Sentences with phrase «photographic images as»

Since he started showing in the mid-nineties, Gonzales has largely taken photographic images as his sources, investing them with renewed psychological depth.

Mirage of Memory, his project for Mercer Union, will involve the installation of a mosaic of photographs and the memory - interrupted reproduction of these photographic images as paintings rendered on the gallery walls.

Mickalene Thomas, known for her large - scale, multi-textured and rhinestone - encrusted paintings of domestic interiors and portraits, identifies photographic images as a defining touchstone for her practice.

Mickalene Thomas, known for her large - scale, multi-textured, and rhinestone - encrusted paintings of domestic interiors and portraits, has also identified the photographic image as a defining touchstone for her practice.

It is a dynamic, indexical account of the pasts, presents, and futures of mental and physical landscapes as sweeping as Art History and memoir or as specific as the variable dimensions found between the photographic image as sculpture or the sculpture as photographic.

They share a common interest in capturing a specific moment and situation using the photographic image as a starting point with a variety of ending goals.

The work adheres to Ariella Azoulay's concept of the civil contract of photography, which asserts the photographic image as a relational encounter between subject, photographer and spectator; that in the moment of looking, photographing and being photographed, each party has a responsibility to the informed participation of the other two.

YinHua uses photography as medium to explore different ways of seeing, treating the photographic image as a fragment frozen and extracted from the flow of time, and the camera as a bridge between mental image and visual perception.

The featured works explore the status of the photographic image as such, as any other image — a representation, a sign of presence, of absence.

The surface of the photograph itself is a persistent subject of interest for Tillmans, and his careful combination of small and large formats, and framed and unframed prints, serves to underscore the notion of the photographic image as an object — subjective and idiosyncratic.

Neubauer exploits the photographic image as a mnemonic tool, diffusing the separation of past and present to expose memory as a subjective process.

Warhol was one of the first artists to see the photographic image as the subject of a work of art.

This tour will examine the use of the photographic image as source, inspiration and icon in contemporary painting.

Authored by exhibition curator Sara Krajewski, the book's chapters trace the development of Warhol's printmaking practices and his exploration of the photographic image as his source material through three time periods: the books and ephemera of the 1950s, the Factory and Factory Additions 1963 - 1974, and Andy Warhol Enterprises, Inc., 1975 - 1987.

Authored by exhibition curator Sara Krajewski, the book traces the development of Warhol's printmaking practices and his exploration of the photographic image as his source material through three time periods: the books and ephemera of the 1950s, the Factory and Factory Additions (1963 — 1974) and Andy Warhol Enterprises, Inc., 1975 — 1987.

Mickalene Thomas, known for her large - scale, multi-textured, and rhinestone - encrusted paintings of domestic interiors and portraits, has also identified the photographic image as a defining touchstone of her practice.

Thomas, known for her large - scale, multi-textured paintings of domestic interiors and portraits, also identifies the photographic image as a defining touchstone for her practice.

Not exact matches

In any case, even when allowances are made for heightening and expansion inherent in the nature of the tradition, even admitting that a purely «photographic» image is ultimately irrecoverable, Samuel and Moses are in a unique class as performers on behalf of Yahweh.

As in a holograph (p. 82), the image is not represented in the brain as a point - to - point image from an object to a photographic platAs in a holograph (p. 82), the image is not represented in the brain as a point - to - point image from an object to a photographic platas a point - to - point image from an object to a photographic plate.

But the drive to create virtual characters that are indistinguishable from human characters has also given rise to complex forensic and legal issues, such as the need to distinguish between computer - generated and photographic images of child pornography, says senior author Hany Farid, a professor of computer science and a pioneering researcher in digital forensics at Dartmouth.

Dr Sara Andreotti, a marine biologist in the Department of Botany and Zoology at SU, have collected over 5000 photographic images of the dorsal fins of white sharks along the South African coastline as part of her research on the population structure of South Africa's great white sharks.

Yet despite an 80-fold gain in yield as electronic image detectors replaced photographic film, even the Hale's superior muscle power fell short.

Using radio - controlled helicopters, as well as cameras hung from kites and photographic poles, the team has collected more than 900,000 images from a roughly 4 - hectare swath of land.

In this exaggerated - color image, the beams fanning away from the rings are an artifact of the photographic process, just as a personal camera sometimes captures the glare in a snapshot at the beach.

Researchers determined the whales» current population numbers by comparing photographic shots of humpbacks in their North Pacific feeding grounds (around the Pacific Rim from California to Kamchatka) to images taken of the whales in their southern, tropical breeding areas — some as far as 3000 miles away.

This color image is based on data coming from 33 photographic plates taken between 1987 and 1995 through the Palomar Observatory's 48 - inch (1,2 - meter) Samuel Oschin Telescope as a part of the second National Geographic Palomar Observatory Sky Survey (POSS II).

With stunning images of men and women who caught Scott's eye in traditional fashion locales like New York, London, and Milan, as well as newer ones including Peru, India, Dubai, and South Africa, The Sartorialist: X celebrates the many cultures of pattern and color found across the world, making it a thrilling source of photographic inspiration.

Whereas Bazin never mentions Caravaggio in his essay on «The Ontology of the Photographic Image» (1945), the French critic refers to the baroque style as a proto - cinematic and pictorial term of reference: «The film delivers baroque art from its convulsive catalepsy.»

Anton Yelchin: Provocative Beauty features a selection of 54 images spanning a 6 - year period of photographic exploration; at the time of his tragic passing at the age of 27, unbeknownst to most of his friends, Anton was pursuing a second career as a photographer.

These materials which will be identified as «Proprietary» include but are not limited to our logos and trademark, certain photographic and video images, sound recordings, and the design, layout and appearance of and graphics contained within this Site.

A young Norfolk student, who took an image to explore a lack of diversity in the media, has been announced as the winner of a prestigious national photographic competition.

Images of photographic precision combine into a kaleidoscope of terror as Adina and her friends struggle to keep mind and body intact in a world pervaded by complicity and permeated with fear, where it's hard to tell victim from perpetrator.

As we add images and photos to the San Juan Islands gallery, we will be creating new pages for each photographic topic.

However, by submitting you hereby grant to Tourism Australia a non-exclusive, royalty - free, worldwide, revocable, non-transferable, perpetual licence to use, modify, delete from, add to, publicly display and / or reproduce, your photo, including editing, compiling and assembling video works, interstitials or the use of photographic works as underlying works compiled into moving image without limitation in any online media formats (including e-newsletters) and through any social media channels, pages or accounts.

While working across multiple series, much of her photographic work functions as a personal act of deconstruction and reappropriation — both of images she has created herself and images she has singled out as influence.

As Collier points out, the taking and making of photographic images requires constant manipulation.

Through this approach, the process itself becomes source material, as Oppenheim gives photographic images new forms and new contexts.

The films and photographs that James Collins produced in the 1970s were very much of their moment: like other proponents of so - called Story Art (an overlooked movement that deserves more attention) such as Bill Beckley, Mac Adams and Peter Hutchinson, he created explicitly narrative images in a photographic - based practice.

In dialogue with photographic pioneers such as William Henry Fox Talbot, Eugène Atget and Anna Atkins, Fuss distills the essence of photography — light interacting with a sensitized surface — to create evocative, startlingly beautiful images of the natural world.

Major topics include the worldwide production and dissemination of photographic images; the local and global character of specific genres, such as portraiture and photojournalism; the photographic representation of human movement and migration; and (post) colonial photographies.

He actively works with the photographic image in all imaginable levels: as a consumer, producer and editor of images, as arranger, curator, installer, and as his mechanic, anatomist, political, sculptor, technical, expert and philosopher - scientist.

As a result of this particular history, photographic images still bear a strong aesthetic kinship with western painting.

«She aims to reveal the shortcomings of how we read photographic images, what constitutes as accurate, and how we construct narratives of history.

Liu has invented a kind of weeping realism that surrenders to the erosion of memory and the passage of time, while also bringing faded photographic images vividly to life as rich, facile paintings.

As part of an ongoing series of works on paper collectively entitled Perceptual Ecology, Mat Chivers has been making drawings that result from the mirroring and combination of self - made and found photographic images, film and CAD renderings.

Nevertheless, few people have seen as many photographs as he has, and few have delved into the culture, experience and expression of the photographic image with such meticulousness and insight as he has.

Danish artist Mette Juul works primarily in video and photography, focusing on photographic archives and images as narrative structures.

The photographic image, it's digital reproduction, and the acrylic abstract painting sit as separate medium - specific layers, while also compressing into a single composition.

With Fersini's equal focus on the photographic image and its lustrous surface, the eye flits between recognizing the original photograph's perceptual depth — what it depicts — and the image as a physical / material object.

Transforming the relationship of her photographic work to reality, Pinheiro engages the viewer, exposing each piece as simultaneously object and image.