Sentences with phrase «photographic images into»

Appropriation and the Archive: In the early 1960s, Robert Rauschenberg and Andy Warhol began to incorporate photographic images into their paintings, establishing a new mode of visual production that relied not on the then - dominant tradition of gestural abstraction but rather on mechanical processes such as screenprinting.

From William Henry Fox Talbot's earliest «photogenic drawings» and Charles Nègre's translation of photographic images into a variety of mechanical processes, to the photogram process that was a staple for Man Ray, Dada, and the Surrealists, Past Picture draws from the extraordinary holdings of late nineteenth and early twentieth - century photographs in the collection of the National Gallery of Canada to present prints and images by some of photography's most innovative and influential inventors and practitioners.

Lyons and Wilson appropriate US currency, spent gun shell casings and, in direct homage, various foods to create floor, wall, and ceiling porcelain tile installations, utilizing the modern process of sublimation (a combination of heat and pressure) to embed photographic images into tile.

Appropriating pavement signs of former department stores on the streets of Havana, Garaicoa turns digital photographic images into carpets that visitors can walk across.

These prints represent all manner of special processes and innovative techniques in printing — such as using linen and cotton pulp paint and photo - luminescent inks; black and white and colored lithography; creative integration of collage and cut paper; incorporation of photographic images into digital prints; screen printing; and many others.

Not exact matches

«Morphing», a technique put to good effect in the film Terminator 2, uses software to transform one photographic image seamlessly into another — turning a car, for example, into a horse.

Images of photographic precision combine into a kaleidoscope of terror as Adina and her friends struggle to keep mind and body intact in a world pervaded by complicity and permeated with fear, where it's hard to tell victim from perpetrator.

However, by submitting you hereby grant to Tourism Australia a non-exclusive, royalty - free, worldwide, revocable, non-transferable, perpetual licence to use, modify, delete from, add to, publicly display and / or reproduce, your photo, including editing, compiling and assembling video works, interstitials or the use of photographic works as underlying works compiled into moving image without limitation in any online media formats (including e-newsletters) and through any social media channels, pages or accounts.

Since the mid-1990s, Muniz has been incorporating everyday objects into his photographic process to create witty, bold, and often deceiving images based on photojournalism and art history.

«Photographic images are often part of a fluid chain of thoughts and notes that cross over into different areas.

Nevertheless, few people have seen as many photographs as he has, and few have delved into the culture, experience and expression of the photographic image with such meticulousness and insight as he has.

The photographic image, it's digital reproduction, and the acrylic abstract painting sit as separate medium - specific layers, while also compressing into a single composition.

Much of the meaning of Liu's painting comes from the way the washes and drips dissolve the documentary images, suggesting the passage of memory into history, while working to uncover the cultural and personal narratives fixed — but often concealed — in the photographic instant.

The sixty - nine black - and - white images in Untitled Film Stills construct and reiterate stereotypes of postwar femininity, and were Sherman's seminal foray into her now - signature photographic practice.

In an age where, because of technological advance, the veracity of the photographic image has long been cast into doubt and reality and history are easily manipulated to appear «real», Douglas employs a large format and an almost hallucinatory sharpness, the result of digital rendering, to question authorship, reality and the truth and meaning behind what we see — truth within the medium of photography and within the political and sociological issues that underpin the scenes his photographs portray.

Her most recent mixed media works for example start with black and white photographic images of potatoes which De Jong transforms into landscapes, animals or monsters, which have become so characteristic to her practice.

In Photographs — her first exclusively photographic exhibition in New York — Hammond recontextualizes found images into imagined scenarios that are unique, uncanny, and oddly familiar.

The exhibition and this accompanying catalogue are divided into three parts: seven large paintings from the Wall of Light series; a set of 40 watercolors; and three photographic series, which intriguingly illuminate Scully's image - making process — Aran, Santo Domingo for Nene and Alhambra, the latter of which is published here for the first time.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

With the «Landscape series», begun in 1989, Wachtel inserted these cartoon characters into the readymade lexicon of mainstream magazine and newspaper photographic images documenting the contemporary socio - political landscape of the time.

The former — an abstract collection of images created by inputting a series of numbers corresponding to frequencies, amplitudes, and color values into a custom - designed program — plays with the role technology plays in photographic representation; the latter, staged scenes from a imaginary emergency situation of power loss in New York City, explores what happens to human emotions in such scenarios.

The paintings are faithful to their photographic sources yet freely recreated, the artist's meticulous technique introducing an aura of individualized craftsmanship into images that in most cases are as deeply familiar and as widely circulated as memes.

In two recent series, one of rounded - squares that look somewhat like television or computers screens and the other of black concentric circles that resemble targets, he turns painting into an industrial project in the manner of photography by making multiple painted copies of a single one - off photographic image.

Aptly titled «Why Pictures Now,» after a 1981 photograph by the artist, the exhibition features Lawler's photographic investigations into how pictures function: Charming images of Jasper Johns paintings adorning the walls of collectors» homes, Richters being moved from one museum to another, or an in - museum shot of a Thomas Struth photograph of museum crowds surrounding ruins within a museum (you'll get it once you see it).

It's about the intervention into the mass - produced image and the photographic image.

In her woven work she integrates many components in her process, capturing her unique images multiple times through a repetitive sequence of traditional analog photographic methods, then arranging the large format prints into precise and deliberate pairings.

The same straightforwardness is found in his photography: un-staged, unedited images are presented through the framework of the photographic lens, turning a corner of a real life environment into a surreal experience.

STRIPTEASES and PENN CENTER PIECES, featuring rare multiple - image photographic works by Ray Metzker from the mid 1960's, into the early 1990's, will celebrate Metzker's 25th one - person show at Laurence Miller Gallery.

Gerry Giliberti is a print - based photographic artist who uses graphics, photography, sculpture and digital imagery to create abstract, surrealistic images and constructions that bring the viewer into a new visual world.

Miller is one of the foremost camera-less photographers working today whose practice applies a craft ethos to his experiments in the dark room, and his ongoing research into the possibilities colour in photographic image.

The artists sometimes translated their photographic images directly into their work in other media, and when viewed alongside these paintings, prints, and drawings, the snapshots reveal fascinating parallels in foreshortening, cropping, lighting, silhouettes, and vantage point.»

Berlin - based agency Vojd created the 2017 graphics, releasing a suite of photographic images warped into marbled, melting abstractions.

In both series, he overlaid photographic document with the making - visible of imaginative or formal associations, and collapsed different moments of time into a single image.

The exhibition showcases ten local and international contemporary artists, many showing in Vancouver for the first time, whose works call into question how photographic images speak to us.

Featuring photographic images of indigenous masks, beach scenes, and tropical foliage arranged into complex geometric patterns alongside embedded tiles, the collages depict kaleidoscopic visions of imaginary landscapes.

By inserting himself into the photographic image and through his mark making, Rhode creates records and traces of «having been there.»

Taking a cue from the MoMA exhibitions Robert Heinecken: Object Matter and Alibis: Sigmar Polke 1963 — 2010, this session addresses the ways in which expanded ideas about the photographic medium and the circulation of images resonate into the 21st century.

Bearden created 21 small collages, which he subsequently converted into large black - and - white photographic images.

Ledare structured the production of Double Bind (2010/2012) by intervening into an existing relationship triangle, positioning it as a complex rubric from which to produce two bodies of photographic images.

Caughtinmoment forever remains in suspension, seemingly expanding sunrises and sunsets into familiar photographic depictions and immediately contracting them to cut - outs that highlight the pixel as a building block of the digital image.

The noted photographer and installation artist, who often turns arrangements of images into wild, immersive environments, will show selections from her extensive photographic archive, which covers the two decades beginning in 1995.

Similarly, McAlpine's fidelity to «origin» is palpable in the way she retains the grainy aggregate of the paving surfaces through an exploration into the fibrous qualities of the photographic image.

In her paintings and photographic prints, Jane Hammond organizes found image fragments into surreal juxtapositions, foraging flea markets, used bookstores, and antique shops for inspiration.

His art is figurative and often based on photographic images, but the end effect is to take us into a completely different world of often hallucinatory power.

Peter Bunnell's 1970 MoMA show Photography Into Sculpture proved a landmark in photographic practice, through its presentation of images arranged in a sculptural manner.

Oppenheim's approach involves bypassing the camera and applying wood veneers straight onto photographic paper to directly transfer their natural patterns, transporting material into image with no intermediary.

To capture this view of the Grand Canal in Venice, she transformed a room into a camera obscura by darkening all of the windows and leaving only a small opening that projected an image of the exterior world onto the opposite wall, where she hung large sheets of photographic paper.

At Higher Pictures Roysdon presents a salon - style hang of her photographic projects made over the last decade, distilling her variform thinking and production into an engagement with the specific visual language of photography — its sitedness, its relationship to abstraction, and the translation of physical actions (in the darkroom) into a static image.

Just a few weeks into his residency, he has spent his time scanning images on Light Work's high resolution scanner, editing photographs for his upcoming four exhibitions, working on his branding series, adapting his short film «Winter in America» on the murder of his cousin into film stills, and preparing for an upcoming lecture at a regional conference with the Society for Photographic Education.

Narrative: The exhibition also explores the narrative possibilities of photography found in the interplay of image and text in the work of Robert Frank, Larry Sultan, and Jim Goldberg; the emotional drama of personal crisis in Nan Goldin's image grids; or the expansion of photographic description into experimental video and film by Victor Burgin and Judy Fiskin.