Sentences with phrase «photographic images at»

But make sure to start your weekend with some amazing photographic images at Wall Space.
Her outdoor excursions amongst the Rocky Mountains have placed the natural world and its photographic image at the root of her artistic interests.

Not exact matches

Also part of the plan, the memo states, was having a U-2 image Area 51: «Without advising the photographic interpreters of what the target is, ask them to determine what type of activity is being conducted at the site photographed,» the memo states.
Paul II» would not have sought to honour this wartime Pope, whose photographic image seems so austere and who struggled to do what was right at a time when the Polish nation was enduring huge suffering and the world was at war.
But the drive to create virtual characters that are indistinguishable from human characters has also given rise to complex forensic and legal issues, such as the need to distinguish between computer - generated and photographic images of child pornography, says senior author Hany Farid, a professor of computer science and a pioneering researcher in digital forensics at Dartmouth.
Dr Sara Andreotti, a marine biologist in the Department of Botany and Zoology at SU, have collected over 5000 photographic images of the dorsal fins of white sharks along the South African coastline as part of her research on the population structure of South Africa's great white sharks.
In this exaggerated - color image, the beams fanning away from the rings are an artifact of the photographic process, just as a personal camera sometimes captures the glare in a snapshot at the beach.
A splendid array of barf bags from airlines around the world is one of the arresting images in Russo's photographic study of relics at the Smithsonian National Air and Space Museum.
It was also imaged independently at Palomar by the 48» «Samuel Oschin» Schmidt camera on red photographic plates at roughly the same time period.
Anton Yelchin: Provocative Beauty features a selection of 54 images spanning a 6 - year period of photographic exploration; at the time of his tragic passing at the age of 27, unbeknownst to most of his friends, Anton was pursuing a second career as a photographer.
A 2 day workshop in a photographic art studio aimed at artists and photographers looking to create fine art images with their camera.
Double Take: Akram Zaatari and the Arab Image Foundation (which runs until 3 September 2017) includes images taken from the early 1950s to the 1970s at Studio Shehrazade, a popular photographic studio run by Hashem el Madan in Saida.
Although casual viewers may not notice it at first, nearly every figure in Drexler's paintings consists of a photographic reproduction glued on to the canvas and then overpainted so that what we see is not the reproduction but Drexler's version of the image.
His installation at MASS MoCA will include a selection of photographic works and a sculpture built for the gallery which will play off those images and the materials involved in their production, storage, and presentation.
Reinforcing her investigation of the forces at play in photographic imagery, Collier photographs pre-existing image - driven consumer objects: record album covers, popular magazines, film stills, etc..
The whole process was thus based on photographic images, while the issue at stake was the difference between a painting (an artwork) and a press photo.
Providing unexpected representations of common objects ranging from bird nests to fabric to crumpled photographic paper, West often provides a deeper look at the details of his subjects while pushing their image to the edge of abstraction.
It's a dichotomy that continues to stump even the illustrious Benjamin Buchloh, who laments while writing, at great length, in the latest Artforum: «The question posed over and over again (and which has basically remained unanswered) was how these photographic images could be related to the emerging works of abstraction.»
And in their respective photographic series Teenage and Martha, which will be shown at Michael Hoppen Gallery from April 6 - May 20, Joe Szabo and Sian Davey explore this confusion through images that are intimate, timeless, and compelling.
At times, I work in a similar way; as a photographic practitioner, I decenter myself in relation to the production of the image, and extend that to the construction of my exhibitions.
The title, Picture Fiction, which comes from a work in the exhibition by Robert Cumming, distills Josephson's skill at bending the truth in order to expose the inner workings of photographic images.
Fay selected twelve images to illustrate her piece and concludes it by highlighting that «Photo London is one of the best places to stay atop this cusp of artistic and photographic innovation we're experiencing in our city at the moment».
In 1945 Evans became a staff writer at Time magazine, then the Special Photographic Editor of Fortune magazine, which published his images alongside text which he wrote himself.
In the late 1960s, Sarah Charlesworth (1947 — 2013) studied with Douglas Huebler at Barnard, «just at the moment when he was abandoning the production of sculptural objects for a «dematerialized» structure of photographic images and textural documentation.»
The morning session offers a look at Rauschenberg's agile use of photographic images, explores his late transfer works, and brings together contemporary artists to respond to the artist's work.
Shown only in black - and - white, the images paint a picture of the rich photographic community practicing together at the Lexington Camera Club between 1954 and 1974.
Samira Yamin's practice explores systems of knowledge production through systematic interventions at various points in the life of the photographic image.
Incidentally, although he now mostly shuns commercial work, and is reluctant to dwell on it at length in this interview, he has done one or two high - profile commissions since, including a Dazed & Confused cover with Björk, for which he overpainted her photographic image with bold and colourful gestures.
Casemore Kirkeby debuts at Minnesota Street Project with Owen Kydd: Time Image, an exhibition of photographic and video works that rupture the still iImage, an exhibition of photographic and video works that rupture the still imageimage.
The sale marks the first time such an extensive grouping of Frank's work has appeared at auction and an unusual chance to see so many of these iconic images as photographic prints, as opposed to on the printed page.
Instead its concern is looking at photography in principle rather than its physical manifestation, as the photographic image becomes more ubiquitous.
Viewing becomes a spatial, physical experience that compresses the geologic time implied by the surface details of the stones, a hint of some past process of erosion or eruption, the photographic moment at which each object was recorded and the transitory duration in which the images are presented and seen.
Photographic images made at night were new, bold, mysterious and brave, the ability to photograph at night being a recent technical capability that had yet to be mastered or even considered by the majority of photographers working in the 20s and 30s.
Principally drawn from materials gathered in Japan in the 1890s by Edmund Buckley, a professor of Comparative Religion at the University of Chicago, this exhibition included prints and photographic views of temples and cities, as well as images of religious objects, ceremonies, and deities.
, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.
Taryn Simon's exhibition at the architecturally distinguished Milwaukee Art Museum offered up a generous and inquisitive photographic archive that spanned ten years and three distinct projects: «The Innocents,» 2002, portraits of people wrongfully convicted of violent crimes; «An American Index of the Hidden and Unfamiliar,» 2007, images of sites and holdings generally inaccessible to the public; and «Contraband,» 2010, a series that documents, with clinical precision, items seized over a given week from airline passengers entering the United States.
At first, these images look like photographic renderings of one of the most photogenic places on the planet.
On view concurrently in ICA Miami's second floor galleries during Art Basel Miami Beach, Shannon Ebner: A Public Character offers a comprehensive presentation of over 50 photographs, new sculpture, installation, and video, demonstrating the artist's efforts to build a catalogue of images, and to locate them at the intersection of the poetic, graphic, and photographic.
The museum, which was at the centre of a controversy when it announced the transfer of some 400,000 images belonging to the Royal Photographic Society to London's V&A, will open a # 1.8 million gallery at the end of March.
By sourcing existing images, employing analog methods and digital interventions, the works in the show disrupt the expectations of straight photography, examining its limits with images that exist at threshold of photographic formulation.
In 1968 there is a change of route with the performance titled Cancellazione d'Artista, held at La Tartaruga, whose photographic record is on view at the Roman exhibition: the artist stands behind a glass sheet that he starts painting until the color completely deletes his image.
Bustamante continues to exhibit both objects and images, and says of this portfolio of sculptural work, which seems at first to make his biggest break yet with photography, «All of the works here have something to do with photographics
In the»80s, she emerged as conceptual artist in the feminist art movement of the time, and since then her artwork — typically black - and - white photographic images, some as large as a billboard, with stripes of provocatively worded type on top of them — has become highly prized, one piece selling for nearly $ 1 million at a recent auction.
The drawing is called Ducati and reflects on Hamilton's installation Man, Machine and Motion (1955) which is comprised of photographic images of man at speed, height and depth — in cars, planes and underwater, presented in the ICA's Lower Gallery.
At the center of my installation are two photographic grids, each composed of the same 12 black and white images, but arranged in different ways to evoke abstracted versions of the two creatures.
These detailed images of photographic equipment — cross-sections of cameras, lenses and photographic colour charts — allow the camera to take centre stage at the very beginning of the exhibition.
At just 42 years of age, the multi-disciplinary artist has meticulously undermined the certainty of the photographic image, turning the viewer's perspective to the systems of power, in for example, An American Index of the Hidden and Unfamiliar (2007)-- an inventory of what lies hidden and out - of - view within the borders of the United States.
Wallace Berman will be represented by a series of previously unseen single - image Verifax collages, a body of rarely exhibited mailers from the collection of Teri Garr, inserts from his limited edition, hand - made artists magazine, Semina, selections from his recently discovered body of photographic portraiture, and several unique works incorporating images which were considered «pornography» at the time.
STRIPTEASES and PENN CENTER PIECES, featuring rare multiple - image photographic works by Ray Metzker from the mid 1960's, into the early 1990's, will celebrate Metzker's 25th one - person show at Laurence Miller Gallery.
The presentation features the U.S. debut of an 80 - foot long painting by Rodney McMillian — created for the 12th Sharjah Biennial and which visitors experience as a tunnel — as well as an installation of tempera paintings and related photographic images by Doug Ashford, previously presented at Documenta 13.
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