950's American cinema in From Here to Eternity (2013).

Each instantiation features new works, and in Beijing these will include a major installation by Sudarshan Shetty, a Bharti Kher triptych, a new photographic series by Dayanita Singh from her House of Love book project, and video work by Ayisha Abraham and Hetain Patel.

Victoria Miro is delighted to announce the publication of Isaac Julien: Looking for Langston, a lavishly illustrated, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works, texts by the artist and Pulitzer Prize winning critic Hilton Als, in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material including storyboards by artist John Hewitt.

This spring she is releasing her first poetry book and has a solo show entitled Weave at grayDUCK Gallery, which includes a group of natural pigment paintings made from wildflowers and a group of large - scale photographic collages.

Questions are posed aside photographic images which range in content from abstract shapes and symbols to images of the books she is reading.

Known for extravagant and baroque site - specific work, the Bartram's piece is McDonald's most pared - down work to date, and the clear, compact book reflects a new sort of logic with its juxtapositions of raking photographic documentary from the performance with chapters of floss embroideries containing a minimal, unfolding narrative about loss and the evolution of the species.

© Timothy H. O'Sullivan, A Harvest of Death, Gettysburg, Pennsylvania, July 4, 1863, from Gardner's Photographic Sketch Book of the War, Volume I, albumen print, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, museum purchase, Collection Care and Enhancement Fund.

The bulletin boards that Tom Burr has been arranging since the late 1990s reference not only art historian Aby Warburg's Mnemosyne Atlas strategy of employing a black panel backdrop in order to heighten thematic arrangements of photographic images — including reproductions from books, and visual materials from newspapers and popular culture — but also reflect a setting typical of early cinematic and photographic motion studies.

He appropriated most of his subjects from photographic reproductions he amassed from newspapers, books, calendars, magazines and other popular print media.

The main gallery spaces will feature examples of large - scale works featuring evocative photographic images from various sources such as books about experimental theater or puppetry, as well as Japanese textile designs, all screen - printed onto different fabrics that are layered and stitched together.

Published on the occasion of a major exhibition drawn from The Buhl Collection, this book demonstrates the prevalence of the hand as a photographic theme, a result, in part, of photography's easy ability to capture fragments and detail, as well as ephemeral movement.

Rami Maymon pulls connections from portraits and their reprints within art books — originals and reproductions — as a way of investigating authenticity within modes of photographic production.

The portraits are based on a book from 2004 that reproduces images of Taliban soldiers taken in photographic studios in Afghanistan before these men departed on «missions» from which they did not return.

Victoria Miro is delighted to announce the publication of Isaac Julien: Looking for Langston, a lavishly illustrated, signed, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.

Isaac Julien: Looking for Langston, is a lavishly illustrated, signed, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.

This exhibition is a survey of the artist's oeuvre — from images that are the product of experimentation with various materials and photographic processes, to portraits of friends and strangers and still lives of his environment, to book page collages, to more recent hyperreal digital works.

Isaac Julien: Looking for Langston is a lavishly illustrated, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.

Victoria Miro is delighted to announce the publication of Isaac Julien: Looking for Langston, a lavishly illustrated, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.

The author of several important books on landscape, Spirn is known for her multi - disciplinary practice that evolves from her photographic work.

Among many notable works of art, the Kings and Heroes section will also feature several works from artist Shirin Neshat's 2012 photographic series The Book of Kings, a series of pictures that emphasizes the inherent nationalism of the original text.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Study for Art and Culture by John Latham, dating from the late Sixties, is a photographic record of the artist's disgust with the book of the same title by Clement Greenberg, the influential American critic.

The exhibited works have been taken from Broadbent's recent book, The Photographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic prints.

Freud «s Viennese Library was fragmented and dispersed when he fled the city from the Nazi regime in 1938, and the installation reunited for the first time books from his collection on the psychoanatlytical concept of displacement, later photographed and replaced with photographic prints.

Guise & Dolls focused on several prominent bodies of work from each artist's oeuvre: Warhol's «Ladies and Gentlemen» series (1975) of drag queen portraits, Christopher Makos's «Altered Images» series of Warhol in drag, Mapplethorpe's photographs of lifelong friend and longtime muse Patti Smith that range from masculine to feminine and Mapplethorpe's photographic series and book Lady: Lisa Lyon (1983) of the female bodybuilding champion in numerous gender - bending guises.

All Power: Visual Legacies of the Black Panther Party, curated by Michelle Dunn Marsh, Executive Director and Curator at the Photographic Center Northwest, is drawn from a book of the same name (Minor Matters Books, 2016).

This limited edition and self - published book presents images from the artist's fourth instalment of his ongoing LDN photographic series, which focuses on new urban spaces in his hometown, London.

George Hallett's original 1970s and 80s photographic compositions for Heinemann's African Writers Series and his portraits of African writers are presented alongside rare editions of the series, and books from the curator's collection documenting the 1976 Soweto Uprising.

Please join us for a dual book signing and conversation: JP Williams of Wms & Co. launches the limited edition book, A Designers Eye, a photographic essay of objects from the personal collection of Paul Rand, while Stockholm - based Henrik Nygren presents his recently - published monograph, Graphic Design: Henrik Nygren.

In 2008, Fu was awarded a Fulbright Fellowship to create a photographic pop - up book of the 25 ethnic minorities residing in Yunnan Province, China, from where the artist's family descends.

The issue toggles between past and present, and between science and art, and features Jennifer Tucker on Victorian science photography, spectacle and rational amusement; Kelley Wilder on what it means for photography to make visible the invisible; Brian Dillon on the cosmic and the mundane; a conversation between artist Trevor Paglen and the eminent science historian Peter Galison; a selection from Harold «Doc» Edgerton's lab books; David Campany on photographic abstraction and perception; curator Joel Smith's guide to «photographic nothing»; and portfolios by British photographer Stephen Gill, Amsterdam - based artist Eva - Fiore Kovakovsky, curator Lynne Cooke on Horst Ademeit's mysterious annotated Polaroids and much more.

For Reduction, Reduction, a selection of works have been taken from Broadbent's recent book, The Photographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic photograPhotographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic photographicphotographic prints.

This postcard book presents a small selection from across the range of Wenders» photographic oeuvre.

The retrospective exhibition will be the first to pair his photographs with collected objects, films, books and journals from his collection of the first exhibition in 40 years to celebrate his photographic legacy.

Varagnolo began gathering books and catalogues from Italy and abroad and contacted artists requesting documentation and photographic material of their work.

Activating her work is an iconography of historical material drawn from a range of primary sources: photographic archives, antique books, vestiges, and an infinite variety of found objects.

Open for browsing during gallery hours, our Bookshop stocks a range of thought provoking photographic, arts and social sciences titles, while our Reading Room provides welcoming space for study and research, with access to an extensive collection of books and reference materials, and a selection of almost 2,000 images from our archive has been digitised and made available for browsing on an iMac.

His work is the subject of a number of books including Libera Me (Trolley Books, 2010), a photographic exploration of loss, separation, and paradise, and One Vote (Filigranes Editions, 2004), portraits from the Democratic National Convenbooks including Libera Me (Trolley Books, 2010), a photographic exploration of loss, separation, and paradise, and One Vote (Filigranes Editions, 2004), portraits from the Democratic National ConvenBooks, 2010), a photographic exploration of loss, separation, and paradise, and One Vote (Filigranes Editions, 2004), portraits from the Democratic National Convention.

«The Mind's Eye presents works drawn from the artist's personal archive of vintage materials and, in addition to photographic prints, includes a selection of three - dimensional photographic sculptures, films, artist's books, albums and work prints to give viewers first - hand insight into Uelsmann's creative process and expressive range.

His books have also been selected by The New Yorker, TIME, and PDN Photo Annual as best of the year, for «Most Outstanding Design» and «Best Photobook» from Independent Publisher, and received an Infinity award for «Best Photographic Book of the Year.»

The Walker - produced catalogue will include an extensive photographic walk - through of the installations as well as contributions from the participating artists, expanding the material in the form of a book - as - exhibition and capturing the show's site - specific nature.