Sentences with phrase «photographic prints which»

In 2006, she created Equivalents: After Stieglitz 1 - 18, a suite of 18 photographic prints which break down the gray scale of the original photographs into chessboard - pattern squares of solid hues.
Pollack added, «It is another source of income for photographers and it puts a good value on photographic prints which have been made with painstaking care.
McAlpine has cut, collaged and layered these sections of film to create abstract compositions and has used these to produce photographic prints which amplify the traces of the human hand in the surface texture of scratches and dust.

Not exact matches

Have you ever seen printed pants which contain graphic as well as photographic elements?
In her creative practice, she cuts photographic prints to form woven diptychs, which are pinned in place and flow over a surface.
Rodriguez sourced these images, which are created to monitor an embryo's health, from a fertility clinic, then transferred the digital files to create photographic negatives, which she then used to produce silver gelatin prints.
The original hand - made work is like a photographic negative, which exists only as a means to an end — the photographic print.
Assembled negatively - like a print or photographic film - Otero's recent text - based invocations of twentieth - century philosophy (which include quotes from Sartre, among other totemic figures) also serve as visual essays in metaphysical instability for our own stunningly unreflective, culturally dumbfounded time.
He uses unconventional materials in traditional photographic techniques to produce unique photographic prints with a conceptual twist; for example his «dust» series, which uses collected dust and adhesive in place of the usual photographic chemicals to print delicate, gossamer images; or his photographs of lakes and rivers that are developed in liquid collected from the bodies of water themselves.
Examples include Julia Margaret Cameron's soft - focused and reverential Herbert Wilson (1868), which helped to move photographic portraiture from pure documentation to artistic intention; and Edward Curtis's field - printed cyanotype of an American Indian (c.1900 - 1930), which also shows how early photographers checked the quality of their images before digital photography.
Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen - print of the vast, horizonless ocean that appears to carry a faint «X,» as if the printing plate had been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems to have ripped it from either the actual heavens above or a movie - studio set; and a photographic close - up of shifting desert sand, over which actual sand and colored pigment has been applied by David Benjamin Sherry, as if reality were a veil obscuring camera - created truth in our mediated universe.
This body of work continues the artist's practice of printing and collaging photographic experiments on fabric, which are often displayed in a site - specific environment.
It's a print made with one obsolete photographic process on which the image is of the material of the now also - obsolete photographic process that replaced it.
Often, the final compositions are exhibited as art objects — such as photographic prints and video installations — while others exist in a real - time software context, such as «Rainbow Aggregator» (2013) which will be featured at the fair.
Her artistic research moves from the basics of photographic technique, and develops through various media taking different forms according to the places or the stories in which it develops; from b / w photographic printing to site - specific installation, from video to drawing.
In her wall works, many of which play, sleight - of - hand - style, with the shifts between two - to three - dimensionality — inviting the viewer to enter their world while at the same time sealing themselves off from engagement — Rafferty prints photographic imagery on thin, clear film, often mixed with paint and solvents, and attaches these to irregularly rectangular clear acrylic sheets.
Photography was «born of» absolute tonalism, either sepia or gray, depending on which of the only two initial photographic processes known; salt prints or Blanquart - Evrard prints.
She incorporates two - dimensional animations made with the photographic prints, accompanied by binaural sound tracks which emphasize the narrator's voice as a woman of color inhabiting an adopted environment.
Ten inch sections of film were printed onto long strips of photographic paper and then mounted in rows, forming a final constructed piece which I called a composite... What I am talking about is complexity... There is no particular point of entry or procedure to the seeing; it is a multiplicity of elements operating in an aleatory manner.»
Hirose picks up things dissolved within our daily life and recomposes them like poems: such as in the «Sky» series in which he took photographs of sky on his actual travels; the «Night» series whereby he traveled in the image of photographic clippings from printed matters; and the «Beans Cosmos» series in which he encloses various materials such as pasta, maps, beans and gold in acrylic cubes.
She uses disposable cameras to deemphasize the authority of photographic representation and presents her prints in multipleiterations, each with a different tone — showing us the simple but profound ways in which photographic processes can alter the way people are represented.
Consisting of over eighty vintage prints originating from the Aaron Siskind Foundation, this exhibit offers the viewer a unique opportunity to identify, follow and contextualize many of these recurrences — the combination of which forms the basis of a highly original and influential lexicon developed by the only photographic member of the Abstract Expressionist group.
The exhibition is comprised of gelatin silver prints of Busse's photographs taken in his native rural northern Germany which are then altered via darkroom processes and photographic inks, haunting hybrids that document the seen and unseen.
During those years he created his first works with pencil on canvas and ink on photographic prints; in them, he mixed words and diagrams to explore the relationship between the body and its environment, and the processes by which man perceives and imagines.
The surface of the photographic print is explored in a new exhibition at Dye House, which focuses on the fluid nature in which it moves between two and three dimensions.
For Rituals, she premieres her new film, Forgotten Marriage (2008), which she produced in Prague, a group of four related photographic screen prints and an object.
Though he frequently experiments, Opera usually opts for one of two photographic processes: the Cyanotype, which yields a cyan - colored print, or the Anthotype, which employs photosensitive materials from plants.
It contains all original works that were made in editions, such as prints, photographic editions, artist's books, artist's posters, multiples and editions of paintings, which were produced before 2013.
Drawn from the MCA's extensive holdings of artist's correspondence, photographic documentation, catalogues, models, and exhibition materials, the work in Record Times ranges from the artists» multiple created for the MCA's first exhibition, Pictures to be Read / Poetry to be Seen (1967); to the Art by Telephone (1969) phonograph, which served as both the exhibition and catalogue for the exhibition; to diagrams, maquettes, and out - of - print exhibition catalogues.
Three black and white prints from the photographic series «Fruitlingerie» (1998), in which women's underwear is wrapped around fruit, are pinned to the walls, with more installed in the basement.
The small photograph Night Jam, 2013, is a study in color contrast, depicting gently creased strips of variously hued photographic paper arranged on top of a paper guillotine, bringing to mind series such as «Lighter,» 2005 — , for which Tillmans turns flat pictures into three - dimensional objects by bending, folding, or creasing photographic prints and exhibiting them in Plexiglas boxes; or the famous «paper drops,» 2001 — , for which he takes pictures of photographic paper gently furled into drop - like forms.
In the final photographic constructions, one always recognizes the physicality of the printed images, which further complicates the perspective and focus.
The posters are a melange of found photographic television and Internet images juxtaposed against those taken by the artist herself, all of which have been manipulated before being printed.
Minter has also included a photographic portrait of Miley Cyrus portrayed in a similar style, printed in an edition of fifty, the profits from which will be donate entirely to Planned Parenthood.
The exhibit is organized in more or less a chronological order, which is perfect for an artist who went through various stages — there was fascination with photographic prints, silk screening, extensive collaboration with Merce Cunningham, sometimes with works created in real time as Cunningham's dancers trouped around, an idea of interactive art, in which the viewers were encouraged to tune a radio embedded in a painting to any station they wanted (needless to say, you should not try that now), and so on.
Inspired by midcentury photobooks and magazines, as well as the materials in the artist's own archive, 50 Photographs features a tipped - in sleeve with fictitious contact sheets, a checklist and an essay by art historian and curator James Oles on photographic prints and archives, in which he recounts the story behind this publication.
Matthew Brandt Brandt discusses the often unorthodox and highly experimental methods by which he creates his photographic prints.
To accompany the group exhibition Double Agent in 2008, Phil Collins has made the photographic print You'll Never Work In This Town Again (2009) for the ICA, featuring two of the images from his series you'll never work in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the face.
This exhibition brings together for the first time these sensitive and poetic photographs in the form of eight individual black and white photographic prints coupled with a portfolio, which consists of twenty - four black and white digital c - prints.
The expansion will house the Royal Photographic Society collection, comprising four hundred thousand prints and other materials, which the V&A acquired from the Bradford Media Museum.
with his own erotic drawings, which reanimate the original picture, before rescanning and printing them on quality photographic paper.
This limited edition photographic print features an upside - down female gymnast balancing on one of the artist's signature black metal stands, which usually act as support for her sculptures.
Kudzanai Chiurai will show the film Moyo — as well as a new photographic print from the project — in which the artist gently engages with notions of memory, mourning and loss.
Another way to do this was to join together separate large - scale prints to form a triptych, which he did in Overpass (1988), using three prints of an identical photographic image.
ParkeHarrisons» remarkable pigment print is a quintessential surrealist / dada / performance photographic document in which a man receives information over the airwaves and transcribes it at the same time.
The students were able to choose from two types of photographic techniques, gelatin silver printing, a film photographic technique, and archival pigment print, which involves digital photography.
That particular genre is in many respects the polar opposite of uptight perfection, with its canvases rumpled and littered by everything from cigarette butts to charcoal to sand — all of which would be anathema to the clean lens and the pristine print — yet here Labatte slyly rearticulates the painterly gestures in an ecstatic series of photographic prints titled «Spotting,» 2014.
Richard Prince's «New Portraits» series (2015), in which he appropriates Instagram posts, turning them into large - scale prints, is evidence of the influence viral, online imagery has already had on contemporary art photography; and, while we might cringe at the thought of «selfies» and «food porn» someday appearing in MoMA's photographic collection, it is almost imperative that they do.
The photographic images published in her first book are processed from gelatin silver prints, in a square format, which without a surprise is ideal for fine art photography because elements in this space frame become stronger.
The magnum opus of the show, «365 Days: A Catalog of Tears,» is a selection of 36 very large C - prints from an impressive year - long photographic performance, which surround the viewer in the main gallery.
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