Sentences with phrase «photographic emulsion on»
Lucas Knipscher Untitled 2013 Ikat fabric and photographic emulsion on dibond 40 x 24 x 7 inches (101.6 x 61 x 17.8 cm) ARG # KNL2013 - 005
http://www.andrearosengallery.com/ Not exact matches
Each plate was a 14 - inch square of glass with photographic emulsion painted on the back.
American inventor George Eastman (who would go on to found the Eastman - Kodak company in 1892) builds a machine for coating photographic plates with emulsion, which allows for the mass production of photographs.
In 1879, the American inventor George Eastman (who would go on to found the Eastman - Kodak company in 1892) built a machine for coating photographic plates with emulsion that allowed photographs to be produced in great quantity.
Oltre il linguaggio, Semiosi 1970 Photographic enlargement on emulsioned canvas mounted on chipboard 35 7/16 x 25 9/16 inches (90 x 65 cm)
Other precursors on display include August Strindberg's photographic emulsions and Eugene Von Bruenchenhein's largely forgotten transition between outsider art and Abstract Expressionism.
John Baldessari, Wrong, 1967, photographic emulsion and acrylic paint on canvas, 149.9 x 114.3 cm, Los Angeles County Museum of Art, Modern and Contemporary Art Council, Young Talent Purchase Award, M. 71.40, © John Baldessari, photo courtesy of Museum Associates / LACMA
These found film cuttings would later serve as the new «emulsion» for Cracknell's photographic work, which has appeared on several magazine covers and over 300 book jackets.
Anselm Kiefer (b. 1945) Die Frauen der Antike (The Woman of Antiquity) oil, shellac, emulsion, sand, ashes and pastel on photographic paper laid down on paper 110 1/2 x 75in.
The silver gelatin of the photographic emulsion echoes the graphite used to describe the original impression of the pavement and provides an elegant reflection on photography's dependence on silver's alchemic properties.
More recently, Bremer has complicated this process of alteration, cutting and carving away sections of emulsion to create etchings on the photographic surface and using collage techniques to create hybrid images.
For example, there is the evocative imagery that can result from Maine's own process of stamping carpet textures onto canvas; or the «acrylic, stains, and spray paint on wood panel» by Jaq Chartier that somehow come to resemble photographic emulsion; or the acrylics on canvas by Thomas Pihl of subtly gradated color that seem like translucent screens of light.
Elfman grew the plant from seed and photographed a group of marble statues and plaster casts, using the plant's juice as a photographic emulsion to produce a series of amaranth on paper prints.