Stan Douglas immerses himself in the circumstances of
photographic production at various points in history, investigating in his own work how modes of representation and narratives become iconic.
Not exact matches
His installation
at MASS MoCA will include a selection of
photographic works and a sculpture built for the gallery which will play off those images and the materials involved in their
production, storage, and presentation.
At times, I work in a similar way; as a
photographic practitioner, I decenter myself in relation to the
production of the image, and extend that to the construction of my exhibitions.
In the late 1960s, Sarah Charlesworth (1947 — 2013) studied with Douglas Huebler
at Barnard, «just
at the moment when he was abandoning the
production of sculptural objects for a «dematerialized» structure of
photographic images and textural documentation.»
Samira Yamin's practice explores systems of knowledge
production through systematic interventions
at various points in the life of the
photographic image.
The delicate transparent screens that she has presented in her fourth show
at Foxy
Production, The Passerby, are not a departure from her previous experiments with
photographic murals, which reproduce street alleys and graffiti.
The studio works closely in
photographic production and the proliferation of the
photographic medium
at large with a dedicated gallery space for showcasing publications and printed material in relation to local and international photography.
Simultaneous to León Ferrari's exhibition
at Galeria Nara Roesler — SP, the 28th edition of Roesler Hotel hosts Screenspaces, which presents the recent
production of 19 artists investigating contemporary visual culture through
photographic language in a post-digital context.
Simultaneous to León Ferrari's exhibition
at Galeria Nara Roesler — SP, the 28th edition of Roesler Hotel hosts Screenspaces, which presents the recent
production of 19 artists investigating contemporary visual culture through
photographic language in a post-digital context.
At Higher Pictures Roysdon presents a salon - style hang of her
photographic projects made over the last decade, distilling her variform thinking and
production into an engagement with the specific visual language of photography — its sitedness, its relationship to abstraction, and the translation of physical actions (in the darkroom) into a static image.
This exhibition will include key examples of his Street Works, Floataways, Shoreskapes and Rockskapes
photographic series, which placed process and
production at the heart of his endeavour.
A selection of different practitioners will engage these questions
at LA > < ART, advancing discussions surrounding
photographic practices today, as well as issues of image
production more broadly.