In this lecture recorded on February 24, 2013, exhibition curator Mia Fineman
traces photographic manipulation from the 1840s through the 1980s and shows that photography is — and always has been — a medium of fabricated truths and artful lies.
Featuring visually captivating images, Faking It traces
photographic manipulation from the 1840s through 1980s and shows that photography is, and always has been, a medium of fabricated truths and artful lies.
The processes she utilizes consist of a wide spectrum of methodologies that include everything from appropriating classical images and craft techniques to cutting -
edge photographic manipulation.
Don't be put off thinking this is gonna be just another boring talking heads documentary; featuring some of the most
ingenious photographic manipulation I have ever seen, it's considerably more cinematic than you might expect.
Through photographic manipulation, Simmons attempts to deconstruct the intent and original content of these source photographs to construct an entirely new narrative link.
Architects photograph models and then «place» their buildings on the site
via photographic manipulation, making structural changes as the reproduced surroundings dictate.
Deirdre Sargent's strategic positioning of sculpture and video aims to collapse time, space, and identity through the blurring of fiction and documentary devices as well
as photographic manipulations.
The resulting bodies of work succeed to varying degrees, and collectively trace a trajectory that evolves from Sultan and Mandel's original photomontage - based technique into new two - and three -
dimensional photographic manipulations.
Wallace BERMAN worked
with photographic manipulation, collage, and assemblage at a critical time in their respective evolutions in the beat - era of the early 1960s.
The Museum of Fine Arts, Houston, presents Faking It: Manipulated Photography before Photoshop, the first major exhibition devoted to the art of
photographic manipulation before the advent of digital imagery.
Through a variety of techniques, including digital and
traditional photographic manipulation, set constructions, temporary sculpture, models and intricate dioramas, the artists create a very calculated visual experience.
That boundary - breaking interest in photography is also evidenced in this absolutely fascinating (and surprisingly affordable) piece, a 1968 collaboration with his great artist friend Sigmar Polke, in which the two artists
use photographic manipulation to transform a snow - covered cluster of mountains into a floating ball of pristine light.
The processes she utilizes consist of a wide spectrum of methodologies that range from appropriating classical images and craft techniques to cutting -
edge photographic manipulation.
Jesse Draxler is an artist and designer who creates outstanding illustrations, fine arts and
photographic manipulations.
By the early 1970s, she had established the paradigms for her mature work: a lifelong interest in multimedia experimentation and
the photographic manipulation of images from nature.
Both are innovators in the field of photography and
photographic manipulation.
His photographic manipulations are included in notable public and private collections such as The J. Paul Getty Center, The Museum of Contemporary Photography, The Cleveland Clinic, Palm Springs Art Museum and Elmhurst Art Museum.
Oil on canvas paintings and
photographic manipulations.
The new work thus combines elements of
photographic manipulation, data analysis, and computer programming, utilizing new techniques to produce a sculpture completely untouched by human hands.