Sentences with phrase «photographic references of»

Do you make studies from life or use photographic references of models with the bathers in the woodland landscapes?

It's been rumoured that they entered restricted military areas or gathered photographic references of military bases in order to improve the visual fidelity of Arma 3, a PC game currently under development by our company.

Not exact matches

The Paris Observatory takes this photograph of the Moon for its Photographic Atlas of the Moon, a reference book without equal until 1960.

Whereas Bazin never mentions Caravaggio in his essay on «The Ontology of the Photographic Image» (1945), the French critic refers to the baroque style as a proto - cinematic and pictorial term of reference: «The film delivers baroque art from its convulsive catalepsy.»

Revisiting manifestations of the black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitalism.

The content of Jamal's images are not limited to photographic references.

References from Western art history provide points of engagement with Kansas City and Chicago - based artist Patty Carroll's photographic images, which employ distinctly modern elements of décor and consumerist culture to reveal psychological threads of domesticity's sometimes overwhelming tenor.

Light is scattered through the perforations cut into magenta photographic paper, and each cut offers a chance for light to play on surface and to reference the framing device and the self - reflexivity of photography.

In these works, Alexi - Meskhishvili, beyond complicating and revising the heavily - loaded photographic image of the female nude and canonized poses, identifies the gender typologies functioning within the gaze (s) of her chosen references.

The bulletin boards that Tom Burr has been arranging since the late 1990s reference not only art historian Aby Warburg's Mnemosyne Atlas strategy of employing a black panel backdrop in order to heighten thematic arrangements of photographic images — including reproductions from books, and visual materials from newspapers and popular culture — but also reflect a setting typical of early cinematic and photographic motion studies.

Claiming imagery typically referenced through our daily interaction with media sources, Kahrs builds on the diversity of photographic images infused with the seductive palette of artists such as Richter and Tuymans, but invests them with a grotesque, bodily relationship to the viewer seen in the work of Jenny Saville.

In paintings and works on paper, Doig converges observation, photographic references and memory, producing woozy impressions of an idyll seemingly untouched by strife.

Through the conjunction of and the cross between Willy Loman, the legendary anti-hero of Arthur Miller's Death of a Salesman, Dante's Inferno, the photographic recreation of Gustave Doré's etchings of Dante's work and references to the US multinationals Chrysler, General Motors and Ford, the British - Nigerian artist suggests, on one side, the illusory nature of the «American dream» and, on the other, the parallel between Miller's exploration of greed and the human condition in the 20th century and our present situation, projecting it as its perverse, ill - fated legacy.

Greg Stimac's photographic images reference the space between fiction and documentary, remarking upon the simple delineations of tone that evokes minimalist landscape.

Momentarily abandoning the stupefying rhetoric of immediacy that characterized his earlier photographic appropriations, he is now reinscribing his work in the well - lit field of modern paradigms: by referencing the monochrome as he did in his previous «joke» paintings, by reintroducing collage and silk - screen superimpositions, and above all by coating some of his appropriations with a thin layer of white paint that is simultaneously on top of and underneath the imagery.

As can be deduced from this photographic series, Echo served as a kind of fixed reference point for its changing architectural environs.

The work of Aaron Brumbelow (M.F.A., photography, 2013; B.F.A., photography, 2008) explores fictional realms while referencing early American photographic histories.

Primarily drawing upon the legacy of Conceptualism, these ten contemporary artists surveyed — Claudia Angelmaier, Erica Baum, Anne Collier, Moyra Davey, Leslie Hewitt, Elad Lassry, Lisa Oppenheim, Erin Shirreff, Kathrin Sonntag, and Sara VanDerBeek — comprise more than 70 works, while demonstrating the innovations and new formats that the photographic medium is taking today, specifically in reference to studio and still life photography.

At the gallery's basement, the viewer comes across three bodies of work: black photographic paper (coin studies), museum barriers standing in vertical position (distance keepers) and wall painting (model), that act as collage elements and manage in a quite unexpected and paradoxical way to serve as a whole new system of reference.

The artist paints from photographic reference and her subject's range from portraits and self - portraits to landscapes and still - lifes, all of which are personal and intimate.

Created at the intersection of culture, authenticity, and urbanity, the brazen photographic work of Luis Gispert pulls from a wide array of contemporary and historical references.

Many of the pictorial works in the exhibition reference photographic images rather than direct reality, thereby drawing attention to a multilayered process of representation.

Exhibition: SOLO EXHIBITIONS 2010 A-D Gallery, Athens, Greece, Within the Mind 2006 C. Grimaldis Gallery, Baltimore, MD, Unborderville 2005 A-D Gallery, Athens, Greece, Unborderville 2004 Kouros Gallery, New York, NY, Sacred Shadows 2003 C. Grimaldis Gallery, Baltimore, MD, Sacred Shadows 2001 A-D Gallery, Athens, Greece, Sacred & Poetic References 2000 A-D Gallery, Athens, Greece, Artificial Enemy 1999 Recalcati Arte Contemporanea, Torino, Italy, Tripticon, New Index 1998 Artforum Gallery, Thessaloniki, Greece, Air Chicago 1996 Show Centre of Hdk, Berlin, Germany, The Untruth 1994 Show Centre of Hdk, Berlin, Germany, Poetry of the Moment - Photographic References GROUP EXHIBITIONS 2012 C. Grimaldis Gallery, Baltimore, MD, Behind Walls C. Grimaldis Gallery, Baltimore, MD, Summer «12 2010 C. Grimaldis Gallery, Baltimore, MD, Summer «10 C.Grimaldis Gallery, Baltimore, MD, Wasteland 2009 Xippas Gallery, Athens, Realities & Plausibilities, curator: A. Moschovi Thessaloniki Museum of Photography, Greece, 10 Aspects of Hellenic Photography curators, Jean - Pierre Giusto and V. Loakimidis Thessaloniki Museum of Photography, Athens, Greece, Art Athina 09 2008 Theatre de la Photographie et de l Image, Nice, France, Aspects de la Photographie Hellenique, curators Jean - Pierre Giusto and V. Ioakimidis 2007 Maison Européenne de la Photographie, Paris, France, The Athens Effect, curator: Birgit Hoffmeister 2006 Fondatione Mudima Milano, Milan, Italy, The Athens Effect, curator: Birgit Hoffmeister C.Grimaldis Gallery, Baltimore, MD, Through The Lens II The Beltzios Collection, Trikala Greece, An Outing, curator S.Bahtsetzis 2004 C. Grimaldis Gallery» Baltimore, MD & «A-D Gallery» Athens, Art Athina Sala de Exposiciones, Canal de Isabel II, Madrid, Spain, Self - Aboutness, curator: Marilena Karra White Box, New York, NY, Every Day Hellas, curator: Heather

A large - scale photographic hoarding project by artist Gayle Chong Kwan, made in response to the landscape of Peckham and referencing local memory and history.

They were taken by photographer John Deakin in 1964 at the request of Bacon, the artist famously preferring photographic reference over live models for his paintings.

Frazier printed many of the images in the show as «cyanotypes, a 19th century photographic process that renders images in shades of blue, referencing an architect's blueprint and the idea of «blue collar» work.»

While the stark black - and - white palette of Holten's drawings hint at their mediation by photographic images, these works are magnified and fragmented such that they obscure their real - world references.

Opie is interested in reality, not a photographic record of a past moment, but a full reality of reference, memory, sensory experience and representation.

Rather than using photographs as gallery - ready records of off - site installations, she instead creates photographic installations inside the gallery space that directly reference the building or neighborhood in which the show is mounted.

Raymond Boisjoly is an Indigenous artist of Haida descent whose photographic and text - based works reference pop culture to rethink representations of indigeneity.

Each of the contemporary works is paired with historical points of reference: a Bill Viola video titled Catherine's Dream hangs next to Goya's powerful image The Sleep of Reason Produces Monsters; Rachel Whiteread's Untitled (Felt floor) is paired with Ralston Crawford's photographic study of the New York City 3rd Avenue elevated train tracks; Wim Wenders large format photograph of the Australian outback is installed near Edward Hopper's haunting graphic image titled Night Shadows.

Open for browsing during gallery hours, our Bookshop stocks a range of thought provoking photographic, arts and social sciences titles, while our Reading Room provides welcoming space for study and research, with access to an extensive collection of books and reference materials, and a selection of almost 2,000 images from our archive has been digitised and made available for browsing on an iMac.

The photographic element is usually only a part of the composition - something that involves perspective or dimension for which I need a reference; something that is distorted maybe and would be unbelievable if drawn straight out of my head.

Choosing subject matter that is rich in color and texture, Young takes her photographic references and brings them into the studio where she crafts inspiring compositions that serve as faithful representations of their real - world counterparts.

Referencing photographic family memorabilia and clippings, Coleman challenges the idea of authenticity through use of aura and portraiture.

His work explores African American male identity, masculinity, notions about the father figure, and the photographic archive, by providing a frame of reference that articulates the identities of Black men.

Referencing the patterns of traditional Vietnamese woven grass mats, Lê's technique involves cutting disparate photographic imagery into strips, and literally reweaving them into canny narratives.

These artists are beginning to deal with issues that have to do with originality and the loss of originality — and the complete rise of photographic culture as the central reference in image - making.

In paintings and works on paper, Doig converges observation, photographic reference and memory, producing woozy impressions of an idyll seemingly untouched by strife.

The artist employs photographic reference images, movie stills, fabricated tabletop «sets» and manipulations of scale as starting points for his technical exploration.

In Gelatin Photographs (1984) shiny chunks of black matter on a white background look like jagged rocks, when in fact they are only jello infused with India ink, and a reference to the «gelatin» of photographic papers.

«The space of the Outer Cape has an inherent ambiguity of scale with little reference to familiar things, which makes it very malleable from a photographic and optical perspective,» remarks Abbott of his work with this landscape.

Recontextualizing photographic material to the smallest detail, Kristian Evju references the reconstruction of a sense of self.

As I have repeatedly voiced since becoming aware of the use of photographic and video evidence being relied by asylum applicants prior to the February 2013 Stonewall lecture, AG Sharpston's reference that such evidence can be fabricated, making it difficult to distinguish between the genuine and bogus applicant [par.

• Confer with clients and attorneys to acquire information of committed crime • Analyze facts and ensure that they are documented properly • Conduct investigations to support the legal defense of a wide variety of criminal cases • Contact external agencies and expert witnesses as reference resources for potential testimony • Serve subpoenas on those required to testify or submit evidence before the court • Operate and maintain a variety of photographic and projection equipment to assist in criminal investigation • Handle potentially explosive situations with tact, ensuring the safety and wellbeing of all people involved • Create and submit reports regarding findings such as statements, scene descriptions and analysis of physical evidence