Sentences with phrase «photographic images created»

The Guests, a series of ethereal photographic images created in the 1990s, portray fairy - like alien beings made of glowing cosmic dust.

Not exact matches

He replaced the tube with a photographic plate to capture the images, creating the first x-rays.

But the drive to create virtual characters that are indistinguishable from human characters has also given rise to complex forensic and legal issues, such as the need to distinguish between computer - generated and photographic images of child pornography, says senior author Hany Farid, a professor of computer science and a pioneering researcher in digital forensics at Dartmouth.

They then created a computer program capable of assessing these features in images and used it to analyze more than 2,000 random photographic images of coral reefs from around the world.

From there, the image processor creates the image and fine - tunes it to correct for a typical set of photographic flaws, like noise.

To test his theory, he let mineral samples soak up the sun and then wrapped them in black cloth with a photographic plate, expecting the resulting X-rays to create weak images.

This wide - field view of the sky around the bright star Alpha Centauri was created from photographic images forming part of the Digitized Sky Survey 2.

With this data, artist, writer and curator Michael Benson hopes to create an image of Pluto's landscape to complement his portfolio of photographic portraits on the planets, moons, asteroids and comets in our solar system.

These stunning orchid images were created from photographic negatives that have been hand tinted in black against a background of soft spa and cream.

The videos the students created were representative of their personal interpretations and varied in format from live action to photographic images to personal drawings to stop motion.

Halftones are created to prepare photographic images for reproduction across various print media.

Image compositing is the act of creating a realistic looking photographic image out of pieces of other imImage compositing is the act of creating a realistic looking photographic image out of pieces of other imimage out of pieces of other images.

As we add images and photos to the San Juan Islands gallery, we will be creating new pages for each photographic topic.

A 2 day workshop in a photographic art studio aimed at artists and photographers looking to create fine art images with their camera.

Found throughout the hotel and integral to each of the bedrooms are bespoke glass art panels created from a collection of 40 unique photographic images.

Chicago based artist Doug Fogelson creates mesmerizing photographic images of natural specimins, Read more

While working across multiple series, much of her photographic work functions as a personal act of deconstruction and reappropriation — both of images she has created herself and images she has singled out as influence.

Since the mid-1990s, Muniz has been incorporating everyday objects into his photographic process to create witty, bold, and often deceiving images based on photojournalism and art history.

Rodriguez sourced these images, which are created to monitor an embryo's health, from a fertility clinic, then transferred the digital files to create photographic negatives, which she then used to produce silver gelatin prints.

The films and photographs that James Collins produced in the 1970s were very much of their moment: like other proponents of so - called Story Art (an overlooked movement that deserves more attention) such as Bill Beckley, Mac Adams and Peter Hutchinson, he created explicitly narrative images in a photographic - based practice.

Multimedia artist Sara Magenheimer's Open Mic Solo blends the photographic frame within the structure of a painting, creating a collage - like circuit of images within an image.

In dialogue with photographic pioneers such as William Henry Fox Talbot, Eugène Atget and Anna Atkins, Fuss distills the essence of photography — light interacting with a sensitized surface — to create evocative, startlingly beautiful images of the natural world.

Inspired by the quiet subtleties of mid-century still - life painter Giorgio Morandi, New York - based artist and musician Ryan Hancock creates photographic images that attempt to «show the predicament of something infinite being bound up in something temporal.»

The artists exploit the photographic medium to create the illusion that these are images of real houses, real remains, but subtle clues — scale conflicts, odd or impossible viewpoints, the miniature foundation outside — point to their fictional origin.

Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.

Simply described, a photogram is an image created without a camera by placing objects or shining light directly onto photographic paper and developing the paper.

Lee will also create a new series of photographic images that will be installed in relationship to the wallpaper that directly address ideas surrounding cultural exchange, fetish and aesthetic representations of power.

The paintings made in this period were created with the use of photographic images, something that had previously been inconceivable to him and to academic painting, and it marked the pivotal breakthrough.

Plensa creates these works by altering images of individuals to generalize their characteristics and then using 3D photographic technology to produce a model for the sculpture.

Ottersbach deconstructs and reassembles photographic images to create dramatic paintings composed of stark contrasting shapes.

Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen - print of the vast, horizonless ocean that appears to carry a faint «X,» as if the printing plate had been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems to have ripped it from either the actual heavens above or a movie - studio set; and a photographic close - up of shifting desert sand, over which actual sand and colored pigment has been applied by David Benjamin Sherry, as if reality were a veil obscuring camera - created truth in our mediated universe.

Creating photographic images on the scale of history painting but with a cool hyperrealism, Ruff moves from the micro to the macro, from portraying friends to picturing the cosmos.

Opera creates fleeting abstract images of ink marbled in water and prints them as Anthotypes, a primitive photographic process derived from the colorful light sensitive chemicals found in plants.

Hinkle's largely figurative images combine photographic imagery with hand - drawn and painted details to create fantastical female figures of wonder.

He created the process of printing photographic images on leaves in 1992 following the receipt of a fellowship from the New York Foundation for the Arts.

In these works from the 1990s, he used the technically difficult dye - transfer method to apply fragmentary photographic images onto plaster and polylaminate panels to create ghostly effects.

Enlarged images found in photographic books from the 1940s and 1950s are the surfaces upon which Erica Daborn creates her densely layered drawings.

«Photo - Technic» features works of different photographic techniques from two photographers, Gerry Giliberti, who is exhibiting prints of still lifes and flora created with the alternative processes of Lumen and Solar Plate Printing, and Dave Burns, who is exhibiting Infrared images of Serengeti wildlife and landscapes from various safaris in Tanzania.

A journey across geographic place, art historical precedents, and the very history of photographic image making find a dynamic relationship in The River of No Return, a series created by Laura McPhee over a multiyear residency in the Sawtooth Valley in central Idaho, supported by the Alturas Foundation.

The former — an abstract collection of images created by inputting a series of numbers corresponding to frequencies, amplitudes, and color values into a custom - designed program — plays with the role technology plays in photographic representation; the latter, staged scenes from a imaginary emergency situation of power loss in New York City, explores what happens to human emotions in such scenarios.

Hamilton creates «virtual» interiors by electronically superimposing photographic images on one another and printing the combined images on canvas.

The artist created stunning photographic images that...

While renowned for her rich photographic career including celebrity portraits, magazine covers, movie posters and advertising campaigns, additionally EJ Camp has created extraordinary fine art landscape images.

Since 2005, she has drawn from the images to create photographic works — incisive and absurdist black - and - white compositions that employ classic formal concepts while challenging the notion of the photographic medium as representative of personal and cultural memory.

Featuring snapshots from important conferences and private events, from the annual meetings of the Society for Photographic Education to Heinecken's own memorial service, the images below demonstrate Heinecken's centrality to the Southern California photographic community he hePhotographic Education to Heinecken's own memorial service, the images below demonstrate Heinecken's centrality to the Southern California photographic community he hephotographic community he helped create.

The photographic images in the exhibition, created from found photos of anonymous ruins, have been manipulated and rotated using a computer program written by the artist.

Going beyond the scope of photographic processes, Harwood creates diptychs, in which new meanings and pictorial complexities arise from the juxtaposition of two compatible images.

The resulting photographs transcend the ubiquity that typically surrounds depictions of these natural wonders reminiscent of the American Pictorialist style, which sought to not simply capture, but to create a unique photographic image.

McCaw has created a completely innovative photographic process whereby he exposes vintage photo paper to the sun over long timeframes, resulting in a landscape image that is literally physically seared by the sun.

The paintings were created from his imagination instead using a photographic image.