[15] Ever since, the artist has also continued to explore difficult
photographic processes such as daguerreotype in collaboration with Jerry Spagnoli and sophisticated modular / cell - based forms such as tapestry.
He is an accomplished printmaker who, over the years, has experimented with a wide variety of printing methods from woodcut, etching and lithography, to
photographic processes such as collotype and color copy transfer.
The photographs she chose to work from for this show all have an inherent interference, either in
the photographic process such as vaseline or coloured filters on the lens, or oil and turps stains from Bjerger's studio.
Not exact matches
If you are curious about his
photographic processes, inspirations (
such as Dazzle Camouflage Ships and Robert Cumming) and ideas, please enjoy them below.
Although she merges her
photographic and sculptural practices in immersive installations, she conspicuously transfers the qualities of materials
such as fabric and marble sculpture, into photography, and in the
process offer a new, and specifically intermedial, way of framing the past.
This exhibition focuses on the years between 1979 — 89, a period in which Whitten was influenced by scientific and technological change; works
such as his DNA series reveal his interest in
photographic processes and electronic imaging.
Whereas the painters in Nature Studies I may have found creative impetus from photographically - reproduced work or used it as part of their method, these eight artists employ a host of respective
photographic processes that, for the most part, draw our attention to the concerns, formats and styles typically seen in and expected of painting
such as the artifice of arrangement, the manipulation of formal elements, and the projection of symbolic meaning or narrative content.
These prints represent all manner of special
processes and innovative techniques in printing —
such as using linen and cotton pulp paint and photo - luminescent inks; black and white and colored lithography; creative integration of collage and cut paper; incorporation of
photographic images into digital prints; screen printing; and many others.
On view January 23, 2015 - April 5, 2015 NEW ORLEANS, LA - In Salutations, Josephine Sacabo (American, b. 1944) combines collaged and distorted
photographic images with a wet collodion on metal
process that dates back to the 19th century to create a world that is barely recognizable as
such, hovering like a memory or a dream in... Read More
«Exposure» groups together artists who manipulate their
photographic processes to create landscapes influenced by outside forces
such as time and history.
Baltz's minimalist and reduced image compositions explore the
photographic style as a
process, and refer not only to the art of photographers like Lee Friedlander or Robert Frank but also to painters and sculptors of his day
such as Donald Judd, Frank Stella, Jasper Johns or Sol LeWitt.
Her work has been selected for group exhibitions by jurors
such as Lesley Martin, publisher of the Aperture Book Program; Kathy Ryan, photo editor of The New York Times Magazine; Jennifer Blessing, curator of photography at the Solomon R. Guggenheim Museum; Christopher James, author of The Book of Alternative
Photographic Processes; and Louis Grachos, director of Albright - Knox Gallery.
Her works have been featured in publications
such as Levure Litteraire, The Book of Alternative
Photographic Processes, Photographer's Forum, Detroit Metro Times, and INSIGHT 7 magazine.
Appropriation and the Archive: In the early 1960s, Robert Rauschenberg and Andy Warhol began to incorporate
photographic images into their paintings, establishing a new mode of visual production that relied not on the then - dominant tradition of gestural abstraction but rather on mechanical
processes such as screenprinting.
Advance /... Notice introduces newly perfected techniques or
processes for some of our well - known artists,
such as platinum
photographic prints by David Goldblatt, and a completely new turn of direction and field of interest for African American artist Hank Willis Thomas, who first exhibited with us on In Context in 2010, as well as for Sigalit Landau, the acclaimed Israeli artist we co-hosted at last year's Venice Biennale.
Such works articulated her fascination with the
photographic process and its reproduction, while raising post-structuralist discourses on authorship, originality and history, from which they partly derive.