Sentences with phrase «photographic prints created»

Not exact matches

Five exclusive prints, from water - colouring to freehand drawings and photographic cityscapes, were created and digitally generated in - house.

Halftones are created to prepare photographic images for reproduction across various print media.

Sipp, a printmaker, is creating the illustrations by drawing on glass and then using a photographic process to make etching plates from the drawings, so he can do limited - edition prints.

Joseph Nicéphore Niépce — The inventor of photography Louis Daguerre — Invented the popular and practical daguerreotype process Robert Cornelius — First selfie Henry Fox Talbot — Inventor of the photographic negative, allowing multiple prints Sir John Herschel — Coined the term «photography» Richard Leach Maddox — Invented practical gelatin dry plate negatives Eadweard Muybridge — World's first photo sequence George Eastman — Popularized roll film, created the first hand - held camera Oskar Barnack — Invented the portable Leica I Steven Sasson — Invented the first digital camera

Rodriguez sourced these images, which are created to monitor an embryo's health, from a fertility clinic, then transferred the digital files to create photographic negatives, which she then used to produce silver gelatin prints.

He has created a room - size camera, otherwise known as a dark room, where he makes direct positive prints by exposing large sheets of photographic paper directly to light.

Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.

Using photographic techniques, painting, drawing, collage, and screen - printing, the artist creates manifold compositions that allude to embryonic modernisms (the Orphism of František Kupka, the Metaphysical painting of Giorgio DeChirico, Futurism, Constructivism and Suprematism), science fiction, philosophy and architecture, particularly Viennese Gothic architecture like Stephansdom (St. Stephens Cathedral).

Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen - print of the vast, horizonless ocean that appears to carry a faint «X,» as if the printing plate had been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems to have ripped it from either the actual heavens above or a movie - studio set; and a photographic close - up of shifting desert sand, over which actual sand and colored pigment has been applied by David Benjamin Sherry, as if reality were a veil obscuring camera - created truth in our mediated universe.

Beginning with his 1971 Paris photographs printed using chemical staining to create works full of strange presences [9] while under the influence of LSD, Polke exploited the photographic process as a means to alter «reality.»

Opera creates fleeting abstract images of ink marbled in water and prints them as Anthotypes, a primitive photographic process derived from the colorful light sensitive chemicals found in plants.

He created the process of printing photographic images on leaves in 1992 following the receipt of a fellowship from the New York Foundation for the Arts.

She uses photographic prints, video, metals, cloth, magazines and other materials to create pictures, collage and other works of art.

September 19 — December 7, 2008 Best known for his exploration of the interstices between art, science and photographic illusion, Barcelona - based artist Fontcuberta created these 40 large - scale prints using computer software that transformed well - known paintings and photographs into virtual landscapes.

«Photo - Technic» features works of different photographic techniques from two photographers, Gerry Giliberti, who is exhibiting prints of still lifes and flora created with the alternative processes of Lumen and Solar Plate Printing, and Dave Burns, who is exhibiting Infrared images of Serengeti wildlife and landscapes from various safaris in Tanzania.

Hamilton creates «virtual» interiors by electronically superimposing photographic images on one another and printing the combined images on canvas.

Notable, the o in So is filled in to create a solid form that rhymes with the other half of the diptych: a small photographic print doctored so that its solitary subject, a midcentury woman in clown attire in the desert, appears to hold a matching black ellipse or hole.

[16] His photographic California Map Project (1969) created physical forms that resembled the letters in «California» geographically near to the very spots on the map that they were printed.

The photographic silkscreen printing process created a precise and defined image and allowed Warhol and his assistants to mass - produce a large number of prints with relative ease.

While Warhol didn't invent the photographic silkscreen process, he developed his own technique by combining hand - painted backgrounds with photographic silkscreen printed images to create unique works of art.

Gerry Giliberti is a print - based photographic artist who uses graphics, photography, sculpture and digital imagery to create abstract, surrealistic images and constructions that bring the viewer into a new visual world.

During those years he created his first works with pencil on canvas and ink on photographic prints; in them, he mixed words and diagrams to explore the relationship between the body and its environment, and the processes by which man perceives and imagines.

Drawn from the MCA's extensive holdings of artist's correspondence, photographic documentation, catalogues, models, and exhibition materials, the work in Record Times ranges from the artists» multiple created for the MCA's first exhibition, Pictures to be Read / Poetry to be Seen (1967); to the Art by Telephone (1969) phonograph, which served as both the exhibition and catalogue for the exhibition; to diagrams, maquettes, and out - of - print exhibition catalogues.

Based on the wildly imaginative illustrations of plants and vegetation in the Voynich manuscript, Miljohn Ruperto — a Californian artist of Philippine origin — together with the Danish artist Ulrik Heltoft, have made textural photographic works by creating 3D models then making negatives from these and finally printing them in traditional gelatin silver format.

McAlpine has cut, collaged and layered these sections of film to create abstract compositions and has used these to produce photographic prints which amplify the traces of the human hand in the surface texture of scratches and dust.

The exhibit is organized in more or less a chronological order, which is perfect for an artist who went through various stages — there was fascination with photographic prints, silk screening, extensive collaboration with Merce Cunningham, sometimes with works created in real time as Cunningham's dancers trouped around, an idea of interactive art, in which the viewers were encouraged to tune a radio embedded in a painting to any station they wanted (needless to say, you should not try that now), and so on.

Matthew Brandt Brandt discusses the often unorthodox and highly experimental methods by which he creates his photographic prints.

In recent years he has created woodblock prints that are inspired by his photographic compositions, and reflect on waterfront, marine and botanical subjects.

With his E.I. series, Cairns has taken the idea of photographic printing to new levels, creating works that present his dystopian city scenes petrified in e-reader screens.

Throughlarge copper plate etching and photographic imagery, Smith used computer - generated, photographic patterning to create seamless images as it is printed onto long rolls of paper, ergo creating his own unique paper upholstery.

Presenting him, however, as far more than a documentarian of Gen - X and youth culture, this major monograph on his work will present primarily unpublished photographs: land and cityscapes that have been manipulated with light during the printing process, images created without negatives, only by the use of light on photographic paper, and other abstractions.

However, he quickly expanded his focus, creating works with and without a camera, producing photographs printed as C - prints on photographic paper, as inkjet prints on paper, or as photocopies.

Over the next 20 years, she created a series of prints that translated her textile innovations and her Bauhaus sensibility into this medium, introducing Mexican colors into her palette and exploring new lithography techniques, offset printing, photographic processes and silkscreen.

Experimenting with her stash of gelatin silver print photographic paper, used thirty years ago to create a series evoking Cuban surrealist painter Wifredo Lam, she adds subtle gradations of color, from lavender and peach to silver.

In 2006, she created Equivalents: After Stieglitz 1 - 18, a suite of 18 photographic prints which break down the gray scale of the original photographs into chessboard - pattern squares of solid hues.

The London - based collection now contains more than 2,000 publications, and exists as both a physical manifestation of a worldwide movement and, as SPBH refers to it, a «call to action», aiming to inspire visitors to create books through different photographic and printing processes.

Penelope Umbrico's digital prints at Mark Moore were created on a smartphone but look like old - fashioned photographic accidents.

In this series, I began to experiment with printing images of natural scenes, plants, and other items on to cotton and silk that I then sewed, staged, and re-photographed to create digital photographic collages or sewed the printed fabric into soft sculptures.

Working simultaneously in a range of mediums, Conner created hybrids of painting and sculpture, film and performance, drawing and printing, including bodies of works on paper utilizing drawing and collage and two important photographic bodies of work, including a haunting group of black - and - white life - sized photograms called ANGELS.

Bridging nineteenth and twenty - first century photographic technologies, Gerry Giliberti has created a series of landscapes and contemporary views using a photographic technique that was popular in the past - the gelatin silver chloride contact printing process.

An Experience of Amusing Chemistry: Photographs 1990 — 1890 comprises some 120 works created using a wide range of historic photographic techniques, including the use of palladium, gum, salt and cyanotype prints.