Sentences with phrase «photographic printing process»

He is co-author of the 1998 book The New Platinum Print, an instruction manual on modern approaches to the classic platinum / palladium photographic printing process.
Cyanotype is a photographic printing process that gives a cyan - blue print.
Weil continued to expand on this cyanotype photographic printing process in her later work, including in her collaborations with photographer José Betancourt.

Not exact matches

Sipp, a printmaker, is creating the illustrations by drawing on glass and then using a photographic process to make etching plates from the drawings, so he can do limited - edition prints.
Joseph Nicéphore Niépce — The inventor of photography Louis Daguerre — Invented the popular and practical daguerreotype process Robert Cornelius — First selfie Henry Fox Talbot — Inventor of the photographic negative, allowing multiple prints Sir John Herschel — Coined the term «photography» Richard Leach Maddox — Invented practical gelatin dry plate negatives Eadweard Muybridge — World's first photo sequence George Eastman — Popularized roll film, created the first hand - held camera Oskar Barnack — Invented the portable Leica I Steven Sasson — Invented the first digital camera
Referred to as «abstract figurative drawings,» by Mr. Owens, the new works are produced in ways that are «similar to the process of making photographic prints in a darkroom» but using everybody's favorite petroleum jelly, Vaseline, and everybody's favorite drug, coffee.
The photographic process of both the gold - toned printing - out - paper photograms as well as the «Type R» prints comprises several steps.
Beginning with his 1971 Paris photographs printed using chemical staining to create works full of strange presences [9] while under the influence of LSD, Polke exploited the photographic process as a means to alter «reality.»
Opera creates fleeting abstract images of ink marbled in water and prints them as Anthotypes, a primitive photographic process derived from the colorful light sensitive chemicals found in plants.
The collection also includes all applications of the medium, from artistic pursuit to commercial enterprise and from amateur pastime to documentary record, as well as all types of photographic processes, from daguerreotypes to digital prints...
He is an accomplished printmaker who, over the years, has experimented with a wide variety of printing methods from woodcut, etching and lithography, to photographic processes such as collotype and color copy transfer.
He created the process of printing photographic images on leaves in 1992 following the receipt of a fellowship from the New York Foundation for the Arts.
Gustave Le Gray's albumen silver print «The Great Wave» illustrates an early glitch in the photographic process: the difficulty of showing both sea (or land) and sky to equally dramatic effect, due to varying exposure times.
Beginning with his 1971 Paris photographs printed using experimental techniques while under the influence of LSD, Polke exploited the photographic process as a means to alter «reality.»
«Photo - Technic» features works of different photographic techniques from two photographers, Gerry Giliberti, who is exhibiting prints of still lifes and flora created with the alternative processes of Lumen and Solar Plate Printing, and Dave Burns, who is exhibiting Infrared images of Serengeti wildlife and landscapes from various safaris in Tanzania.
1985 1985 Juried Membership Exhibition (April 4, May 12, 1985) Aaron Siskind and Linda Connor (February 15 — March 31, 1985) Annual Houston Center for Photography National Juried Exhibition (January 4 — February 10, 1985) Contemporary Video (June 28 — July 28, 1985) Domestic Dramas and Near (Modern) Disasters (September 6 — October 20, 1985) Fellowship Exhibition (June 28 — July 28, 1985) Four Cantos (December 6 — January 5, 1985) Olivia Parker & Rosamond Wolff Purcell (October 25 — December 1, 1985) Private Moments (September 6 — October 20, 1985) Sidewalk Scenes (October 25 — December 1, 1985) Silent Fires (June 28 — July 28, 1985) Siliconstones: a photographic installation (May 17 — June 23, 1985) The Photographic Print: Early Processes (December 6 — January 5, 1985) Print: Early Processes (October 25 — Decemphotographic installation (May 17 — June 23, 1985) The Photographic Print: Early Processes (December 6 — January 5, 1985) Print: Early Processes (October 25 — DecemPhotographic Print: Early Processes (December 6 — January 5, 1985) Print: Early Processes (October 25 — December 1, 1985)
It's a print made with one obsolete photographic process on which the image is of the material of the now also - obsolete photographic process that replaced it.
Articulated by or within a field of deep Persian blue, images produced by this rudimentary two - chemical photographic process can be more graphically beguiling than even the most richly toned silver gelatin print.
Fusing these mechanical processes with the hand - made, the photographic prints are layered with ink drained from thousands of ballpoint pens over the course of several months.
The photographs in my current series are printed as cyanotypes: a photographic process invented in 1842 by the English scientist and astronomer Sir John Hershel.
In her woven work she integrates many components in her process, capturing her unique images multiple times through a repetitive sequence of traditional analog photographic methods, then arranging the large format prints into precise and deliberate pairings.
The chalk dust covering the façade and grounds of a West Virginia limestone - grinding factory alludes to the photographic surface, as chalk is used in the printing process to absorb ink.
These prints represent all manner of special processes and innovative techniques in printing — such as using linen and cotton pulp paint and photo - luminescent inks; black and white and colored lithography; creative integration of collage and cut paper; incorporation of photographic images into digital prints; screen printing; and many others.
Learn about photographic silkscreen printing process from beginning to end.
Warhol developed the process of underpainting before adding the final photographic silkscreen print.
The photographic silkscreen printing process created a precise and defined image and allowed Warhol and his assistants to mass - produce a large number of prints with relative ease.
Photography was «born of» absolute tonalism, either sepia or gray, depending on which of the only two initial photographic processes known; salt prints or Blanquart - Evrard prints.
While Warhol didn't invent the photographic silkscreen process, he developed his own technique by combining hand - painted backgrounds with photographic silkscreen printed images to create unique works of art.
Like a gelatin silver print, an older photographic process, the chromogenic color print uses paper coated in several layers of gelatin mixed with silver.
She uses disposable cameras to deemphasize the authority of photographic representation and presents her prints in multipleiterations, each with a different tone — showing us the simple but profound ways in which photographic processes can alter the way people are represented.
The exhibition is comprised of gelatin silver prints of Busse's photographs taken in his native rural northern Germany which are then altered via darkroom processes and photographic inks, haunting hybrids that document the seen and unseen.
This exhibition will look in detail at these processes, from the perception and selection of colour in tapestry to recent changes in digital photographic printing that have had a major impact on Fabian Miller's work.
During those years he created his first works with pencil on canvas and ink on photographic prints; in them, he mixed words and diagrams to explore the relationship between the body and its environment, and the processes by which man perceives and imagines.
The photographs not only reveal the shifting attitudes towards children and their representation, but also show the evolution of the photographic processes from early daguerreotypes to contemporary digital prints.
Though he frequently experiments, Opera usually opts for one of two photographic processes: the Cyanotype, which yields a cyan - colored print, or the Anthotype, which employs photosensitive materials from plants.
Interestingly, the photographers in this group show chose to express their artistry in a variety of photographic processes, ranging from traditional anthotypes to digital inkjet prints, including a hybrid of both old and new techniques.
we like small things curated by Jennifer Keats, presents photographic work in progress, one - offs, inkjet prints, silver gelatin, alternative processes and more.
It contains all original work, including color and black - and - white photographic prints, alternative processes, as well as computer generated imagery, collages, artist books, and installation pieces.
Salt on Silver is a new body of work inspired by site visit to the Dead Sea as well as a personal re-discovery of older photographic processes: gelatin silver printing and salt printing.
The chalk dust covering the façade and grounds of a West Virginia limestone - grinding factory alludes to the photographic surface, as chalk is used in the printing process to absorb ink.
Frazier printed many of the images in the show as «cyanotypes, a 19th century photographic process that renders images in shades of blue, referencing an architect's blueprint and the idea of «blue collar» work.»
From William Henry Fox Talbot's earliest «photogenic drawings» and Charles Nègre's translation of photographic images into a variety of mechanical processes, to the photogram process that was a staple for Man Ray, Dada, and the Surrealists, Past Picture draws from the extraordinary holdings of late nineteenth and early twentieth - century photographs in the collection of the National Gallery of Canada to present prints and images by some of photography's most innovative and influential inventors and practitioners.
Inspired by life experiences, research and her own reflections, she is drawn to organic forms, the creative combination of various photographic and painting / printing process and sensual materials.
Inspired by Pop Art era and Abstract Expressionist artists, Goldberg modernizes processes by employing specialized primers that allow him to digitally print directly to painted surfaces, where the underpaintings interact with the photographic layers.
Presenting him, however, as far more than a documentarian of Gen - X and youth culture, this major monograph on his work will present primarily unpublished photographs: land and cityscapes that have been manipulated with light during the printing process, images created without negatives, only by the use of light on photographic paper, and other abstractions.
«The Mind's Eye presents works drawn from the artist's personal archive of vintage materials and, in addition to photographic prints, includes a selection of three - dimensional photographic sculptures, films, artist's books, albums and work prints to give viewers first - hand insight into Uelsmann's creative process and expressive range.
Over the next 20 years, she created a series of prints that translated her textile innovations and her Bauhaus sensibility into this medium, introducing Mexican colors into her palette and exploring new lithography techniques, offset printing, photographic processes and silkscreen.
The London - based collection now contains more than 2,000 publications, and exists as both a physical manifestation of a worldwide movement and, as SPBH refers to it, a «call to action», aiming to inspire visitors to create books through different photographic and printing processes.
The New York Center for Photographic Arts (NYC4PA) invites photographers world - wide to submit images using any photographic process (print, image transfer, emulsion transfer, encaustic, black and white, Photographic Arts (NYC4PA) invites photographers world - wide to submit images using any photographic process (print, image transfer, emulsion transfer, encaustic, black and white, photographic process (print, image transfer, emulsion transfer, encaustic, black and white, color etc.).
The collection contains all original work, including color and black - and - white photographic prints, alternative processes, as well as computer generated imagery, collages, artist books, and installation pieces.
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