Sentences with phrase «photographic qualities of»

Her images play with the inherent photographic qualities of their original sources and the intimacy suggested by their small scale.
The artist himself sheepishly peers out from one of the few oil paintings in the show, Bob's Sebring (2011), next to a silver convertible a bit too snazzy for his outfit, in front of a square garage... The paintings are furnished from a Kodachrome, sun - bleached palette, and a seemingly interminable supply of time... The supposed subject matter lingers at the edge of the well - measured composition, perfectly skewed to avoid approaching the edge of motion... The photographic qualities of this work are apparent, but the shutter's ability to capturing fleeting moments is irrelevant as time itself seems to be immobile anyway.»
A selection of digital images taken with the Sony Ericsson K660i to demonstrate the photographic quality of its 2 - megapixel camera
His fascination with technological methods for producing paintings is also evident in the 2001 television program Secret Knowledge, in which Hockney posited that the Old Master painters used camera obscura techniques to project images of their subjects onto their paintings» surfaces, leading to the photographic quality of Renaissance painting.
He even showed me a folio of the works of the painters I was imitating, with their earlier paintings having a practically photographic quality of realism.
The strides they have made with the photographic quality of these products is amazing!

Not exact matches

The Sony a68 offers true photographic versatility and the level of image quality that you would come to expect only from a much larger camera.
[UPDATE (one option): bokeh, n. a Japanese term for the subjective aesthetic quality of out - of - focus areas of a photographic image.
Image is based on my own design of the logo, professionally printed photographic print enclosed in a high - quality clear acrylic key chain with keyring.
This resource provides 30 high quality photographic images of Spring.
A photographic record of the work illustrates the level and quality of the comprehensive restoration that was carried out.
Photographic stills, kinetic typography, basic motion graphics, smooth transitions, quality music, effective voiceovers — all of these can combine to create a video that communicates the essence of a book to prospective readers.
This 96 - page, hard cover, coffee - table - sized book contains more than 80 high - quality photographs, accompanied by subtitles and small maps that will take the reader on a photographic journey to some of the most exquisitely beautiful natural sites on our planet!
Image is based on my own design of the logo, professionally printed photographic print enclosed in a high - quality clear acrylic key chain with keyring.
One of the world's most prestigious annual photography events, The Photography Show is the longest - running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum - quality work.
One of the world's most prestigious annual photography events, The Photography Show is the longest - running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum - quality work, including contemporary, modern, and 19th - century photographs as well as photo - based art, video, and new media.
The pictorial quality of her photographic tableaux correlates with their documentary value: about life on a ship, old vessels, or boat communities; about ways of seeing and ways of doing, yet they also invite us to experience the density and transparency of time.
Award - winning photographer Ray Germann photographs mainly in black & white, and his twenty - five years experience working in the traditional black & white wet darkroom helps him produce digital prints today with a similar look and quality to the photographic papers of old.
Quality of light, both natural and constructed, provides luminosity within alternate dimensions that expand the boundaries of her photographic world.
The jury will evaluate both the photographic quality as well as the creativity of the works.
First, I feel that when some photographic detail, such as a hand or an eye, is taken out of its original context and is fractured and integrated into a different space and form configuration, it acquires a plastic quality it did not have in the original....
As the video unfolds, the makeshift quality of the backdrops — the air bubbles and warping reminiscent of poorly applied wallpaper as well as the cardboard edges and the flatness of the photographic images — becomes apparent, pointing to the constructed nature of the film.
Examples include Julia Margaret Cameron's soft - focused and reverential Herbert Wilson (1868), which helped to move photographic portraiture from pure documentation to artistic intention; and Edward Curtis's field - printed cyanotype of an American Indian (c.1900 - 1930), which also shows how early photographers checked the quality of their images before digital photography.
In the introduction, Jennifer Blessing, Curator of Photography at the Guggenheim Museum, sketches a theoretical framework for the exhibition, linking the recent focus on Northern locales to the qualities of the photographic medium itself.
When on January 28, 2013, I made my first visit to Annette Lemieux's spacious studio in Allston, Massachusetts, I was delighted and excited to see a museum - quality array of over a dozen paintings, sculptures, and photographic prints arranged on the walls, floor, and propped up on a variety of chairs and stools.
Although she merges her photographic and sculptural practices in immersive installations, she conspicuously transfers the qualities of materials such as fabric and marble sculpture, into photography, and in the process offer a new, and specifically intermedial, way of framing the past.
Blossfeldt (1865 - 1932) is recognised for his extensive and unique collection of photographic plant portraits that reveal the tactile qualities, intricate forms and uncanny aspects of flora that could also be said to contain elements of Pareidolia.
When asked what artists came to mind when she thought of Patrick Wilson, Marvin mentioned several that the art genome did not link to Wilson's work: David Mitchell, who translates out - of - body experiences into photographic abstractions that look strikingly similar to Wilson's paintings; Johnnie Winona Ross, a painter who captures the attractive and intimate quality of Wilson's compositions but also channels Agnes Martin and the landscape of the Southwest; and James Siena, whose highly detailed, vibrant paintings are derived from mathematical systems, varying from Wilson's own mode of production yet sharing a similarly immersive quality.
Feldmann craftily reduces the aesthetics of photographic material to their most elemental qualities, and at the same time, asserts their ubiquity.
In a series of works started in 2012 Thomas Ruff essentially takes an idea that was first introduced my artists like Man Ray, Laszlo Moholy - Nagy who simply placed objects of various shapes, textures and opacities onto photographic paper and captured their physical qualities through the optical traces they left on the light sensitive surface of the paper.
Because of how photographic images are understood to function, as a system of pointers with indexical qualities that suggest things outside the frame, Linwood's use of the grid format points to parallel events, skewed timelines, cultural constructs, his own orchestration, and, other images which are simultaneously presented, albeit in amusingly slippery states of action and focus.
FreshFaced + WildEyed 2012 is The Photographers» Gallery's annual exhibition which showcases the quality and breadth of graduates» practices from photographic courses across the UK.
The three - dimensional quality of Halley's work asserts the object status of the paintings in a way that photographic reproduction simply can not represent.»
Take someplace like South Africa, for example — it's unbelievable the range and quality of the photographic work produced there over last 20 or 30 years.»
To optically extract and realise the ultimate in image quality and intensity Andrew uses giclée and C - Type photographic prints — after all, the reproduction hung on the wall is the ultimate evidence of the merits of an image and the reflection of the photographer's intention.
Worked with artist, Carl Ostendarp, to produce photographic documentation of paintings that convey material specificity, qualities of surface and accuracy of color.
For Tansey, this project was «a synthesis of photographic, illustrative, and painterly qualities... The meaning of the work resided in the process of re-translation - reinterpretation reproduction - rather than in its perceptual equivalence to reality.»
Similarly, McAlpine's fidelity to «origin» is palpable in the way she retains the grainy aggregate of the paving surfaces through an exploration into the fibrous qualities of the photographic image.
The exhibited works are reproduced and presented in ways to question and problematise conventions relating to photography as art, the value of the photographic print and the perceived value of its index as communicated through the physical qualities of said print.
The stark color contrasts vividly evoke the qualities of analog photographic negatives.
The silkscreen paintings have an expressive quality that results from their hand - painted areas, the collage - like overlays of photographic images, and the intentional slippage and irregularities, which the artist allowed to remain uncorrected during the screening process.
But as photographic imagery becomes embedded within an ever - proliferating array of visual spaces, the contemporary viewer is even harder pressed to isolate and articulate the photograph's distinguishing qualities.
While the filter of time and familiarity, the abstraction of black - and - white photography, and the softer focus and smaller scale of earlier photographic processes have made these images less shocking, they remain commanding in terms of formal qualities and content.
It's his feel for the haptic quality of the photographic print that makes him more an innovator and less a practitioner.
Like Gorelick, Ted Partin investigates the formal qualities of obscuring the model in his photographic «dark prints.»
His technique reflects the unnaturalness of the situations he registers, using prolonged photographic exposure to lend his pictures a surreal quality.
With a particular emphasis on photography, but also including other forms of artistic expression such as painting, video, film, performance and installation art from the 1960s to the present day, Haunted is co-curated by Jennifer Blessing, Curator of Photography, and Nat Trotman, Associate Curator, both from the Solomon R. Guggenheim Museum in New York, and reveals the extraordinary quality of the photographic and new media works in the Guggenheim Collections.
Thus, despite the power of the photographic illusionism, the abstract qualities are strong.
I have always been impressed with the professionalism, variety, and quality of photographic images exhibited at Multiple Exposures Gallery.
Albert Renger Patzsch has been quoted as saying,»... leave art to the artists, and let us try to use the medium of photography to create photographs that can endure because of their photographic qualities
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