Sentences with phrase «photographic material practice»

Morgan Lehman Gallery presents Brittany Nelson: The Year I Make Contact, a methodological critique of photographic material practice, and her first solo show with the gallery.

Not exact matches

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.
This is the first major exhibition to consider the persistence of the sun as a visual metaphor and material in contemporary photographic practices.
Although she merges her photographic and sculptural practices in immersive installations, she conspicuously transfers the qualities of materials such as fabric and marble sculpture, into photography, and in the process offer a new, and specifically intermedial, way of framing the past.
Her visual work integrates digital drawing practices with photographic material, laser - etching, or specific software.
In a current series, titled Material Gesture, Hovsepian introduces wall - based assemblage to her photographic practice.
It focuses on self - referential contemporary photographic practices addressing their own processes, actions, materials, and contexts.
Marisa Kriangwiwat Holmes's artistic practice purposes a range of materials, but favours the photographic medium because of its declining competence in communication through indexes and codes.
Her projects have examined the material practices of photography in the home, hairwork and photographic jewelry, and the transformation of nineteenth - century relics in the work of contemporary artist Dario Robleto.
Volume 1 includes a focused presentation of 35 images, bringing together 37 years of Stipe's practice of creating and collecting photographic materials, in addition to posing as a subject in the photographs of others.
For the upcoming session we have invited artists Lucas Blalock and John Kelsey; Matthew Biro, Professor and Chair, Department of the History of Art, University of Michigan; Alex Klein, The Dorothy and Stephen R. Weber (CHE» 60) Program Curator, Institute of Contemporary Art, University of Pennsylvania; and Carol Squiers, Curator, International Center of Photography to lead a discussion about material and conceptual experimentation in contemporary photographic practices.
Celia Perrin Sidarous» ongoing photographic series Les Choses («things») is an exploration of material life and the act of understanding the world through objects, spaces, and gestures — both central considerations of her dedicated studio practice.
In her newest series of mixed media creations, Nicol pushes the bounds of her practice through the inclusion of fine jewelry and pearls, collaged photographic negatives, and such unconventional materials as taffeta, chiffon, and leather.
Authored by exhibition curator Sara Krajewski, the book's chapters trace the development of Warhol's printmaking practices and his exploration of the photographic image as his source material through three time periods: the books and ephemera of the 1950s, the Factory and Factory Additions 1963 - 1974, and Andy Warhol Enterprises, Inc., 1975 - 1987.
Authored by exhibition curator Sara Krajewski, the book traces the development of Warhol's printmaking practices and his exploration of the photographic image as his source material through three time periods: the books and ephemera of the 1950s, the Factory and Factory Additions (1963 — 1974) and Andy Warhol Enterprises, Inc., 1975 — 1987.
Her practice, which is based on extensive on - site research and an ever - expanding archive of visual material, primarily deploys photography, video, slide projection and large scale photographic installations of blown up photocopies or silkscreens, as well as the publication of artists books in the form of photographic visual essays.
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