In 2006, she created Equivalents: After Stieglitz 1 - 18, a suite of 18
photographic prints which break down the gray scale of the original photographs into chessboard - pattern squares of solid hues.
Pollack added, «It is another source of income for photographers and it puts a good value on
photographic prints which have been made with painstaking care.
McAlpine has cut, collaged and layered these sections of film to create abstract compositions and has used these to produce
photographic prints which amplify the traces of the human hand in the surface texture of scratches and dust.
Not exact matches
Have you ever seen
printed pants
which contain graphic as well as
photographic elements?
In her creative practice, she cuts
photographic prints to form woven diptychs,
which are pinned in place and flow over a surface.
Rodriguez sourced these images,
which are created to monitor an embryo's health, from a fertility clinic, then transferred the digital files to create
photographic negatives,
which she then used to produce silver gelatin
prints.
The original hand - made work is like a
photographic negative,
which exists only as a means to an end — the
photographic print.
Assembled negatively - like a
print or
photographic film - Otero's recent text - based invocations of twentieth - century philosophy (
which include quotes from Sartre, among other totemic figures) also serve as visual essays in metaphysical instability for our own stunningly unreflective, culturally dumbfounded time.
He uses unconventional materials in traditional
photographic techniques to produce unique
photographic prints with a conceptual twist; for example his «dust» series,
which uses collected dust and adhesive in place of the usual
photographic chemicals to
print delicate, gossamer images; or his photographs of lakes and rivers that are developed in liquid collected from the bodies of water themselves.
Examples include Julia Margaret Cameron's soft - focused and reverential Herbert Wilson (1868),
which helped to move
photographic portraiture from pure documentation to artistic intention; and Edward Curtis's field -
printed cyanotype of an American Indian (c.1900 - 1930),
which also shows how early photographers checked the quality of their images before digital photography.
Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen -
print of the vast, horizonless ocean that appears to carry a faint «X,» as if the
printing plate had been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems to have ripped it from either the actual heavens above or a movie - studio set; and a
photographic close - up of shifting desert sand, over
which actual sand and colored pigment has been applied by David Benjamin Sherry, as if reality were a veil obscuring camera - created truth in our mediated universe.
This body of work continues the artist's practice of
printing and collaging
photographic experiments on fabric,
which are often displayed in a site - specific environment.
It's a
print made with one obsolete
photographic process on
which the image is of the material of the now also - obsolete
photographic process that replaced it.
Often, the final compositions are exhibited as art objects — such as
photographic prints and video installations — while others exist in a real - time software context, such as «Rainbow Aggregator» (2013)
which will be featured at the fair.
Her artistic research moves from the basics of
photographic technique, and develops through various media taking different forms according to the places or the stories in
which it develops; from b / w
photographic printing to site - specific installation, from video to drawing.
In her wall works, many of
which play, sleight - of - hand - style, with the shifts between two - to three - dimensionality — inviting the viewer to enter their world while at the same time sealing themselves off from engagement — Rafferty
prints photographic imagery on thin, clear film, often mixed with paint and solvents, and attaches these to irregularly rectangular clear acrylic sheets.
Photography was «born of» absolute tonalism, either sepia or gray, depending on
which of the only two initial
photographic processes known; salt
prints or Blanquart - Evrard
prints.
She incorporates two - dimensional animations made with the
photographic prints, accompanied by binaural sound tracks
which emphasize the narrator's voice as a woman of color inhabiting an adopted environment.
Ten inch sections of film were
printed onto long strips of
photographic paper and then mounted in rows, forming a final constructed piece
which I called a composite... What I am talking about is complexity... There is no particular point of entry or procedure to the seeing; it is a multiplicity of elements operating in an aleatory manner.»
Hirose picks up things dissolved within our daily life and recomposes them like poems: such as in the «Sky» series in
which he took photographs of sky on his actual travels; the «Night» series whereby he traveled in the image of
photographic clippings from
printed matters; and the «Beans Cosmos» series in
which he encloses various materials such as pasta, maps, beans and gold in acrylic cubes.
She uses disposable cameras to deemphasize the authority of
photographic representation and presents her
prints in multipleiterations, each with a different tone — showing us the simple but profound ways in
which photographic processes can alter the way people are represented.
Consisting of over eighty vintage
prints originating from the Aaron Siskind Foundation, this exhibit offers the viewer a unique opportunity to identify, follow and contextualize many of these recurrences — the combination of
which forms the basis of a highly original and influential lexicon developed by the only
photographic member of the Abstract Expressionist group.
The exhibition is comprised of gelatin silver
prints of Busse's photographs taken in his native rural northern Germany
which are then altered via darkroom processes and
photographic inks, haunting hybrids that document the seen and unseen.
During those years he created his first works with pencil on canvas and ink on
photographic prints; in them, he mixed words and diagrams to explore the relationship between the body and its environment, and the processes by
which man perceives and imagines.
The surface of the
photographic print is explored in a new exhibition at Dye House,
which focuses on the fluid nature in
which it moves between two and three dimensions.
For Rituals, she premieres her new film, Forgotten Marriage (2008),
which she produced in Prague, a group of four related
photographic screen
prints and an object.
Though he frequently experiments, Opera usually opts for one of two
photographic processes: the Cyanotype,
which yields a cyan - colored
print, or the Anthotype,
which employs photosensitive materials from plants.
It contains all original works that were made in editions, such as
prints,
photographic editions, artist's books, artist's posters, multiples and editions of paintings,
which were produced before 2013.
Drawn from the MCA's extensive holdings of artist's correspondence,
photographic documentation, catalogues, models, and exhibition materials, the work in Record Times ranges from the artists» multiple created for the MCA's first exhibition, Pictures to be Read / Poetry to be Seen (1967); to the Art by Telephone (1969) phonograph,
which served as both the exhibition and catalogue for the exhibition; to diagrams, maquettes, and out - of -
print exhibition catalogues.
Three black and white
prints from the
photographic series «Fruitlingerie» (1998), in
which women's underwear is wrapped around fruit, are pinned to the walls, with more installed in the basement.
The small photograph Night Jam, 2013, is a study in color contrast, depicting gently creased strips of variously hued
photographic paper arranged on top of a paper guillotine, bringing to mind series such as «Lighter,» 2005 — , for
which Tillmans turns flat pictures into three - dimensional objects by bending, folding, or creasing
photographic prints and exhibiting them in Plexiglas boxes; or the famous «paper drops,» 2001 — , for
which he takes pictures of
photographic paper gently furled into drop - like forms.
In the final
photographic constructions, one always recognizes the physicality of the
printed images,
which further complicates the perspective and focus.
The posters are a melange of found
photographic television and Internet images juxtaposed against those taken by the artist herself, all of
which have been manipulated before being
printed.
Minter has also included a
photographic portrait of Miley Cyrus portrayed in a similar style,
printed in an edition of fifty, the profits from
which will be donate entirely to Planned Parenthood.
The exhibit is organized in more or less a chronological order,
which is perfect for an artist who went through various stages — there was fascination with
photographic prints, silk screening, extensive collaboration with Merce Cunningham, sometimes with works created in real time as Cunningham's dancers trouped around, an idea of interactive art, in
which the viewers were encouraged to tune a radio embedded in a painting to any station they wanted (needless to say, you should not try that now), and so on.
Inspired by midcentury photobooks and magazines, as well as the materials in the artist's own archive, 50 Photographs features a tipped - in sleeve with fictitious contact sheets, a checklist and an essay by art historian and curator James Oles on
photographic prints and archives, in
which he recounts the story behind this publication.
Matthew Brandt Brandt discusses the often unorthodox and highly experimental methods by
which he creates his
photographic prints.
To accompany the group exhibition Double Agent in 2008, Phil Collins has made the
photographic print You'll Never Work In This Town Again (2009) for the ICA, featuring two of the images from his series you'll never work in this town again (2004 — on - going),
which is a series of
photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the face.
This exhibition brings together for the first time these sensitive and poetic photographs in the form of eight individual black and white
photographic prints coupled with a portfolio,
which consists of twenty - four black and white digital c -
prints.
The expansion will house the Royal
Photographic Society collection, comprising four hundred thousand
prints and other materials,
which the V&A acquired from the Bradford Media Museum.
with his own erotic drawings,
which reanimate the original picture, before rescanning and
printing them on quality
photographic paper.
This limited edition
photographic print features an upside - down female gymnast balancing on one of the artist's signature black metal stands,
which usually act as support for her sculptures.
Kudzanai Chiurai will show the film Moyo — as well as a new
photographic print from the project — in
which the artist gently engages with notions of memory, mourning and loss.
Another way to do this was to join together separate large - scale
prints to form a triptych,
which he did in Overpass (1988), using three
prints of an identical
photographic image.
ParkeHarrisons» remarkable pigment
print is a quintessential surrealist / dada / performance
photographic document in
which a man receives information over the airwaves and transcribes it at the same time.
The students were able to choose from two types of
photographic techniques, gelatin silver
printing, a film
photographic technique, and archival pigment
print,
which involves digital photography.
That particular genre is in many respects the polar opposite of uptight perfection, with its canvases rumpled and littered by everything from cigarette butts to charcoal to sand — all of
which would be anathema to the clean lens and the pristine
print — yet here Labatte slyly rearticulates the painterly gestures in an ecstatic series of
photographic prints titled «Spotting,» 2014.
Richard Prince's «New Portraits» series (2015), in
which he appropriates Instagram posts, turning them into large - scale
prints, is evidence of the influence viral, online imagery has already had on contemporary art photography; and, while we might cringe at the thought of «selfies» and «food porn» someday appearing in MoMA's
photographic collection, it is almost imperative that they do.
The
photographic images published in her first book are processed from gelatin silver
prints, in a square format,
which without a surprise is ideal for fine art photography because elements in this space frame become stronger.
The magnum opus of the show, «365 Days: A Catalog of Tears,» is a selection of 36 very large C -
prints from an impressive year - long
photographic performance,
which surround the viewer in the main gallery.