Her images play with the inherent
photographic qualities of their original sources and the intimacy suggested by their small scale.
The artist himself sheepishly peers out from one of the few oil paintings in the show, Bob's Sebring (2011), next to a silver convertible a bit too snazzy for his outfit, in front of a square garage... The paintings are furnished from a Kodachrome, sun - bleached palette, and a seemingly interminable supply of time... The supposed subject matter lingers at the edge of the well - measured composition, perfectly skewed to avoid approaching the edge of motion...
The photographic qualities of this work are apparent, but the shutter's ability to capturing fleeting moments is irrelevant as time itself seems to be immobile anyway.»
A selection of digital images taken with the Sony Ericsson K660i to demonstrate
the photographic quality of its 2 - megapixel camera
His fascination with technological methods for producing paintings is also evident in the 2001 television program Secret Knowledge, in which Hockney posited that the Old Master painters used camera obscura techniques to project images of their subjects onto their paintings» surfaces, leading to
the photographic quality of Renaissance painting.
He even showed me a folio of the works of the painters I was imitating, with their earlier paintings having a practically
photographic quality of realism.
The strides they have made with
the photographic quality of these products is amazing!
Not exact matches
The Sony a68 offers true
photographic versatility and the level
of image
quality that you would come to expect only from a much larger camera.
[UPDATE (one option): bokeh, n. a Japanese term for the subjective aesthetic
quality of out -
of - focus areas
of a
photographic image.
Image is based on my own design
of the logo, professionally printed
photographic print enclosed in a high -
quality clear acrylic key chain with keyring.
This resource provides 30 high
quality photographic images
of Spring.
A
photographic record
of the work illustrates the level and
quality of the comprehensive restoration that was carried out.
Photographic stills, kinetic typography, basic motion graphics, smooth transitions,
quality music, effective voiceovers — all
of these can combine to create a video that communicates the essence
of a book to prospective readers.
This 96 - page, hard cover, coffee - table - sized book contains more than 80 high -
quality photographs, accompanied by subtitles and small maps that will take the reader on a
photographic journey to some
of the most exquisitely beautiful natural sites on our planet!
Image is based on my own design
of the logo, professionally printed
photographic print enclosed in a high -
quality clear acrylic key chain with keyring.
One
of the world's most prestigious annual photography events, The Photography Show is the longest - running and foremost exhibition dedicated to the
photographic medium, offering a wide range
of museum -
quality work.
One
of the world's most prestigious annual photography events, The Photography Show is the longest - running and foremost exhibition dedicated to the
photographic medium, offering a wide range
of museum -
quality work, including contemporary, modern, and 19th - century photographs as well as photo - based art, video, and new media.
The pictorial
quality of her
photographic tableaux correlates with their documentary value: about life on a ship, old vessels, or boat communities; about ways
of seeing and ways
of doing, yet they also invite us to experience the density and transparency
of time.
Award - winning photographer Ray Germann photographs mainly in black & white, and his twenty - five years experience working in the traditional black & white wet darkroom helps him produce digital prints today with a similar look and
quality to the
photographic papers
of old.
Quality of light, both natural and constructed, provides luminosity within alternate dimensions that expand the boundaries
of her
photographic world.
The jury will evaluate both the
photographic quality as well as the creativity
of the works.
First, I feel that when some
photographic detail, such as a hand or an eye, is taken out
of its original context and is fractured and integrated into a different space and form configuration, it acquires a plastic
quality it did not have in the original....
As the video unfolds, the makeshift
quality of the backdrops — the air bubbles and warping reminiscent
of poorly applied wallpaper as well as the cardboard edges and the flatness
of the
photographic images — becomes apparent, pointing to the constructed nature
of the film.
Examples include Julia Margaret Cameron's soft - focused and reverential Herbert Wilson (1868), which helped to move
photographic portraiture from pure documentation to artistic intention; and Edward Curtis's field - printed cyanotype
of an American Indian (c.1900 - 1930), which also shows how early photographers checked the
quality of their images before digital photography.
In the introduction, Jennifer Blessing, Curator
of Photography at the Guggenheim Museum, sketches a theoretical framework for the exhibition, linking the recent focus on Northern locales to the
qualities of the
photographic medium itself.
When on January 28, 2013, I made my first visit to Annette Lemieux's spacious studio in Allston, Massachusetts, I was delighted and excited to see a museum -
quality array
of over a dozen paintings, sculptures, and
photographic prints arranged on the walls, floor, and propped up on a variety
of chairs and stools.
Although she merges her
photographic and sculptural practices in immersive installations, she conspicuously transfers the
qualities of materials such as fabric and marble sculpture, into photography, and in the process offer a new, and specifically intermedial, way
of framing the past.
Blossfeldt (1865 - 1932) is recognised for his extensive and unique collection
of photographic plant portraits that reveal the tactile
qualities, intricate forms and uncanny aspects
of flora that could also be said to contain elements
of Pareidolia.
When asked what artists came to mind when she thought
of Patrick Wilson, Marvin mentioned several that the art genome did not link to Wilson's work: David Mitchell, who translates out -
of - body experiences into
photographic abstractions that look strikingly similar to Wilson's paintings; Johnnie Winona Ross, a painter who captures the attractive and intimate
quality of Wilson's compositions but also channels Agnes Martin and the landscape
of the Southwest; and James Siena, whose highly detailed, vibrant paintings are derived from mathematical systems, varying from Wilson's own mode
of production yet sharing a similarly immersive
quality.
Feldmann craftily reduces the aesthetics
of photographic material to their most elemental
qualities, and at the same time, asserts their ubiquity.
In a series
of works started in 2012 Thomas Ruff essentially takes an idea that was first introduced my artists like Man Ray, Laszlo Moholy - Nagy who simply placed objects
of various shapes, textures and opacities onto
photographic paper and captured their physical
qualities through the optical traces they left on the light sensitive surface
of the paper.
Because
of how
photographic images are understood to function, as a system
of pointers with indexical
qualities that suggest things outside the frame, Linwood's use
of the grid format points to parallel events, skewed timelines, cultural constructs, his own orchestration, and, other images which are simultaneously presented, albeit in amusingly slippery states
of action and focus.
FreshFaced + WildEyed 2012 is The Photographers» Gallery's annual exhibition which showcases the
quality and breadth
of graduates» practices from
photographic courses across the UK.
The three - dimensional
quality of Halley's work asserts the object status
of the paintings in a way that
photographic reproduction simply can not represent.»
Take someplace like South Africa, for example — it's unbelievable the range and
quality of the
photographic work produced there over last 20 or 30 years.»
To optically extract and realise the ultimate in image
quality and intensity Andrew uses giclée and C - Type
photographic prints — after all, the reproduction hung on the wall is the ultimate evidence
of the merits
of an image and the reflection
of the photographer's intention.
Worked with artist, Carl Ostendarp, to produce
photographic documentation
of paintings that convey material specificity,
qualities of surface and accuracy
of color.
For Tansey, this project was «a synthesis
of photographic, illustrative, and painterly
qualities... The meaning
of the work resided in the process
of re-translation - reinterpretation reproduction - rather than in its perceptual equivalence to reality.»
Similarly, McAlpine's fidelity to «origin» is palpable in the way she retains the grainy aggregate
of the paving surfaces through an exploration into the fibrous
qualities of the
photographic image.
The exhibited works are reproduced and presented in ways to question and problematise conventions relating to photography as art, the value
of the
photographic print and the perceived value
of its index as communicated through the physical
qualities of said print.
The stark color contrasts vividly evoke the
qualities of analog
photographic negatives.
The silkscreen paintings have an expressive
quality that results from their hand - painted areas, the collage - like overlays
of photographic images, and the intentional slippage and irregularities, which the artist allowed to remain uncorrected during the screening process.
But as
photographic imagery becomes embedded within an ever - proliferating array
of visual spaces, the contemporary viewer is even harder pressed to isolate and articulate the photograph's distinguishing
qualities.
While the filter
of time and familiarity, the abstraction
of black - and - white photography, and the softer focus and smaller scale
of earlier
photographic processes have made these images less shocking, they remain commanding in terms
of formal
qualities and content.
It's his feel for the haptic
quality of the
photographic print that makes him more an innovator and less a practitioner.
Like Gorelick, Ted Partin investigates the formal
qualities of obscuring the model in his
photographic «dark prints.»
His technique reflects the unnaturalness
of the situations he registers, using prolonged
photographic exposure to lend his pictures a surreal
quality.
With a particular emphasis on photography, but also including other forms
of artistic expression such as painting, video, film, performance and installation art from the 1960s to the present day, Haunted is co-curated by Jennifer Blessing, Curator
of Photography, and Nat Trotman, Associate Curator, both from the Solomon R. Guggenheim Museum in New York, and reveals the extraordinary
quality of the
photographic and new media works in the Guggenheim Collections.
Thus, despite the power
of the
photographic illusionism, the abstract
qualities are strong.
I have always been impressed with the professionalism, variety, and
quality of photographic images exhibited at Multiple Exposures Gallery.
Albert Renger Patzsch has been quoted as saying,»... leave art to the artists, and let us try to use the medium
of photography to create photographs that can endure because
of their
photographic qualities.»