Sentences with phrase «photographic images from films»

The same year, Baldessari moved to Santa Monica, where he met many artists and writers, and began to collect photographic images from films and other commercial sources that he would use in his work; during the same period, he photographed himself in deliberately amateurish compositions, and employed local sign painters to execute text - based works.

Not exact matches

Whereas Bazin never mentions Caravaggio in his essay on «The Ontology of the Photographic Image» (1945), the French critic refers to the baroque style as a proto - cinematic and pictorial term of reference: «The film delivers baroque art from its convulsive catalepsy.»
How a photographic image is cropped can make a huge difference in the visual impact, the same way that filmmakers will film from a distance or use closeups to bring the viewer closer to the actors and actresses.
Employing a range of techniques, including collage, hand - drawn rotoscoping — a technique that involves tracing from frames of live film footage — interlaced still photographic images, and live 16 mm film footage, Breer composes lively, nimble films that present an intimate, modest, and personal portrait of slices of shared lives and eras.
The images shown are from early performances, films and photographic and graphic works from Ms. Schneeman's «Life Book 3,» 1970 - 1990s, and «Life Book 2,» 1970 - 1990s.
As part of an ongoing series of works on paper collectively entitled Perceptual Ecology, Mat Chivers has been making drawings that result from the mirroring and combination of self - made and found photographic images, film and CAD renderings.
By appropriating images from the mass media — including iconic film posters, album covers, magazine pages, photographic test plates, and simple notebooks — and re-photographing them, Collier creates her own personal lexicon of popular culture.
As both an artist and an academic, Bright utilizes a keen historical and pop - culture eye to illustrate an intriguing fantasy: created between 1989 and 1990, the photographic series has Bright's own image superimposed onto stills from classic films like
Over time, my production has evolved from black and white photographic portraits and narrative videos to creating hybrid «sites», images and installations employing photographs, videos and film, archives and found materials, projected sounds and reflective surfaces, works focusing on the individual's role in history and in time.
Having recently worked on conserving and restoring Looking for Langston images from his extensive archive, he exhibited of photographic works at Victoria Miro Gallery, London (2017), Jessica Silverman Gallery, San Francisco (2016) and Ron Mandos Gallery, Amsterdam (2016) with a screening of the film in its original 16 mm print at Tate Britain.
The resultant abstract drawings are then enframed over a 30 by 40 inch photographic print of a still image from the film.
The photographic images and films that result from their practices are presented through the lens of a personal reflective awareness of the body.
Doig paints from photographic sources, such as his own pictures of landscapes, film stills, and images from newspapers and magazines.
From her early staged images with vaguely intimated story lines to her recent, structuralist - influenced films, Sharon Lockhart's work has consistently staked out an ambiguous territory between the photographic and the cinematic - a location where the flow of narrative and the stasis of repetition intersect.
Cmelka's practice spans from her early experimental films through photographic reworkings of film stills, ad images, and production shots to her performances — known as «microdramas» — which act as reflexive commentaries on the poles of art and life by blurring the line dividing staging from reality.
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