Sentences with phrase «photographic production»

The photographs on view represent key aesthetic and philosophical sensibilities of some 150 years of photographic production.
The studio works closely in photographic production and the proliferation of the photographic medium at large with a dedicated gallery space for showcasing publications and printed material in relation to local and international photography.
But beyond the richness of the color, I was thinking that the use of this special type of paper used in photographic production was important.
In the years that followed, photographic production continued to expand, especially as Armenian exiles, many of whom had been trained as photographers, fled Turkey for Islamic countries.
Local photographic production flourished after Yessai Garabedian, the Armenian Patriarch of Jerusalem, held the first photography workshop in the region in the 1860s.
Stan Douglas immerses himself in the circumstances of photographic production at various points in history, investigating in his own work how modes of representation and narratives become iconic.
Given the significance of his outstanding oeuvre and on the occasion of the 100th anniversary of his birthday, we believe Callahan deserves a major retrospective at an internationally renowned art institution showing main aspects of his exceptional photographic production.
Together with the region's many museums, galleries, and premier photography collections such as that of Pier 24 Photography, the program furthers the reputation of the San Francisco Bay Area as a rich context for the study of contemporary photographic production.
Rami Maymon pulls connections from portraits and their reprints within art books — originals and reproductions — as a way of investigating authenticity within modes of photographic production.
Artist Statement My ongoing body of work utilizes the tools of photographic production to address the increasingly mediated environment.
These different modes of photographic production, whether staged or found, feed into the ongoing narratives that Lawson engages.
Continuing his practice of blending the hyperreal and the inherent materialities of photographic production, artist Stan Douglas has returned to David Zwirner this month for a show of new works from two divergent modes of practice.
Instead I have established a more mobile position, which allows me to move freely through the various aspects of photographic production, display, and distribution; I can alternately assume the position of camera operator, picture editor, exhibition designer, graphic designer, etc..
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