This hybridization has long been part of Ryan's process of combining
her photographic imagery with drawing, painting and collage.
These works integrate
photographic imagery with painting and drawing, and thus I view them primarily as original paintings and works on paper, rather than photographs, per sé.
Gillian Pokalo combines
photographic imagery with painting and printmaking techniques, in order to create implied narrative landscapes.
Hinkle's largely figurative images combine
photographic imagery with hand - drawn and painted details to create fantastical female figures of wonder.
Not exact matches
The Sloan Telescope (located at the Apache Point Observatory in New Mexico) retraced much of the Palomar Survey but replaced
photographic plates
with digital
imagery that could be updated and analyzed electronically, anywhere.
He noted that the young chimps» memory ability could be likened to «eidetic
imagery» (
photographic memory), a special ability to retain a detailed and accurate image of a complex scene or pattern found in some human children, but which, alas, fades
with age.
The viewer's swooning regard for Garfield's old - fashioned
photographic imagery could merge
with their affection for Yelchin, a versatile and likable actor who died just when he was getting warmed up.
The navigation system shows essentially the same
imagery that you'd see in a Web browser
with Google Earth, but it also shows the car moving through the
photographic landscape.
With the combined power of Charlee's
photographic documentation and Stephanie's dramatic observations of her life through double mastectomy, chemotherapy, remission, and the frightening reemergence of the disease, I realized that the moment to blend prose and
photographic imagery on our pages had arrived.
Think crisp grey palette, retro couches and pops of colour
with statement pieces and
photographic imagery completing the contemporary look.
Using iconic
imagery of modern protest
with an advanced
photographic method, these works become fully perceivable in form and content while illuminated.
Most of the women — Kruger, Levine, Lawler, Sherman, Charlesworth, Bloom and Laurie Simmons — worked
with photographic imagery, partly because photography was still regarded as a bastard child of art.
Arguably — and often labeled — the greatest painter of his generation, Luc Tuymans signals in every canvas the necessary limits of the medium, even the coda to its drawn - out death: his reliance on fleeting
photographic and filmic
imagery, his refusal to spend more than one day on a canvas, and perhaps most of all, his indifference to craft bring the Belgian artist into head - on confrontation
with painting, and endow his subjects — from the untouchable (the Holocaust) to the pedestrian (flowers, pigeons)--
with an unmistakable air of violence inflicted.
Storytelling, or the narrative structure itself, has served as a medium in its own right, providing artists
with a new kind of raw material
with which to craft their
photographic and filmic
imagery.
In her work, Stenram interacts
with and re-interprets
imagery, meticulously using fragments of found materials and finding similarities in
photographic styles.
In the works exhibited this year she explores alignments of olychrome abstract watercolor monotypes
with monochrome
photographic imagery printed from polyester plate lithos.
The bright psychedelic color, either disembodied or coupled
with vivid
imagery, bounces around the gallery's main room: from Nancy Shaver's wooden blocks covered
with paint and fabric and Victoria Fu's abstract
photographic prints, to Mathew Zefeldt's metaphysical paintings and Jose Lerma's whimsical diptych consisting of a painted carpet in front of a painted mirror.
Haunted: Contemporary Photography / Video / Performance examines the myriad ways by which
photographic imagery is incorporated into recent art practices, and in the process underscores the unique power of reproductive media — while documenting a widespread contemporary obsession
with accessing and retrieving the past.
Using both the drama of scale,
photographic imagery, stage design and personal words, Beecher sets a scene for her protagonist to be honest
with the audience.
It includes Albers's early drawings of country churches and cathedrals; «Rosa Mystica,» his stained glass window for St Michael's Church, and other glass works containing religious
imagery; his abstractions of crosses and geometric abstractions
with spiritually themed titles, from his Black Mountain years; his prints of Mexican gods;
photographic interpretations of the theme of angels; and a selection from the Homage to the Square series.
Claiming
imagery typically referenced through our daily interaction
with media sources, Kahrs builds on the diversity of
photographic images infused
with the seductive palette of artists such as Richter and Tuymans, but invests them
with a grotesque, bodily relationship to the viewer seen in the work of Jenny Saville.
Barrada's work combines the strategies of the documentary film
with the metaphorical approach to
imagery in her
photographic, installation and sculptural work.
Barrada's work combines the strategies of the documentary film
with metaphorical approaches to
imagery in her
photographic, installation and sculptural work.
ANTON KERN Anne Collier produces large, sumptuous photographs of
photographic imagery found on old record album covers, post cards, posters and advertisements,
with a gimlet eye for representations of female beauty and sex appeal.
The East End Photographers Group is presenting «Room
with Views» a
photographic collection of
imagery featuring traditional, digital and alternative
photographic processes.
In her wall works, many of which play, sleight - of - hand - style,
with the shifts between two - to three - dimensionality — inviting the viewer to enter their world while at the same time sealing themselves off from engagement — Rafferty prints
photographic imagery on thin, clear film, often mixed
with paint and solvents, and attaches these to irregularly rectangular clear acrylic sheets.
These were the artist's first attempts to capture and repurpose mass media
imagery, created by taking
photographic images from newspapers and magazines and impressing them, in reverse, directly onto paper by hatching and rubbing
with a dry pen nib.
Momentarily abandoning the stupefying rhetoric of immediacy that characterized his earlier
photographic appropriations, he is now reinscribing his work in the well - lit field of modern paradigms: by referencing the monochrome as he did in his previous «joke» paintings, by reintroducing collage and silk - screen superimpositions, and above all by coating some of his appropriations
with a thin layer of white paint that is simultaneously on top of and underneath the
imagery.
With the resurgence of figurative contemporary painting, painters of the 1980s — who experimented with appropriated imagery and photographic resources while critics challenged the relevance of their medium — offer a fruitful compari
With the resurgence of figurative contemporary painting, painters of the 1980s — who experimented
with appropriated imagery and photographic resources while critics challenged the relevance of their medium — offer a fruitful compari
with appropriated
imagery and
photographic resources while critics challenged the relevance of their medium — offer a fruitful comparison.
Carving into a painted MDF surface
with a router, Aaron Williams recreates graffiti
imagery in
photographic sources, expanding the idea of mark marking and materials.
Lovers of Bowie, Bolan or indeed anything to do
with the rich pantheon of rock and roll and the equally rich
photographic imagery that accompanies it will be veritably salivating at the prospect of London Rocks.
His work combines
photographic imagery, both archival and original, and found objects
with biblical, liturgical and mystical Hebrew.
In her practice, Lainé often combines found objects
with large - scale
photographic imagery to form tableaux in which representational, physical and rhetorical spaces overlap.
In his artistic practice, archival and original
photographic imagery is combined
with mystical, biblical and liturgical Hebrew.
Effie Coe is an Artist working
with both video and
photographic imagery.
Pairing a figurative style
with self - generated
imagery and formal composition appropriated from her
photographic practice, Cedar's paintings combine painterly gestures
with articulated surfaces, oblique perspective shifts
with flatness — the scenes wavering between depiction, memory, and fantasy.
They include archival and original
photographic imagery, combined
with biblical, prophetic and liturgical Hebrew.
German artist Hans - Peter Feldmann collects in order to appropriate and challenge aesthetic sensibility, Richard Hamilton's use of pre-existing
photographic imagery is linked
with pop's consumerist strategies, and Dieter Roth, German - Swiss conceptual artist and long time collaborator
with Hamilton, alighted most particularly (nay obsessively) on the postcard format, exemplified in Postkarte.
With a brush that deftly and romantically captures abstract details and blurred newspaper images alike, he has transformed our understanding of art in the age of
photographic reproduction and mass - media
imagery.
Working
with photographic images that he digitizes and obscures, Otero filters
imagery through a complex process of abstraction that allows him to also engage in a range of formal concerns.
Chinese artist Lu Chunsheng's video and
photographic works integrate documentary - style
imagery with fantasy - based narratives.
Yutaka Sone used
photographic reproductions,
imagery from Google Earth, and several helicopter rides to render Manhattan
with its Central Park, skyscrapers, streets, avenues, and the bridges to the east and west to scale.
N.B. James Casebere's
photographic work has established him at the forefront of artists experimenting
with constructed
imagery.
It is a dense and rich issue featuring among its many highlights exclusive
photographic work by Dan Holdsworth, a visit to the workshop of sculptor and large scale levitation master Ron van der Ende, the eyebrow - raising
imagery of Hong Kong illustrator Tore Cheung, a study of art inspired by maps, satellite pictures and geography, as well as a guide to one of the world's most vibrant art capitals: New York — which includes intense, intimate and candid interviews
with the likes of Marina Abramovic, Grisha Bruskin, Gregory Crewdson and Robert Longo.
Yto Barrada (b. 1971; lives and works in New York and Tangier) combines the strategies of documentary
with a metaphoric approach to
imagery in her
photographic, film, and sculptural work.
The broad range of vision engages one
with its formal and narrative authority — from elegant self - contained cerebral works like On Kawara's «Today» series, in which the artist paints only a date of the year against a background of color, and Roni Horn's wall - sized
photographic series composed of 36 progressive clown portraits of perceptual ambiguity, both artists neatly isolating individual permutations of life's sequential narrative, to Peter Fischli and David Weiss» collaborative film, «Der Lauf der Dinge (The Way Things Go),» in which the unconstructed
imagery is punctuated by bursts of random narrative that addresses life's impermanence.
Haunted: Contemporary Photography / Video / Performance, features over one hundred works by sixty different artists who examine myriad ways in which
photographic imagery is incorporated into recent art,
with the aim of underscoring the unique power of recording technologies and documenting a widespread contemporary obsession
with accessing the past, both collective and individual.
a. Ability to put on realism to
photographic works ranging from traditional to fantastic
imagery and congruous appositions ideas b. Impressive skills
with the usage of color scheme control and retouching strategies c. Deep understanding of cinematography, marketing or promotional photography, and digital imaging tactics d. Appreciating abilities
with the any type of camera usage like positioning the subject in the exact frame, examining and catching impeccable feelings, regulating the lens, lightning, and much more.
Into the woods The colours and textures of the woodland landscape are influencing designers too,
with lots of forest - inspired homewares in rich autumnal tones, from painterly prints and
photographic imagery to tactile whittled woods, woodgrains and glossy ombre glaze ceramics.