Sentences with phrase «photographic project documented»

Barrada's first internationally shown photographic project documented the urban and psychological transformation of her hometown of Tangier.

Not exact matches

The Museum of Modern Art presents Zoe Leonard's Analogue — a landmark photographic project conceived over the course of a decade — which documents, in 412 color and black - and - white photographs, the eclipsed texture of 20th - century urban life as seen in little bodegas, mom - and - pop stores with decaying façades and quirky handwritten signs, and shop windows displaying a mixed assortment of products.

The first photographic piece documents the four territories of those huge projects.

The book documents the CLUI's methodology in a series of interviews and includes a photographic essay on land use in Houston featuring a panoramic, foldout section and a comprehensive chronology of the CLUI's projects and publications over the past 14 years.

Taryn Simon's exhibition at the architecturally distinguished Milwaukee Art Museum offered up a generous and inquisitive photographic archive that spanned ten years and three distinct projects: «The Innocents,» 2002, portraits of people wrongfully convicted of violent crimes; «An American Index of the Hidden and Unfamiliar,» 2007, images of sites and holdings generally inaccessible to the public; and «Contraband,» 2010, a series that documents, with clinical precision, items seized over a given week from airline passengers entering the United States.

In a photographic project spanning five decades, Bernd and Hilla Becher documented the soon - to - be-forgotten architectural forms of industry — Mine Heads, Blast Furnaces, Water Towers, Coal Bunkers, Cooling Towers, Industrial Facades, Gas Tanks, Grain Elevators, to name but a few.

This exhibition presents Zoe Leonard's Analogue — a landmark photographic project conceived over the course of a decade — which documents, in 412 color and black - and - white photographs, the eclipsed texture of 20th - century urban life as seen in little bodegas, mom - and - pop stores with decaying facades and quirky handwritten signs, and shop windows displaying a mixed assortment of products.

This ongoing project subsequently evolved into a vast photographic archive that spans over four decades and documents many major Los Angeles thoroughfares, including Santa Monica Boulevard, Melrose Avenue, and Pacific Coast Highway, shot in 1974 and 1975, and more than 25 other Los Angeles streets that Ruscha photographed since 2007.

A remarkable photographic project which documents five years in the lives of the inhabitants of Ponte City, an iconic Johannesburg landmark and the tallest residential skyscraper in Africa, will have its only UK showing at the Scottish National Portrait Gallery this winter.

In Noémie Goudal's large scale photograph Cascade (waterfall), a plastic sheet replaces the pouring water; Tania Kovats» glass and water sculpture Where Seas Meet is made with sea water from three places around the world where seas visibly meet; in David Buckland's photographs of Ice Texts, words of warning are projected on to icebergs; Susan Derges captures the continuous movement of water by immersing photographic paper directly onto rivers or shorelines; and Martin Parr candidly documents the English at the seaside.

Prompted by the absence of folk art in Witte de With's exhibition history, Decorations by Kasper Bosmans also features documents taken from artist Asger Jorn's photographic archive 10,000 Years of Nordic Folk Art, a project part of his Scandinavian Institute for Comparative Vandalism, founded in 1961 as an interdisciplinary institute aimed at «vandalizing» art history.

Esopus 21 includes artists» projects by Stephen Eichhorn, Penny McCarthy, Thomas Nozkowski and Leslie Wayne; an essay on the design of the 9/11 Memorial by architect Michael Arad; poems by Chantal Bizzini; a new installment of the «Modern Artifacts» series, copresented with the Museum of Modern Art Archives, and featuring documents related to the never - published second issue of Possibilities (edited by Robert Motherwell and Harold Rosenberg); photographer Dennis Stock's images of the 1954 world premiere of Judy Garland's A Star Is Born; an interview with playwright / filmmaker Kenneth Lonergan relating to his childhood fascination with science fiction; pages from the late Austrian artist Otto Meuhl's sketchbook featuring drawings based on Cézanne paintings; and several perspectives on the African art collective Invisible Borders: an essay by Emmanuel Iduma accompanied by a photographic portfolio; and a downloadable audio compilation of music and sounds curated by Emeka Okereke that relates to the collective's 2012 road trip.

In addition to 1406, this monograph includes all of Tagliavini's photographic series to - date, as well as images documenting the evolution of his projects.

Tim Portlock and Shuli Sadé have created digital and mixed media works that transform the visible through technology; the painters Michael Bartmann and Bruce Garrity have used color and form to create vibrant and engaging images; the photographer Ken Hohing is revisiting a photographic project from the 1980s documenting Camden to highlight how differently we see photography and its objects; and the designer and photographer Eric Porter inventoried striking visual images that the textures and colors of the city of Camden offer the attentive viewer.

Prompted by the absence of folk art in Witte de With's exhibition history, Decorations also features documents taken from artist Asger Jorn's photographic archive 10,000 Years of Nordic Folk Art, a project part of his Scandinavian Institute for Comparative Vandalism, founded in 1961 as an interdisciplinary institute aimed at «vandalizing» art history.