Sentences with phrase «photographic images onto»

For the works in the Shiner series, created between 1986 and 1993, the artist silkscreened his own photographic images onto steel or mirrored aluminum plates alongside three - dimensional metal objects.

Mr. Kanovitz's technique was to project photographic images onto a canvas and paint over them, allowing them to guide the work in composition and scale.

In these works from the 1990s, he used the technically difficult dye - transfer method to apply fragmentary photographic images onto plaster and polylaminate panels to create ghostly effects.

It happened when he visited Andy Warhol's studio and learned from him how to silk - screen photographic images onto canvas.

In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper.

A slippery formula loosens the markings on the surface of each initial print and mediates the transfer of the photographic image onto a blank panel.

Some of his celebrity portraits were first «under - painted» by tracing simple outlines of the photographic image onto the canvas and painted in blocks of color.

Long before Joseph Niepce fixed a photographic image onto a tin plate in the 1820s, there already existed devices to show an accentuated sliver of the visible world.

Stencil or project a photographic image onto the wall and use as a template.

Not exact matches

His fascination with technological methods for producing paintings is also evident in the 2001 television program Secret Knowledge, in which Hockney posited that the Old Master painters used camera obscura techniques to project images of their subjects onto their paintings» surfaces, leading to the photographic quality of Renaissance painting.

In the early 1960s, Pistoletto began making his famous series of Quadri specchianti (Mirror Paintings): sheets of polished inox steel, like mirrors, onto which he applied images he obtained through a photographic reproduction technique.

Simply described, a photogram is an image created without a camera by placing objects or shining light directly onto photographic paper and developing the paper.

In his photographic transparencies, Golub manipulates and alters existing images of the same dramatic and tragic subjects which, after being photocopied and photographed, are transferred by the artist onto transparent sheets that emphasize the rough realism of his work.

The main gallery spaces will feature examples of large - scale works featuring evocative photographic images from various sources such as books about experimental theater or puppetry, as well as Japanese textile designs, all screen - printed onto different fabrics that are layered and stitched together.

The self - portraits are also based on photographic images that have been screenprinted onto canvas; in both groups of paintings, the varying tones of black, gray, and brown enamel are often overprinted several times, simultaneously accentuating and obliterating the contours of the source imagery.

These were the artist's first attempts to capture and repurpose mass media imagery, created by taking photographic images from newspapers and magazines and impressing them, in reverse, directly onto paper by hatching and rubbing with a dry pen nib.

As both an artist and an academic, Bright utilizes a keen historical and pop - culture eye to illustrate an intriguing fantasy: created between 1989 and 1990, the photographic series has Bright's own image superimposed onto stills from classic films like

In Ruscha's Bow - Tie Landscape, 2003 and Conner's ANGEL WALL, 1976 - 2003, both artists have superimposed their own hieroglyphic markings onto these surfaces in manipulated digital photographic images.

Cheim & Read's new solo show of Adam Fuss's work, the first at the gallery since 2003, showcases the artist's iconic photographic images, most often created by flashing light toward a sensitized surface onto which objects have been arranged.

Tree and forest photographic images are silkscreened in a clear acrylic polymer onto paper covered in a black graphite ground.

Throughlarge copper plate etching and photographic imagery, Smith used computer - generated, photographic patterning to create seamless images as it is printed onto long rolls of paper, ergo creating his own unique paper upholstery.

Oppenheim's approach involves bypassing the camera and applying wood veneers straight onto photographic paper to directly transfer their natural patterns, transporting material into image with no intermediary.

To capture this view of the Grand Canal in Venice, she transformed a room into a camera obscura by darkening all of the windows and leaving only a small opening that projected an image of the exterior world onto the opposite wall, where she hung large sheets of photographic paper.

She takes a willfully undisciplined approach to photography, combining multiple negatives onto a page, cutting and sewing gelatin silver prints, and screen - printing onto the photographic image.

His application of thick vinyl onto the surface of the frame, and his use of saturated color materials to obscure portions of images, significantly comment on the photographic images underneath.

Exposing her images directly onto large sheets of photographic paper, Lutter captures a direct reflection of the world around her, exposing the formal beauty of shipyards, airports, factories and other overlooked spaces.

Whether assembling found metal objects or experimenting with his own photographic images screen - printed onto aluminum, stainless steel, bronze, brass, or copper, Rauschenberg sought to capture the reflective, textural, sculptural, and thematic possibilities of the material.

For Quinlan, the patterns in her photographic images have often resulted out of actions and experiments onto negatives in the darkroom.

This includes images from his «Freischwimmer / Greifbar» series, abstract pieces that are the result of light exposed onto color photographic paper.

Using everything from photographic images of flower - strewn landscapes digitally printed onto linens to Pop Art - style spots seemingly «painted» onto faux suede, the fashion designer's sense of play is embraced by the beautifully crafted textiles.