The Modern Institute will be making a solo presentation of Luke's new
photographic prints at the Independent Fair in New York in March.
Not exact matches
Her
photographic mandala
prints can be seen in the hallways
at Spira.
Buy «Sunset Large Photographed Framed
Print Wall Art» products like Elementem Photography 3 - Panel 28 - Inch x 28 - Inch
Photographic Wall Art of Sunset Pier, Elementem Photography 3 - Panel 24 - Inch x 24 - Inch
Photographic Wall Art of Venice Sunset, Elementem Photography 3 - Panel 28 - Inch x 28 - Inch
Photographic Wall Art of NYC
at Sunset Vertical
-- into their checklists, including Reality Check: Representational Paintings from the Modern and Contemporary Collection of the MFAH, Houston Collects: African American Art (MFAH): Second Nature: Contemporary Landscapes From the MFAH Collection, NeoHooDoo: Art for a Forgotten Faith (Menil), Cosmopolitan Routes: Houston Collects Latin American Art, The Progress of Love (Menil), plus any number of
photographic and
prints - and - drawings show
at the MFAH that might not be «Big A» enough for Tibbits's criteria.
Store
at a minimum of 20º C UN 1950 Extremely Flammable 2827 S W Kenyon Cranbrook — Kent U.K. Division of K - Line
Photographic Supplies Company Telephone: 01580 850770 Made in Britain Registered in the US Patent and Trademark Office Studio Rhein Verlag, Düsseldorf August 24, 2014, 2014 Inkjet
print on cotton rag paper 27 1/2 x 22 inches (69.9 x 55.9 cm) Courtesy David Zwirner, New York / London and Galerie Gisela Capitain, Cologne.
Visitors travel back in time to 1839, when British scientist William Henry Fox Talbot first presented his
photographic prints to the public
at King Edward's School in Birmingham.
A number of significant benefit exhibitions followed: «Drawings, 1965,» simultaneously shown
at Leo Castelli, Tibor De Nagy and Kornblee Galleries; a
print exhibition
at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown
at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown
at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings»
at Leo Castelli in 1993; «
Prints»
at Brooke Alexander in 1995; «Drawings & Photographs»
at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts»
at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts»
at Paula Cooper Gallery in December 2006, «
Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts»
at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts»
at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts»
at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts»
at David Zwirner in December 2016 and January 2017.
Having a collection of more than 40,000
prints, the Centre Pompidou will present a selection of hundred works illustrating the most remarkable moments within the last 10 years of
photographic acquisitions
at the museum.
At heart, Photo London is a selling fair for expensive
photographic prints.
A short stack of catalogs for the Hammer Museum exhibition «Leap Before You Look: Black Mountain College, 1933 - 1957,» San Francisco Museum of Modern Art's upcoming
photographic show «Anthony Hernandez,» and «Three Centuries of American
Prints,» from the National Gallery of Art in Washington, D.C., weighs in
at more than 15 pounds — about the equivalent of a bowling ball.
The sale marks the first time such an extensive grouping of Frank's work has appeared
at auction and an unusual chance to see so many of these iconic images as
photographic prints, as opposed to on the
printed page.
In his first solo exhibition in Hong Kong
at Axel Vervoordt Gallery, entitled «分合 PART: MEET,» Bae presents five new black - and - white
photographic prints from his «Sonamu — Pine Trees» series (2015), returning to his favorite subject of the pine trees found in the forested mountains of Gyeongju.
Principally drawn from materials gathered in Japan in the 1890s by Edmund Buckley, a professor of Comparative Religion
at the University of Chicago, this exhibition included
prints and
photographic views of temples and cities, as well as images of religious objects, ceremonies, and deities.
Fiona Clark, Diana and boyfriend,
at Miss Drag Queen Ball, 1975, 1975, coloured
photographic print on Ilford Galerie Gold Fibre Silk, 161 x 243 mm
Fiona Clark, Ian Geraldine
at Home, Auckland, 1975, 1975, coloured
photographic print on Ilford Galerie Gold Fibre Silk, 243 x 161 mm
Fiona Clark, Diana and Sheila
at Mojos, Auckland, 1975, 1975, coloured
photographic print on Ilford Galerie Gold Fibre Silk, 273 x 191 mm
Appearance and illusion, the historical nature of cameras and of the
photographic print, what we see or think we see in the act of perception, and how things are revealed photographically have long been
at play in Welling's work.
Fiona Clark, Jackie
at Mojos, Auckland, 1975, 1975, coloured
photographic print on Ilford Galerie Gold Fibre Silk, 243 x 161 mm
Fiona Clark, Sheila and Belinda Lee
at Mojos Night Club, Auckland 1975, 1975, coloured
photographic print on Ilford Galerie Gold Fibre Silk, 273 x 191 mm
Often, the final compositions are exhibited as art objects — such as
photographic prints and video installations — while others exist in a real - time software context, such as «Rainbow Aggregator» (2013) which will be featured
at the fair.
Throughout her work, she looks
at photographic prints as a means to bring closer the relationship between painting and photography.
In her wall works, many of which play, sleight - of - hand - style, with the shifts between two - to three - dimensionality — inviting the viewer to enter their world while
at the same time sealing themselves off from engagement — Rafferty
prints photographic imagery on thin, clear film, often mixed with paint and solvents, and attaches these to irregularly rectangular clear acrylic sheets.
In the sculptures and
photographic pigment
prints of the late Brian Gaman currently on display
at the Parrish Art Museum, the artist offers a type of abstraction that is distinctive in its evocation of powerfully atmospheric emotional echoes.
William Eckersley 24 HR NEWS 2014 Archival Pigment
Print, 125x95cm Before undertaking the
Photographic Studies MA
at Westminster, I studied briefly
at both St.Martins and LCC.
The studio works closely in
photographic production and the proliferation of the
photographic medium
at large with a dedicated gallery space for showcasing publications and
printed material in relation to local and international photography.
Jan Stradtmann BELGRAVIA (2/6) 2008/2012 Archival Pigment
Print, 82x75cm Jan Stradtmann studied Communication Design
at the University of Applied Sciences
at Potsdam, Germany before graduating in 2007 with an MA in
Photographic Studies from the University of Westminster, London.
For our particular studio visit we convened
at the Chicago Cultural Center where Rashayla had organized a collection of research materials and
photographic prints for her installation Appropriation Politics 102 Circa 2017.
This exhibition will look in detail
at these processes, from the perception and selection of colour in tapestry to recent changes in digital
photographic printing that have had a major impact on Fabian Miller's work.
In 2000, Sarah Charlesworth went to see tests of her newest work
at Laumont
Photographics, a lab in New York used by many artists to
print their photographs.
The surface of the
photographic print is explored in a new exhibition
at Dye House, which focuses on the fluid nature in which it moves between two and three dimensions.
For the past year, Marcy Werner, curatorial assistant
at UofL's
Photographic Archives, has been hard
at work on a database collecting all the fine
prints in the extensive collection.
An extensive archive of photographs produced in silver gelatin
print, taken since 1999 (and still on going), this series focuses on marginalized rural communities in Western Rajasthan, portrayed through a range of local
photographic methods including studio portraits, religious calendar art and Bollywood posters,
at times collaborating with subjects, and sometimes not including them
at all.
Having recently worked on conserving and restoring Looking for Langston images from his extensive archive, he exhibited of
photographic works
at Victoria Miro Gallery, London (2017), Jessica Silverman Gallery, San Francisco (2016) and Ron Mandos Gallery, Amsterdam (2016) with a screening of the film in its original 16 mm
print at Tate Britain.
Produced
photographic documentation of a series screen
prints made by artist Michelle Grabner
at Zygote Press.
The Gallery 145 wishes to continue this idea of sharing work and ideas of alternative distribution by hosting future
print swap events
at upcoming
photographic gatherings.
For her solo show
at the Kasia Michalski Gallery, Agnieszka Polska proposes a selection of her recent works consisting of a video, a set of collages on
photographic paper as well as
prints on textile.
Red Roses for a Blue Lady, Damon Zucconi's second exhibition
at JTT, consists of
photographic prints, a series of pre-existing books re-published by the artist, four web - accessible works, and a video.
This exhibition looks
at two facets of Pindell's practice that have remained consistent through five decades of artmaking: abstract paintings and constructions on canvas, paper, and board; and a body of work Pindell calls «video drawings», an ongoing series of
photographic prints that arise from her unique hybridization of photography, video, and drawing.
On view currently as part of the Giorgio Morandi exhibition
at the Center for Italian Modern Art are six
photographic prints by the artist Tacita Dean, taken in Giorgio Morandi's studio in Bologna, Italy, in 2009.
On view
at Kunstsammlung Nordrhein - Westfalen's K20 gallery in Düsseldorf, the show presents a collection new images alongside earlier works exploring
photographic abstracting, including a
print of Rhein II, (1999), the most expensive photograph ever sold.
At the start of the show is a series of large, colorful
photographic prints depicting crumpled paintings that Martin Kippenberger assigned an assistant to make and then trashed, deeming them «too good.»
«I dream a world» Looking for Langston, an exhibition of newly - conceived, large - scale and silver gelatin
photographic works and archival material,
at Victoria Miro, Wharf Road and a special presentation
at Somerset House for Photo London (18 — 21 May) features photographs presented as both large - scale works and silver gelatin
prints, accompanied by an installation of the award - winning film.
Emmet Gowin (American, b. 1941) Subsidence Craters on Yucca Flat, Nevada Test Site, 1997,
printed 2008, edition of 35 plus 21 artist proofs, from The PRC Portfolio published by the
Photographic Resource Center
at Boston University.
At Kunsthalle Basel, Leckey presents an «Ersatz» of that show, comprised mostly of copies, including various 3D
printed objects, 2D cardboard cutouts,
photographic reproductions, and other replicas of the original objects, and calls it UniAddDumThs.
ParkeHarrisons» remarkable pigment
print is a quintessential surrealist / dada / performance
photographic document in which a man receives information over the airwaves and transcribes it
at the same time.
Collotype
printing was the state of the art for
photographic reproduction
at the turn of the twentieth century, but it was quickly replaced by faster, cheaper and more mechanized
printing techniques.
I bought from usa artist Ellie Ga 3 silver gellatin
photographic prints and an artists book referencing her journey to the arctic with perhaps a certain homage being paid to Ernest Shackleton — a bargain
at 50 swiss francs and a far cry from the prices
at the main basel art fair arena.
Richard Prince's «New Portraits» series (2015), in which he appropriates Instagram posts, turning them into large - scale
prints, is evidence of the influence viral, online imagery has already had on contemporary art photography; and, while we might cringe
at the thought of «selfies» and «food porn» someday appearing in MoMA's
photographic collection, it is almost imperative that they do.
Penelope Umbrico's digital
prints at Mark Moore were created on a smartphone but look like old - fashioned
photographic accidents.
Advance /... Notice introduces newly perfected techniques or processes for some of our well - known artists, such as platinum
photographic prints by David Goldblatt, and a completely new turn of direction and field of interest for African American artist Hank Willis Thomas, who first exhibited with us on In Context in 2010, as well as for Sigalit Landau, the acclaimed Israeli artist we co-hosted
at last year's Venice Biennale.