Sentences with phrase «photographic prints from»

The exhibition features limited edition photographic prints from 3 different series by the artist, «Papiliones», «Ta Prohm», and «Barbed Wire (Khmer Rouge Security Prison)».

Lyle Ashton Harris's Once (Now) Again is part of a larger ongoing project, the Ektachrome Archive, comprising slide images shot between 1986 and 1998, photographic prints from the artist's journals, and diaristic video works.

During Deep Epoch, Dullaart shows a new series of oil paintings based on images generated by «neural networks»; works derived from his recent performative intervention The Possibility of an Army, as well as photographic prints from his Instragram project for Jeu de Paume and HMKV: High Retention, Slow Delivery.

In his first solo exhibition in Hong Kong at Axel Vervoordt Gallery, entitled «分合 PART: MEET,» Bae presents five new black - and - white photographic prints from his «Sonamu — Pine Trees» series (2015), returning to his favorite subject of the pine trees found in the forested mountains of Gyeongju.

Exhibited alongside them are photographic prints from pioneers including Paul Strand, László Moholy - Nagy and Man Ray.

Kudzanai Chiurai will show the film Moyo — as well as a new photographic print from the project — in which the artist gently engages with notions of memory, mourning and loss.

Not exact matches

A machine that looks like a photocopier but produces photographic prints in just over a minute will appear in high street photographic shops from the end of June.

Five exclusive prints, from water - colouring to freehand drawings and photographic cityscapes, were created and digitally generated in - house.

Sipp, a printmaker, is creating the illustrations by drawing on glass and then using a photographic process to make etching plates from the drawings, so he can do limited - edition prints.

The exhibition comprises roughly 150 works, ranging from graphic prints and artists» books to photographic editions.

Rodriguez sourced these images, which are created to monitor an embryo's health, from a fertility clinic, then transferred the digital files to create photographic negatives, which she then used to produce silver gelatin prints.

-- into their checklists, including Reality Check: Representational Paintings from the Modern and Contemporary Collection of the MFAH, Houston Collects: African American Art (MFAH): Second Nature: Contemporary Landscapes From the MFAH Collection, NeoHooDoo: Art for a Forgotten Faith (Menil), Cosmopolitan Routes: Houston Collects Latin American Art, The Progress of Love (Menil), plus any number of photographic and prints - and - drawings show at the MFAH that might not be «Big A» enough for Tibbits's critefrom the Modern and Contemporary Collection of the MFAH, Houston Collects: African American Art (MFAH): Second Nature: Contemporary Landscapes From the MFAH Collection, NeoHooDoo: Art for a Forgotten Faith (Menil), Cosmopolitan Routes: Houston Collects Latin American Art, The Progress of Love (Menil), plus any number of photographic and prints - and - drawings show at the MFAH that might not be «Big A» enough for Tibbits's criteFrom the MFAH Collection, NeoHooDoo: Art for a Forgotten Faith (Menil), Cosmopolitan Routes: Houston Collects Latin American Art, The Progress of Love (Menil), plus any number of photographic and prints - and - drawings show at the MFAH that might not be «Big A» enough for Tibbits's criteria.

Brunner employs acrylic glass, Swarovski crystal, mirror, photographic prints, paint, and foil in his creations that range in size from personal and intimate to monumental and communal.

The form is dictated by the subject matter ranging from to framed digital photographic print, sculpture, video installations, and beyond.

In the works exhibited this year she explores alignments of olychrome abstract watercolor monotypes with monochrome photographic imagery printed from polyester plate lithos.

Along with original photographic prints, the exhibition features hundreds of tear sheets and magazine covers from both mainstream and independent publications by a range of photographers including Steven Meisel, Cindy Sherman, Mario Sorrenti, Nick Knight, Steven Klein, Miles Aldridge, Paolo Roversi, and Sølve Sundsbø.

Always working in a breadth of mediums, Armleder's creations encompass everything from geometric abstraction drawings to «sculptural furniture» to radical performances to photographic prints.

Assembled negatively - like a print or photographic film - Otero's recent text - based invocations of twentieth - century philosophy (which include quotes from Sartre, among other totemic figures) also serve as visual essays in metaphysical instability for our own stunningly unreflective, culturally dumbfounded time.

The Latvian - born, New York — based artist has been rendering nature imagery from black - and - white photographic sources since the 1960s, exploring the same subjects repeatedly in paintings, drawings and prints.

He uses unconventional materials in traditional photographic techniques to produce unique photographic prints with a conceptual twist; for example his «dust» series, which uses collected dust and adhesive in place of the usual photographic chemicals to print delicate, gossamer images; or his photographs of lakes and rivers that are developed in liquid collected from the bodies of water themselves.

James Hyde's work ranges from paintings on photographic prints to large - scale installations, photography, and abstract furniture design.

Examples include Julia Margaret Cameron's soft - focused and reverential Herbert Wilson (1868), which helped to move photographic portraiture from pure documentation to artistic intention; and Edward Curtis's field - printed cyanotype of an American Indian (c.1900 - 1930), which also shows how early photographers checked the quality of their images before digital photography.

The show included two mixed - media works from Hirst's series «When Logics Die» («When Logics Die (figs. 134/135)» (1991)-RRB-, shown alongside an important early work, a photographic print sealed on aluminium, «With Dead Head» (1991).

Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen - print of the vast, horizonless ocean that appears to carry a faint «X,» as if the printing plate had been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems to have ripped it from either the actual heavens above or a movie - studio set; and a photographic close - up of shifting desert sand, over which actual sand and colored pigment has been applied by David Benjamin Sherry, as if reality were a veil obscuring camera - created truth in our mediated universe.

Opera creates fleeting abstract images of ink marbled in water and prints them as Anthotypes, a primitive photographic process derived from the colorful light sensitive chemicals found in plants.

A short stack of catalogs for the Hammer Museum exhibition «Leap Before You Look: Black Mountain College, 1933 - 1957,» San Francisco Museum of Modern Art's upcoming photographic show «Anthony Hernandez,» and «Three Centuries of American Prints,» from the National Gallery of Art in Washington, D.C., weighs in at more than 15 pounds — about the equivalent of a bowling ball.

The collection also includes all applications of the medium, from artistic pursuit to commercial enterprise and from amateur pastime to documentary record, as well as all types of photographic processes, from daguerreotypes to digital prints...

The bright psychedelic color, either disembodied or coupled with vivid imagery, bounces around the gallery's main room: from Nancy Shaver's wooden blocks covered with paint and fabric and Victoria Fu's abstract photographic prints, to Mathew Zefeldt's metaphysical paintings and Jose Lerma's whimsical diptych consisting of a painted carpet in front of a painted mirror.

He is an accomplished printmaker who, over the years, has experimented with a wide variety of printing methods from woodcut, etching and lithography, to photographic processes such as collotype and color copy transfer.

He created the process of printing photographic images on leaves in 1992 following the receipt of a fellowship from the New York Foundation for the Arts.

© Timothy H. O'Sullivan, A Harvest of Death, Gettysburg, Pennsylvania, July 4, 1863, from Gardner's Photographic Sketch Book of the War, Volume I, albumen print, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, museum purchase, Collection Care and Enhancement Fund.

The imagery in these prints derives from one of two little known and rarely seen photographic series that Booker produced in the mid-1990s.

«Photo - Technic» features works of different photographic techniques from two photographers, Gerry Giliberti, who is exhibiting prints of still lifes and flora created with the alternative processes of Lumen and Solar Plate Printing, and Dave Burns, who is exhibiting Infrared images of Serengeti wildlife and landscapes from various safaris in Tanzania.

Principally drawn from materials gathered in Japan in the 1890s by Edmund Buckley, a professor of Comparative Religion at the University of Chicago, this exhibition included prints and photographic views of temples and cities, as well as images of religious objects, ceremonies, and deities.

It includes Albers's early drawings of country churches and cathedrals; «Rosa Mystica,» his stained glass window for St Michael's Church, and other glass works containing religious imagery; his abstractions of crosses and geometric abstractions with spiritually themed titles, from his Black Mountain years; his prints of Mexican gods; photographic interpretations of the theme of angels; and a selection from the Homage to the Square series.

He appropriated most of his subjects from photographic reproductions he amassed from newspapers, books, calendars, magazines and other popular print media.

The main gallery spaces will feature examples of large - scale works featuring evocative photographic images from various sources such as books about experimental theater or puppetry, as well as Japanese textile designs, all screen - printed onto different fabrics that are layered and stitched together.

The exhibition brought together artworks produced from 2006 - 2011 and featured video, photographic prints, objects and performance excerpts from The Other Room, Tracing Shadows and dis - locate.

Her artistic research moves from the basics of photographic technique, and develops through various media taking different forms according to the places or the stories in which it develops; from b / w photographic printing to site - specific installation, from video to drawing.

I experiment with printing methods that evoke different photographic techniques throughout history, from vintage cookbooks to gelatin silver prints.

Fusing these mechanical processes with the hand - made, the photographic prints are layered with ink drained from thousands of ballpoint pens over the course of several months.

From the «Weather Painting» series, the 11 - foot tall Weather Paintings IB and Weather Paintings IIB are photographic prints of Schnabel's abstract paintings, their swirling shades of purple evoking aerial shots of stormy weather.

This exhibition of Andy Warhol's photographs is culled from over 100 Polaroids and black and white silver gelatin prints granted to the University Museum of Contemporary Art by the Andy Warhol Photographic Legacy Program.

In her wall works, many of which play, sleight - of - hand - style, with the shifts between two - to three - dimensionality — inviting the viewer to enter their world while at the same time sealing themselves off from engagement — Rafferty prints photographic imagery on thin, clear film, often mixed with paint and solvents, and attaches these to irregularly rectangular clear acrylic sheets.

Learn about photographic silkscreen printing process from beginning to end.

Suspended from the apex of the gallery's slanted ceiling, the sculpture is made of sheet metal overlaid with photographic prints of roads.

From a white plastic electrical fan to a scattering of hand - cast plaster bowls in a rainbow of colours and from a roll of LED strip lights to wallpaper and swatches of silk printed with a photographic image of polystyrene, texture seems like a key driver in your practFrom a white plastic electrical fan to a scattering of hand - cast plaster bowls in a rainbow of colours and from a roll of LED strip lights to wallpaper and swatches of silk printed with a photographic image of polystyrene, texture seems like a key driver in your practfrom a roll of LED strip lights to wallpaper and swatches of silk printed with a photographic image of polystyrene, texture seems like a key driver in your practice.

Collier's exhibition includes recent works from her ongoing series «Women Crying»; two text - based photographic works based on printed materials originally used in group - therapy and self - analysis; works from her latest series «Crying (Comic)» and «Tears (Comic)»; and a 35 mm slide projection piece «Women With Cameras (Self Portrait)».

Jan Stradtmann BELGRAVIA (2/6) 2008/2012 Archival Pigment Print, 82x75cm Jan Stradtmann studied Communication Design at the University of Applied Sciences at Potsdam, Germany before graduating in 2007 with an MA in Photographic Studies from the University of Westminster, London.

Sandro Miller Irving Penn / Pablo Picasso, Cannes France (1957), 2014 From the Malkovich, Malkovich, Malkovich — Homage to photographic masters series Pigment print 18 x 18 3/4 in.