Sentences with phrase «photographic print by»

But Combs was seen leaving the fair holding a photographic print by an unidentified artist above his head like a trophy as a scrum of Read more

Photographic print by world acclaimed Irish artist Eva Rothschild, signed and numbered by the artist.

But Combs was seen leaving the fair holding a photographic print by an unidentified artist above his head like a trophy as a scrum of photographers snapped pictures.

According to the suit, Forlani bought a silver gelatin photographic print by William Claxton of the actor Steve McQueen eating a doughnut in September 2006 as a present for actor Dougray Scott (now Forlani's husband).

Royale Projects announces an exhibition that searches for beauty in the commonplace presenting photographic prints by two generations of American artists who embrace multiple mediums in their concept based work.

On view currently as part of the Giorgio Morandi exhibition at the Center for Italian Modern Art are six photographic prints by the artist Tacita Dean, taken in Giorgio Morandi's studio in Bologna, Italy, in 2009.

Advance /... Notice introduces newly perfected techniques or processes for some of our well - known artists, such as platinum photographic prints by David Goldblatt, and a completely new turn of direction and field of interest for African American artist Hank Willis Thomas, who first exhibited with us on In Context in 2010, as well as for Sigalit Landau, the acclaimed Israeli artist we co-hosted at last year's Venice Biennale.

Not exact matches

Sipp, a printmaker, is creating the illustrations by drawing on glass and then using a photographic process to make etching plates from the drawings, so he can do limited - edition prints.

«The humble aim of our exhibition together with this printed matter is to offer an interdisciplinary platform: a dialogue stage that, prompted by the fruitful dichotomy between text and image, gathers photographic works together with written contributions around the notion of formalism.

Referred to as «abstract figurative drawings,» by Mr. Owens, the new works are produced in ways that are «similar to the process of making photographic prints in a darkroom» but using everybody's favorite petroleum jelly, Vaseline, and everybody's favorite drug, coffee.

Inspired by the work of the Russian avant - garde and their pioneering use of montage techniques, Anna Parkina's collage - like prints layer photographic fragments with abstract areas of bold color.

The form is dictated by the subject matter ranging from to framed digital photographic print, sculpture, video installations, and beyond.

He has created a room - size camera, otherwise known as a dark room, where he makes direct positive prints by exposing large sheets of photographic paper directly to light.

Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.

A number of significant benefit exhibitions followed: «Drawings, 1965,» simultaneously shown at Leo Castelli, Tibor De Nagy and Kornblee Galleries; a print exhibition at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and January 2017.

Along with original photographic prints, the exhibition features hundreds of tear sheets and magazine covers from both mainstream and independent publications by a range of photographers including Steven Meisel, Cindy Sherman, Mario Sorrenti, Nick Knight, Steven Klein, Miles Aldridge, Paolo Roversi, and Sølve Sundsbø.

Handpainted photographic prints of painted maquettes by Paolo Ventura and the silver gelatin contact prints by Gioia de Bruijn, are part of its presentation alongside the Los Angeles — stage - production techniques of British photographer... Read more

Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen - print of the vast, horizonless ocean that appears to carry a faint «X,» as if the printing plate had been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems to have ripped it from either the actual heavens above or a movie - studio set; and a photographic close - up of shifting desert sand, over which actual sand and colored pigment has been applied by David Benjamin Sherry, as if reality were a veil obscuring camera - created truth in our mediated universe.

We're excited by the inclusion of Letha Wilson, who, while normally known for her sculptural works that combine photographic prints with cement, will be showing a video piece filmed in New York, Ireland, Niagara Falls, and New Mexico.

Principally drawn from materials gathered in Japan in the 1890s by Edmund Buckley, a professor of Comparative Religion at the University of Chicago, this exhibition included prints and photographic views of temples and cities, as well as images of religious objects, ceremonies, and deities.

These eleven objects — plus five feathered floor mats, a photographic print, and an audio piece — comprise Sound Talisman, the first New York exhibition by Chicago - based artist and musician Lisa Alvarado.

Jim Allen, Hanging by a Thread II (detail), 2009, digital canvas print, photographic paper, bamboo, steel, hardwood, paper, hair, acrylic paint, wound dressing, digital video on DVD, monitors, installation dimensions variable

Hamilton creates «virtual» interiors by electronically superimposing photographic images on one another and printing the combined images on canvas.

During Deep Epoch, Dullaart shows a new series of oil paintings based on images generated by «neural networks»; works derived from his recent performative intervention The Possibility of an Army, as well as photographic prints from his Instragram project for Jeu de Paume and HMKV: High Retention, Slow Delivery.

In the lower space, we will highlight artists who rather than practice photography, use photographic techniques or references, including new digital collage prints by visiting artist

Articulated by or within a field of deep Persian blue, images produced by this rudimentary two - chemical photographic process can be more graphically beguiling than even the most richly toned silver gelatin print.

The photographs in my current series are printed as cyanotypes: a photographic process invented in 1842 by the English scientist and astronomer Sir John Hershel.

This exhibition of Andy Warhol's photographs is culled from over 100 Polaroids and black and white silver gelatin prints granted to the University Museum of Contemporary Art by the Andy Warhol Photographic Legacy Program.

His photographic prints have been acquired by prestigious public and private collections throughout the world.

Featuring over 40 original prints, each made by Brancusi himself, this exhibition reveals Brancusi's visionary dedication to the photographic medium as means of personal expression — an art form that the artist explored parallel to his sculpture.

While Warhol didn't invent the photographic silkscreen process, he developed his own technique by combining hand - painted backgrounds with photographic silkscreen printed images to create unique works of art.

She incorporates two - dimensional animations made with the photographic prints, accompanied by binaural sound tracks which emphasize the narrator's voice as a woman of color inhabiting an adopted environment.

The exhibition of 75 photographic prints, chosen from the «key set» of 1,600 photographs given to the Gallery by Georgia O'Keeffe in 1949 and 1980, spanned Stieglitz's career.

Consisting of over eighty vintage prints originating from the Aaron Siskind Foundation, this exhibit offers the viewer a unique opportunity to identify, follow and contextualize many of these recurrences — the combination of which forms the basis of a highly original and influential lexicon developed by the only photographic member of the Abstract Expressionist group.

During those years he created his first works with pencil on canvas and ink on photographic prints; in them, he mixed words and diagrams to explore the relationship between the body and its environment, and the processes by which man perceives and imagines.

In 2000, Sarah Charlesworth went to see tests of her newest work at Laumont Photographics, a lab in New York used by many artists to print their photographs.

Produced photographic documentation of a series screen prints made by artist Michelle Grabner at Zygote Press.

Accompanying Dollhouse Reliquary will be a series of photographic prints of found dead birds surrounded by vibrant flowers.

The Gallery 145 wishes to continue this idea of sharing work and ideas of alternative distribution by hosting future print swap events at upcoming photographic gatherings.

The resultant abstract drawings are then enframed over a 30 by 40 inch photographic print of a still image from the film.

we like small things curated by Jennifer Keats, presents photographic work in progress, one - offs, inkjet prints, silver gelatin, alternative processes and more.

Drawn from the MCA's extensive holdings of artist's correspondence, photographic documentation, catalogues, models, and exhibition materials, the work in Record Times ranges from the artists» multiple created for the MCA's first exhibition, Pictures to be Read / Poetry to be Seen (1967); to the Art by Telephone (1969) phonograph, which served as both the exhibition and catalogue for the exhibition; to diagrams, maquettes, and out - of - print exhibition catalogues.

Salt on Silver is a new body of work inspired by site visit to the Dead Sea as well as a personal re-discovery of older photographic processes: gelatin silver printing and salt printing.

Based on the wildly imaginative illustrations of plants and vegetation in the Voynich manuscript, Miljohn Ruperto — a Californian artist of Philippine origin — together with the Danish artist Ulrik Heltoft, have made textural photographic works by creating 3D models then making negatives from these and finally printing them in traditional gelatin silver format.

Red Roses for a Blue Lady, Damon Zucconi's second exhibition at JTT, consists of photographic prints, a series of pre-existing books re-published by the artist, four web - accessible works, and a video.

It includes over 50 vintage photographic prints collected and published by the late Walther H. Schünemann and rediscovered by his son after five decades in storage.

On the opposite wall is Kyle Meyer's «Sthembiso,» a photographic print woven with strips of fabric worn by the sitter.

Photographs are presented in multiple formats, to emphasise their status as objects, not as mimetic devices merely depicting their subject: there are large scale, unique silver gelatin prints, with the inky, seductive, saturated blacks that are characteristic of Beasley's hand - printed method; there is a stack of litho - prints that you can help yourself to, and there are photographic postcards on the kind of dumb, commercial rotating stand that ought to threaten a fine art practice but has instead been co-opted by Beasley to extend her meditation on the currency of the photographic image.

The small photograph Night Jam, 2013, is a study in color contrast, depicting gently creased strips of variously hued photographic paper arranged on top of a paper guillotine, bringing to mind series such as «Lighter,» 2005 — , for which Tillmans turns flat pictures into three - dimensional objects by bending, folding, or creasing photographic prints and exhibiting them in Plexiglas boxes; or the famous «paper drops,» 2001 — , for which he takes pictures of photographic paper gently furled into drop - like forms.

A Julia Margaret Cameron photographic portrait and a William Blake print are currently kept in storage for conservation, but are available to see if visitors call ahead, while works by John Constable, Dame Laura Knight and John Hoyland are due to be displayed in the coming months.