Sentences with phrase «photographic documents»

Wall installation with photographic documents of interventions in different cities around the globe, including Kathmandu
ParkeHarrisons» remarkable pigment print is a quintessential surrealist / dada / performance photographic document in which a man receives information over the airwaves and transcribes it at the same time.
Thus these shambling relics embody the stories of their own ghosts (see my London report of July / August 2006), though the simplicity of the idea of using photographic documents to this end does not have the resonance of his usual «narratives,» despite his intent to «create a sense of absence and space.»
In both series, he overlaid photographic document with the making - visible of imaginative or formal associations, and collapsed different moments of time into a single image.
Paul Mpagi Sepuya is known for his extensive photographic documents of domesticated scenes of friends, fellow artists, and lovers.
Which, no biggie, happened to be the «largest known photographic document of Bushwick during the era.»
Known for his hyperrealist paintings departing from photographic documents, Valdez combines a large - scale reproduction of one of his paintings and a sound installation.
Akram ZaatariÂ's artistic practice is an ongoing study of historical photographic documents, and their relationship to personal histories — confronting personal with historical political events.
Alice Miceli (Rio de Janeiro, Brazil) creates installations and alternative photographic documents on extreme, often socio - political issues.
The imaginary photojournalist represents a hybrid genre that merges the appearance of straightforward documentary photography with a carefully staged one, in a process that does not require a camera yet mimics a straight photographic document.
[17] The series of his friends Lutz and Alex, also published in i - D in 1992, are considered important photographic documents of the 1990s.
Dedicated to themes exploring the veracity of archives and photographic documents in the public realm, the role of memory and narrative within discourses of conflict, and the construction of histories of art in the Arab world, Raad's work is informed by an upbringing in Lebanon during the civil war (1975 - 1990) and recent socio - economic and military policies that have shaped the Middle East in the past few decades.
In this newest body of work the artist explores narratives of recalled personal memories through the construction and photographic documenting of miniature dioramas.
His series Neue Welt is a photographic document of our time.
Many of the first works, created in the deserts of U.S.A. (Nevada, New Mexico, Utah or Arizona) were ephemeral in nature and now only exist as video recordings or photographic documents.
Zanele states, «I am producing this photographic document to encourage individuals in my community to be brave enough to occupy public spaces, brave enough to create without fear of being vilified, brave enough to teach people about our history and to rethink what history is all about; to reclaim it for ourselves, to encourage people to use artistic tools such as cameras as weapons to fight back.»
An eponymous new show, opening tomorrow at Boston's Institute of Contemporary Art, represents the first full North American survey of his practice, exploring Raad's focus on investigations into distinctions between fact and fiction, especially in relation to «the veracity of archives and photographic documents in the public realm [and] the role of memory and narrative within discourses of conflict».
Works by couples including Lee Miller and Man Ray, Virginia Woolf and Vita Sackville - West, and Dora Maar and Pablo Picasso are displayed alongside correspondence and photographic documents that reveal intimate interactions.
Mare Street and Pembury Estate (both 2017), currently on display at London's Victoria Miro Mayfair, are photographic documents of the events of 8 August in Hackney Central in east London, capturing the juncture immediately before the Metropolitan police moved in to disperse the rioting crowd.
Interestingly, none follow the tradition of using the photographic document as a self - referential means to its own end.
The collection, then, is not only a photographic document of the last hundred years, but also a catalogue of how images are consumed.
In a process that involves burying unexposed film in potentially radioactive soil, Bolen peels off layers of mediation and plays with the criteria of the photographic document; indexicality and chemical processes working across a surface are coupled with dirt from the site smeared across the surface of the finished print.
Sample reading list: Rike Frank, When Forms Start Talking: On Lecture Performance Boris Groys, Art in the Age of Biopolitics: Artwork to Art Documentation Walter Benjamin, The Story Teller Alan Sekula, The Body and the Archive Akram Zataari, Photographic Documents, Excavation as Art Hal Foster, The Archival Impulse
The exhibition places these photographic documents in the context of Bourdieu's ethnographic and sociological studies of that time.
Are these photographic documents proof of an event or place, or is the artist manipulating us?
These fragments are then reinitiated as textual and photographic documents, sculptures or installations.
Presented here, a selection of these black - and - white photographs seems to depict a much earlier period, evoking vernacular photographic idioms of American midcentury photography and thus pointing toward the relationship between time, appearance, and the photographic document.
For that exhibition George Lappas said «The composition of the exhibits at the Jewish Museum started with the study of photographic documents.
Ashley Lyon (Hornell, NY) photographs hand - built clay sculptures that are then displayed as photographic documents, creating images meant to be stand - ins for charged psychological fragments of human bodies.
In her hands, the camera becomes a tool that subtly disrupts the window effect and expectations of a photographic document.
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