A photographic installation at Les Rencontres d' Arles 09, and a video installation for ISEA 09, Belfast.
History and its discontents were evoked with exquisite subtlety in Elana Herzog's sculptural installation at Studio 10 in Bushwick and John Brill's
photographic installation at Kent Fine Art in Chelsea.
Not exact matches
His
installation at MASS MoCA will include a selection of
photographic works and a sculpture built for the gallery which will play off those images and the materials involved in their production, storage, and presentation.
Instead, there are tapestries made by multiplying reflected versions of paintings; close - up photographs of the surface of paintings; mirror - like reflective works; overpainted self - portraits; various grey paintings;
photographic facsimiles of the iconic series of 48 Portraits presented in the German Pavilion
at the Venice Biennale in 1972 — so returning them to their
photographic origins in encyclopaedias; and a spectacular
installation of «4900 Colours», 2007.
Eight, Eighteen Teresa Hubbard and Alexander Birchler present two video
installations — Eight, which was first presented in 2002
at Artpace, and the world premiere of its follow - up, Eighteen — and a selection of other recent video and
photographic work.
The exhibition will feature sculptures, drawings and
photographic documentation of his fieldworks from the 1970 and 1980s, a film documenting «activation», and
installation views of his recent solo exhibitions
at Pirelli foundation's HangarBicocca in Milan and Dia: Chelsea in New York.
Sarah Dobai's first major solo exhibition in the UK took place in 2006
at Kettles» Yard, Cambridge, coinciding with the end of her two - year residency
at London's Delfina Studio Trust and featured
photographic and film works made during that time, including a new, specially commissioned, two - screen film
installation, as well as key earlier works.
Ingrid Mwangi
at NMWA on June 6, discussing Mwnagi Hutter's video
installation and (background)
photographic series Shades of Skin
From thought - provoking sculptures to a haunting video to a
photographic installation, each of the chosen works engages with contemporary culture, reflecting the artist's looking
at and thinking about life today.
His video,
photographic, and
installation works have been presented internationally
at such venues as ConFlux2009 and Proteus Gowanus in New York; Para / Site Art Space and the Microwave Media Festival in Hong Kong; Gallery M in Berlin; BaseKamp in Philadelphia; Big Orbit and the University
at Buffalo Art Gallery in Buffalo; Impakt Festival in Utrecht; Invideo Festival in Milan; OneTake Film Festival in Zagreb; FLEXFest in Gainsville; and Mess Hall, 7/3 Split, Dogmatic, Video Mundi, Onion City, CUFF, Hyde Park Art Center, and Gallery 400
at the University of Illinois
at Chicago.
The event kicked off with the heaving opening of «Room»
at Sadie Coles HQ, an all - women show featuring sculptural
installations and
photographic works, juxtaposed with a solo presentation of Martine Syms by Bridget Donahue Gallery (New York).
Teresa Hubbard and Alexander Birchler present two video
installations — Eight, which was first presented in 2002
at Artpace, and the world premiere of its follow - up, Eighteen — and a selection of other recent video and
photographic work.
Often, the final compositions are exhibited as art objects — such as
photographic prints and video
installations — while others exist in a real - time software context, such as «Rainbow Aggregator» (2013) which will be featured
at the fair.
On view concurrently in ICA Miami's second floor galleries during Art Basel Miami Beach, Shannon Ebner: A Public Character offers a comprehensive presentation of over 50 photographs, new sculpture,
installation, and video, demonstrating the artist's efforts to build a catalogue of images, and to locate them
at the intersection of the poetic, graphic, and
photographic.
In a recent show
at ISCP, the artist's first solo show in NYC, Kia Henda exhibited A City Called Mirage, a four - channel video
installation and three
photographic series that examines the conceptual underpinnings of building a city in the desert.
The drawing is called Ducati and reflects on Hamilton's
installation Man, Machine and Motion (1955) which is comprised of
photographic images of man
at speed, height and depth — in cars, planes and underwater, presented in the ICA's Lower Gallery.
At the center of my
installation are two
photographic grids, each composed of the same 12 black and white images, but arranged in different ways to evoke abstracted versions of the two creatures.
On view
at Kunsthalle Basel are «Sculpture Project Echo» (2009), a series of color photographs related to the «Echo» -
installation; the video work «Conversations in the Studio 3» (2010); two
installations of sculptural works using crowd - control barriers titled «Double Monuments for Flavin and Tatlin» (2010) and «Blackout» (2007 - 2010); the ongoing «World Time» series (2008 --RRB-, photographs of clocks on public buildings in different cities of the world; the
photographic series «THe Hetley Suite» (2008); the two early video works «Ocularis» (1999) and «Double Empire» (2000).
The presentation features the U.S. debut of an 80 - foot long painting by Rodney McMillian — created for the 12th Sharjah Biennial and which visitors experience as a tunnel — as well as an
installation of tempera paintings and related
photographic images by Doug Ashford, previously presented
at Documenta 13.
For our particular studio visit we convened
at the Chicago Cultural Center where Rashayla had organized a collection of research materials and
photographic prints for her
installation Appropriation Politics 102 Circa 2017.
Highlights include Ananias Léki Dago's
photographic exhibitition Afropolitain in Abidjan, and Martina Bacigalupo's Gulu Real Art Studio, an
installation of 90 Ugandan studio portraits on view
at the Walther Project Space, New York and more...
A total of twelve
installations will be on show
at Witte de With, including video, sculpture, and sound pieces, as well as slide projections and one set of
photographic images.
March 14 - May 6, 2009 Debra Holt's
Photographic Images with a Video & Sound
Installation are on view from March 14 to May 6, 2009
at ABBA FINE ART.
In the Window Space of the gallery, photographs of Matta - Clark's performative
installation Jacob's Ladder, which the artist realized
at the Documenta in 1977, are shown as wall - sized
photographic wallpaper.
Galeri Zilberman was also represented by Begüm Yamanlar, whose works were exhibited previously during the Young, Fresh, Different exhibition and
at the project space, with her video
installation Ada (Island), which consists of
photographic images.
Intersections, Claudia Joskowicz's two - channel video
installation and accompanying
photographic series
at LMAKprojects, is a straightforward display of her newest video piece, Every Building on Avenida Alfonso Ugarte — After Ruscha.
His idiosyncratic
installation style and singular take on the world around him have captured the attention of art institutions internationally, with solo shows
at venues including New York's MoMA PS1, Berlin's Hamburger Bahnhof and recently London's Tate Modern, as well as winning him the Turner Prize in 2000: the first
photographic artist and the first non-British artist to do so.
There, it's worth mentioning Cynthia Daignault's
photographic and painterly meditation on images of the Matterhorn for New York gallery Lisa Cooley; British artist Merlin James» solo show of his expanded landscape painting practice
at Kerlin Gallery, Dublin; London - based Italian artist Salvatore Arancio
at Rome's Federica Schiavo Gallery alongside Jay Heikes; and Jacqueline Mesmaeker's beautiful photo - sculptural
installations at Nadja Vilenne, Liège.
Opening: «Michelle Stuart, Theatre of Memory:
Photographic Works»
at the Bronx Museum of the Arts An artist closely identified with the avant - garde Land Art Movement of the 1970s, Michelle Stuart has exhibited her earthworks, sculptures and
installation art related to the natural world for over 40 years.
For her exhibition
at Mercer Union, Henderson will create a new
installation incorporating over 2,500 small «bricks» supporting abstract
photographic images.
Lorna Simpson, best known for her
photographic installations, debuted her first new sculptures in 25 years
at the Frieze art fair in New York last spring: One of them, «They Cheated Death,» consisted of short stacks of vintage Ebony magazines, held down by pieces of glass that looked like blocks of ice.
In 2014, his projects include a solo exhibition entitled «Fröbel Fröbeled» which starts
at the Contemporary Art Galleries in Vancouver and tours different venues in Europe: Villa Arson (Nice, France), Spike Island (Bristol, UK), Heidelberger Kunstverein (Heidelberg, Germany), Le Plateau (Paris), as well as an important
photographic installation shown
at the Sydney Biennial.
At Claire Oliver, Judith Schaechter presents beautiful but disturbing stained glass lightboxes and kiln - cast glass sculptures about sex and death, and at Bruce Silverstein, Eileen Neff explores perception, mirroring, and memory in an installation of staged and often manipulated photographic image
At Claire Oliver, Judith Schaechter presents beautiful but disturbing stained glass lightboxes and kiln - cast glass sculptures about sex and death, and
at Bruce Silverstein, Eileen Neff explores perception, mirroring, and memory in an installation of staged and often manipulated photographic image
at Bruce Silverstein, Eileen Neff explores perception, mirroring, and memory in an
installation of staged and often manipulated
photographic images.
«I dream a world» Looking for Langston, an exhibition of newly - conceived, large - scale and silver gelatin
photographic works and archival material,
at Victoria Miro, Wharf Road and a special presentation
at Somerset House for Photo London (18 — 21 May) features photographs presented as both large - scale works and silver gelatin prints, accompanied by an
installation of the award - winning film.
Sublime yet horrific, The Enclave (2013) is a film
installation and
photographic series, first shown
at last year's Venice Biennale...
This film
installation and
photographic series in the depths of a Soho car park
at once exhilarates and devastates
An exhibition of two recent video
installations and
photographic works by Willie Doherty will open
at Alexander and Bonin on October 25.
Bloom's other notable works include As it were... So to speak (2013),
at the Jewish Museum, New York, in which she created tableaux that proposed dialogues among imagined historical guests and drew upon Talmudic discourse; and Framing Wall (2015),
at The Museum of Modern Art, a twelve - part
installation of images that framed other
photographic images.
This volume is published for Horn's second exhibition
at Kukje Gallery in Seoul and presents over 15 works ranging from
photographic installations to sculptures and drawings.
Part of an international touring exhibition that changes from venue to venue, Papagaio (Portuguese for parrot) is both a compendium of films and an immersive
installation that takes us from the artists» studio to Lisbon zoo, from a voodoo ceremony in the Gulf of Guinea to outer space — or
at least a
photographic version of it.
In «Physicalism: The Recombine» (a series of six
photographic collages from 2006) bodybuilders squeeze muscles rigid for the camera, their heads replaced by polymorphic candles; and in The Masturbators (a video
installation from 2009), brawny pornographic models pound disconsolately and often without climax
at their erect cocks.
Sublime yet horrific, The Enclave (2013) is a film
installation and
photographic series, first shown
at last year's Venice Biennale and expanded here, in the depths of this Soho car park.
Phil Collins (no not the singer)-- For solo exhibitions
at Milton Keynes Gallery, Tanya Bonakdar Gallery, New York, and his presentation in British Art Show 6 in which he showed engaging
photographic and video
installations involving diverse social groups.
SELECTED GROUP EXHIBITIONS and SCREENINGS The Concordia Biennial: The Art of Teaching, Concordia Gallery, Concordia University, St. Paul, MN, 2016 It's so hard to live without you, Helsingborgs Dagblads Photo Salon, Landskrona Photo Festival, Landskrona, Sweden, 2016 The Golden Hour, See 18 Film Screening Room, MSP International Airport, Minneapolis, MN 2016 - 17 North of the 45th Parallel, DeVos Museum, Marquette, MI, 2016 Experimental Cinema: Pixels, Minneapolis International Film Festival, St. Anthony Main Theater, Minneapolis, MN, 2016 Society of Scottish Artists Annual Exhibition, RSA Gallery, National Galleries of Scotland, Edinburgh, 2015 This From There, Circa Gallery, Minneapolis, MN, 2015 Photography Since the Millennium, Louisville Photo Biennial, Carnegie Center for Art and History, New Albany, IN, 2015 SPE Combined Caucus Juried Exhibition, Ogden Museum of Southern Art, New Orleans, LA, 2015 SPE Combined Caucus Juried Exhibition, UCF Fine Arts Gallery, Orlando, FL, 2015 Perspectives, MN State Arts Board, St. Paul, MN, 2014 Faux / Real, Non-Fiction Gallery, Savannah, GA, 2014 Finders and Keepers, Duchesne Academy (participating Fotofest space), Houston, TX, 2014 Acquisitions and Debuts of the Hillstrom Museum of Art, St. Peter, MN, 2013 Art in the Age of Globalization: Outsourced, Minneapolis Institute of Art, MN, 2012 - 2013 What Can not Be Cured Must Be Endured, Paul Robeson Gallery, Newark, NJ, 2012 Terraforming: Contemporary discourse in landscape photography, King Street Gallery, Silver Spring, MD, 2012 Then + Now, Hillstrom Museum, St. Peter, MN, 2012 Intersections, Minneapolis College of Art and Design Gallery, Minneapolis, MN, 2012 EA$ T / WE $ T: A Global Look
at Capitalism, New Harmony Gallery of Contemporary Art, New Harmony, IN, 2011 Faculty Exhibition, Schaeffer Gallery, Gustavus Adolphus College, St. Peter, MN, 2010 2008 McKnight Fellows Exhibition, Franklin Artworks, Minneapolis, MN, 2010 Re-Generate, Re-Image, Re-Focus: New Directions in Photography, Priscilla Payne Gallery, Bethlehem, PA, 2009 Yummy, Nexus Foundation, Philadelphia, PA, 2007 Visual Noise, UMC Art Gallery, University of Colorado, Boulder, CO, 2007 Imagining Namibia, The Art Center of St. Peter, St. Peter, MN, 2006 Soul Searching, Cyrus M. Running Gallery, Concordia College, Moorhead, MN, 2006 WCA International Video Shorts Festival, Boston, MA, 2006 Cuba Libre, The Art Center of St. Peter, St. Peter, MN, 2004 Faculty Exhibition, Carver Center for Arts and Technology, Baltimore, MD, 2003 SPE Regional Conference Exhibition, Manchester Craftsman's Guild, Pittsburgh, PA, 2002 True Confessions, Charles Theater, Baltimore, MD, 2000 On Sight, The School of Visual Arts, New York, NY, 2000 The
Photographic Persona, Belknap Gallery, Univ. of Louisville, Louisville, KY, 1999 The Y2K Solution, Rutgers University, New Brunswick, NJ, 1999 AugenMusik (
installation / performance), Peabody Conservatory, Baltimore, MD, 1999 Emerging Artists, Maryland Federation of Artists, Annapolis, MD, 1999 LaGrange National, LaGrange College, LaGrange, GA, 1998 Choice, Tate Gallery, University of Georgia, Athens, GA, 1998 Three Rivers Arts Festival, Wood Street Gallery, Pittsburgh, PA, 1997 She Defies Gravity, Ekhartsberga Gallery, McKees Rocks, PA, 1996 Exposures, Garfield Artworks, Pittsburgh, PA, 1996 Three Rivers Arts Festival, Wood Street Gallery, Pittsburgh, PA, 1995 Arts on Tour, Vine Street Gallery, Sharon, PA, 1994 Manchester Craftsman's Guild Staff Exhibition, Pittsburgh, PA, 1994
Consisting of six large - scale
photographic works, a 12 - minute looped film
installation and two cross-sections cut directly from the houses, Final Act, a solo exhibition by Ian Strange, premiered
at the Canterbury Museum as part of Rise Festival on Friday December 20, 2013 and runs until March 23, 2014.
Space out 17 November The worlds of photography and sculptural practice are meeting head on in the site - specific
installation «Not the Actual Site», by Dutch
photographic artist Marleen Sleeuwit
at LhGWR in The Hague this weekend.
Photographic works, artist's books in vitrines, a screening room for short films and an
installation complete the exhibition, which is accompanied by an essay, Points of Departure, by Dominic Paterson, curator of contemporary art
at the Hunterian.
The artists and works included in the art portion of the Goulandris Museum include: Electron microphotographs collaboration by Robert Simmons and Pam Longobardi; «Ouroboros» — 2014 ocean plastic from Kefalonia, steel wire and mesh created by Pam Longobardi, Susan Knippenberg, Lauren Peterson, Krista Clark, Tori Tinsley, and Wesley Terpstra;
photographic work by Frank Siegel & Dyan Ferren, Wayne Sentman and Pat Swain; dance performance by Susan Knippenberg; wall
installation by Lauren Peterson; and «Ocean of Plastic» Mural — Dianna Cohen and the K - 5th Grade students
at BFIS Benjamin Franklin International School 2010.