Group of
photographic images explores the boundaries of photographic art in the 21st century.
The exhibition's
photographic images explore the accumulated commercial byproducts of an American way of life.
Not exact matches
About Site - The Photo Cascadia Team
explores areas of natural beauty and advances the
photographic excellence of outdoor photography while promoting and sharing
images, knowledge, and expertise with photo enthusiasts.
No one has fully
explored the kinship his writing has with essay filmmaking specifically, and with
photographic images in general.
A young Norfolk student, who took an
image to
explore a lack of diversity in the media, has been announced as the winner of a prestigious national
photographic competition.
The
images both powerfully confront the perilous destructiveness of addiction and
explore the genre of self - portraiture in a way unrivalled in the
photographic medium.
And in their respective
photographic series Teenage and Martha, which will be shown at Michael Hoppen Gallery from April 6 - May 20, Joe Szabo and Sian Davey
explore this confusion through
images that are intimate, timeless, and compelling.
Her projects have
explored themes around looking and seeing; the relationship between camera and subject; the circulation and consumption of
images and the complex nature of
photographic representation.
While Glenn Ligon focuses on the construction of «blackness» and «queerness» in his
photographic rethinking of Robert Mapplethorpe's erotic
images, Iñigo Manglano - Ovalle
explores the notion of identity through the processes of genetic mapping in his DNA photographs.
Now he was interested in
exploring the relationship between the
photographic image and painting, producing some of his first works to use techniques of blurring in 1963, like the piece titled Alster.
The morning session offers a look at Rauschenberg's agile use of
photographic images,
explores his late transfer works, and brings together contemporary artists to respond to the artist's work.
Thirteen Ways is composed of 13 large - scale
photographic cylinders that
explore the impermanence of the
image through a collection of fractured narratives.
Samira Yamin's practice
explores systems of knowledge production through systematic interventions at various points in the life of the
photographic image.
The artist uses kitsch imagery to
explore his interest in the difference between the
photographic image and its handmade counterpart, as well as the limitations of both the artist and the viewer.
YinHua uses photography as medium to
explore different ways of seeing, treating the
photographic image as a fragment frozen and extracted from the flow of time, and the camera as a bridge between mental
image and visual perception.
The former — an abstract collection of
images created by inputting a series of numbers corresponding to frequencies, amplitudes, and color values into a custom - designed program — plays with the role technology plays in
photographic representation; the latter, staged scenes from a imaginary emergency situation of power loss in New York City,
explores what happens to human emotions in such scenarios.
The featured works
explore the status of the
photographic image as such, as any other
image — a representation, a sign of presence, of absence.
Drawing on the legacies of Conceptualism and invested in
exploring the processes and techniques of photography, they are also deeply interested in how
photographic images circulate.
Through her precise films and
photographic works, Lockhart
explores the relationship between still and moving
images and the productive space between the choreographed and natural gesture.
Something in the Way: A Brief History of Photography and Obstruction and Photography Is are on view September 9, 2016 - February 19, 2017 NEW ORLEANS, LA - Based on NOMA's permanent collection, Something in the Way: A Brief History of Photography and Obstruction
explores what obstructions in
photographic images, be they accidental or intentional, can tell us about... Read More
In the «70s Polke
explored the relationship between photography and painting, and developed his interest in challenging the objectivity of the
photographic image.
Penelope Umbrico is known for her
photographic works
exploring the relationship between modern technology and professional photography, the widespread availability and consumption of internet
images, and for repurposing
images from catalogs and websites like Flickr to reflect the fluidity and mutability of photography in the digital age.
The resulting
images become bases for drawing, cutting, and collaging upon as a way to
explore perceptual ambiguity and engage with the dimensionality of
photographic space.
Paris Photo Los Angeles, the United States edition of the acclaimed art fair for
photographic works, will take place at Paramount Pictures Studios on April 25th - 27th offering the ideal setting to
explore how artists have been and are using photography and moving
image in their work in the 20th and 21st centuries.
Stephen Hilyard: The Beautiful Lie uses videos and
photographic works to
explore the power and reliability of the
image in contemporary culture.
The exhibition
explores issues of history and ideology, as well as the specifics of form and material, in the
photographic image.
The exhibition, The weakened eye of day,
explores how light manifests as a metaphor in our thoughts, obsessions and pursuits, and includes text works, sculpture, ceramics, drawings, paintings and a
photographic image.
The
photographic images housed within
explore abstracts, a fragmented index of information from the beginning of known documented knowledge pertaining to surgical knots.
Founded in 1980 as a non-profit venue for
photographic practices, TPW is committed to a media - specific but expanded mandate, addressing the vital role that
images play in contemporary culture and
exploring the exchange between photography, new technologies and time - based media.
In recent years, Ruff has continued to
explore the creative potential of digital media, producing pure
photographic abstractions by manipulating found digital
images, or creating intricate compositions through the use of computer modeling programs.
Rotem is currently pursuing her Dissertation project, in which she
explores the intersections of Zionist
photographic archives, the
image of the body and the writing of a national territory under the guidance of Prof. John Tagg (Binghamton University, NY).
Through the
photographic source material of oceans, night skies and deserts she relentlessly
explores the
image and the richness of its variation.
A two - part exhibition spread over a pair of L.A. museums
explores the
photographic legacy of an artist who brought as much grace to
images of flowers as he did to S&M.
The artists represented in Voces and whose creative expression
explores the use of the
photographic image, come from Chile, Argentina, Brazil and Mexico.
Elizabeth McAlpine (b. 1973, London, UK) works in photography, sculpture and moving
image,
exploring and experimenting with analogue and digital
photographic techniques.
With these elements, artists like Hiroshi Sugimoto, Luisa Lambri, Melanie Schiff, Walead Beshty, and Adam Ekberg create ephemeral works that
explore the foundation of the
photographic image: the play of light through half opened shutters; haunting seascapes reduced to a gradation of elemental material; and luminous circles of light formed by the interplay of sunlight and the camera's lens.
Cindy Sherman and her
photographic self portraits
explored the meaning of the
images we produce as a society, as well as a critical approaches to artistic practices.
Exhibited here for the first time since 1980 is her two - panel work
Image / Woman / Text, which
explores the
photographic images of women, the way they are made and their meanings.
On view at Kunstsammlung Nordrhein - Westfalen's K20 gallery in Düsseldorf, the show presents a collection new
images alongside earlier works
exploring photographic abstracting, including a print of Rhein II, (1999), the most expensive photograph ever sold.
Baltz's minimalist and reduced
image compositions
explore the
photographic style as a process, and refer not only to the art of photographers like Lee Friedlander or Robert Frank but also to painters and sculptors of his day such as Donald Judd, Frank Stella, Jasper Johns or Sol LeWitt.
At Claire Oliver, Judith Schaechter presents beautiful but disturbing stained glass lightboxes and kiln - cast glass sculptures about sex and death, and at Bruce Silverstein, Eileen Neff
explores perception, mirroring, and memory in an installation of staged and often manipulated
photographic images.
His practice
explores the relationship between the
photographic image and object, between photography and narrative, and the slippery nature of archives.
Returning to his work and life as an individual artist, Ulay further
explored the extent to which the
photographic image can embody a facet of spirituality lying beneath the ephemeral things surrounding us.
Today artists acutely aware of the omnipresence of
photographic images produce works
exploring numerous aspects of photography: its materiality, its popularism, its psychological impact, its claims to objectivity, and its force in mass media.
Her work
explore (s) the interplay between public and private interests and the personal and the political as they relate to the
photographic image.»
About the Work In «Asylum», Gibson takes a leaf from each of his two most recent artist's books: «Dupe: A Partial Compendium of Everyday Delusions» (a dictionary of quasi-clinical, art - world pathologies; sardonic but earnest) and «Sarsaparilla to Sorcery» (a picture book
exploring perceptual ambiguities between allusive abstract
photographic images and taxonomic illustrations swiped from an old Encyclopedia Britannica).
Narrative: The exhibition also
explores the narrative possibilities of photography found in the interplay of
image and text in the work of Robert Frank, Larry Sultan, and Jim Goldberg; the emotional drama of personal crisis in Nan Goldin's
image grids; or the expansion of
photographic description into experimental video and film by Victor Burgin and Judy Fiskin.
Morris will also be
exploring VSW's
photographic archive for
images relating to mortality, spirits, ghosts, etc. as research for this project.
White's
images explore historical
photographic processes and, in her numerous public commissions, places imagery of native plant species in the context of contemporary urban surroundings.
Since the early 1990s, Catherine Opie has produced a complex body of
photographic work, creating series of
images that
explore notions of communal, sexual, and cultural identity.