Sentences with phrase «photographic mediums»

, and, second, the humiliation of a formerly exalted art by ever more proficient photographic mediums (why muck around with paint to express yourself, when clean machines stand ready?).
Deck the Walls is a group exhibition of vintage and contemporary pieces that allows the John Cleary Gallery to showcase a variety of artists, price ranges, styles and photographic mediums.
During his career, Welling has experimented with different photographic mediums, including Polaroids, silver gelatin prints, photograms, and digital prints, exploring the tensions of and between representation and abstraction.
She notes James Welling, the pioneering photographer known for working with multiple photographic mediums, as a major influence on her work.
The photographic mediums, colors, styles, and sizes are heavily varied; many works are tacked to the walls unframed, and a curtained - off video installation features sitters singing childhood lullabies.
The images both powerfully confront the perilous destructiveness of addiction and explore the genre of self - portraiture in a way unrivalled in the photographic medium.
One of the world's most prestigious annual photography events, The Photography Show is the longest - running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum - quality work.
One of the world's most prestigious annual photography events, The Photography Show is the longest - running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum - quality work, including contemporary, modern, and 19th - century photographs as well as photo - based art, video, and new media.
Light Work is proud to exhibit at the longest - running exhibition dedicated to the photographic medium, The Photography Show presented by AIPAD, April 5 - 8, 2018 at Pier 94 in New York City.
Those all - too - human flaws contribute to a broader portrait of an artist who understood, perhaps more astutely than his peers, the cultural moment in which they were immersed as identity politics and the popularity of the photographic medium shifted to center stage.
«My artistic practice is essentially focused on the photographic medium, photography as the tension between fiction and the real.
Through the photographic medium, the exhibition explores the ways in which Indigenous artists represented in the Monash University Collection have reclaimed representations of Aboriginality.
I always thought that I would never be able to make prints again once the photographic medium changed.
Applying 20th - century Cubism's multiple viewpoints to the photographic medium, he created a series of works he called «joiners,» photographic collages where many photographs of one subject are composited to create a complete picture.
How her relationship to the photographic medium has changed over time can be read through the different works in the exhibition.
The artists exploit the photographic medium to create the illusion that these are images of real houses, real remains, but subtle clues — scale conflicts, odd or impossible viewpoints, the miniature foundation outside — point to their fictional origin.
Poignantly evoking a time when the contemporary art scene, the black community and the gay community were becoming increasingly imbricated, these candid images reveal the spontaneous gaze of a young artist sensitive to the power of the photographic medium to memorialize life's transiency, long before the invention of the selfie.
Its title «The Medium» refers both to the ever expanding reach and potential of the photographic medium as well as art's power as a mystical intervening agency delivering spaces of transcendence.
Today, the digitization of imagery breaks into both the conceptual and impressionistic areas of fine art, where experimentation is even more pronounced, and nonconcrete subjects such as the «digital sphere» can be explored and visualized using the photographic medium.
With Search Light, Hammond extends her use of the photographic medium, utilizing it to probe into fictive and imaginative realms.
The Photography Show is the longest - running and foremost exhibition dedicated to the photographic medium.
Following its 2015 debut, Paris Photo will once again present PRISMES, a sector dedicated to the presentation of exceptional projects including large formats, series, and installation works exploring the diverse practices of the photographic medium.
Paris Photo is the premier international art fair for works in the photographic medium.
For their thesis presentations, the students meticulously challenge the photographic medium through metaphor and subjectivity.
In the introduction, Jennifer Blessing, Curator of Photography at the Guggenheim Museum, sketches a theoretical framework for the exhibition, linking the recent focus on Northern locales to the qualities of the photographic medium itself.
Utilising a range of source materials from found imagery, film stills and the internet, the new works featured in this exhibition raise narratives and juxtapositions regarding the history of the painted canvas and the photographic medium as visual document.
Hovsepian asserts the materiality of the photographic medium and the physicality of the process of making a photograph.
This is an obvious concept for lovers of the photographic medium.
This sounds cool: Three artists who challenge the photographic medium were asked to make work for a slide projector.
From Andy Warhol to Richard Prince, these artists open up the question of what it means to utilize the photographic medium for representation, as well as in the creation of form.
From its inception the photographic medium has been expected to prove, explain or entertain; its very mechanical nature asks it to be precise.
An analogy with the photographic medium itself is easily established.
The photographic works reflect a variety of approaches by contemporary artists that extend or break with traditional understandings of the photographic medium.
This self - reflexivity reveals the chemical processes of photography, dividing the picture plane into different exposure times; an analog technical process normally used to calculate the ideal picture exposure, being used aesthetically and critically, to expose the photographic medium with its claims to both truthfulness and fabrication in the age of digitization.
The photographic documentation of the Ontological - Hysteric Theater's performances presented here captures the spirit of experimentation not only in the theater's productions but also in the use of the photographic medium.
Since 2005, she has drawn from the images to create photographic works — incisive and absurdist black - and - white compositions that employ classic formal concepts while challenging the notion of the photographic medium as representative of personal and cultural memory.
Paris Photo 2016, the largest international art fair dedicated to the photographic medium, is about to take over the Grand Palais for the 20th time.
It is a pleasure to encounter artists seeking new ways of incorporating and addressing the multiple histories of the photographic medium from an explicitly contemporary standpoint, and a greater pleasure to support those efforts in this way.
Presented annually by The Association of International Photography Art Dealers (AIPAD), the fair, one of the most manageable in its category, is the longest - running and foremost exhibition dedicated to the photographic medium.
Bryan Graf navigates the photographic medium with a discursive interest in the history of photography and it's relationship to design, painting, and narrative fiction.
MILAGROS DE LA TORRE is an artist working with the photographic medium since 1991.
There's contemporary artist Chris Engman's, utilization of the camera to build fake landscapes, presented in dialogue with 20 other artists manipulating the photographic medium including Jimmy Baker, John Houck, Robert Rauschenberg, and Sigrid Viir.
Featuring over 40 original prints, each made by Brancusi himself, this exhibition reveals Brancusi's visionary dedication to the photographic medium as means of personal expression — an art form that the artist explored parallel to his sculpture.
The studio works closely in photographic production and the proliferation of the photographic medium at large with a dedicated gallery space for showcasing publications and printed material in relation to local and international photography.
The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.
Hiroshi Sugimoto's (b. 1948) work adapts the Minimalist language of artist's like Sol LeWitt into the photographic medium.
Some artists consider photography and video as unreliable and unstable media: Josh Brown's images of racecars point to the imperfect nature of both the photographic medium and the spectator's vision, and Justin Phillipson employs video compression to distort his source material to varying degrees, thereby disengaging the images from their original source.
Whether one agrees the photographic medium can sufficiently portray sculpture and performance art or rather that the image subtracts the aura from a piece is left to be debated.
Subject matter and photographic medium vary greatly, but stand together as a symbol of their communal dedication to the photographic medium.
Each edition is unique and brings together a distinguished selection of exhibitors with diverse collections focused on the photographic medium.
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