Not exact matches
Additional highlights include Helen Frankenthaler's Belfry and February Turn (both 1979), which mimic the look and feel of Abstract Expressionism yet in truth represent a rupture with that tradition through the
use of a staining technique that seemingly minimizes the artist's role in the process; Frank Stella's Double Scramble (1978), whose nested squares, color contrasts, and pulsing optical effects bridge the artist's early minimalism and later illusionism; and Robert Rauschenberg's Golden Chalice (1989) which, insofar as it marries abstraction and
representation and juxtaposes gestural brushwork and
photographic media, affords a crucial link to late 20th - century abstraction.
Greene
uses a diverse
photographic practice to explore
representations of race.
Using a variety of media and a series of
photographic processes, Ngyuen creates fantastical, large - scale installations, engulfing the viewer into an otherworldly vortex that fluctuates between
representation and abstraction.
Staging papers and objects as dividers of light and shadow, Lichtenstein
uses the apparatus of the camera and elemental forms of photography to explore the larger philosophical and theoretic issues around
photographic representation.
She
uses disposable cameras to deemphasize the authority of
photographic representation and presents her prints in multipleiterations, each with a different tone — showing us the simple but profound ways in which
photographic processes can alter the way people are represented.
While the expanse of the mine is vast, calling attention to the massive excavation, recreated in the platinum
used to make the
photographic print, a kind of doubling recurs through the material and its
representation, both here and throughout Starling's method.
Since the 1970s, Gaines has
used self - determined rules in order to translate
photographic information; he has said: «I
use systems in order to provoke the issues around
representation.»
Since the 1970s, he has
used self - determined rules in order to translate
photographic information; he has said: «I
use systems in order to provoke the issues around
representation.»
Past artists who have created work for Rivington Place's window include Philomena Francis who
used piped black treacle in her artwork mo» lasses III to raise questions about identity and viewing the black female body, and most recently Nilbar Güres» Beekeeper, a
photographic composition examining
representations of femininity and cultural identity.
She explores the traditional forms of
photographic representation while
using conventional analog techniques with an uncanny effect; her art rendering...
The exhibition — which contextualizes drawing as part of her broader consideration of
photographic and film
representation — shows how drawing can revisit, question and change images
used for personal, cultural and national identity.
These emerging and mid-career artists
use different approaches to the medium to unravel violent stereotypes inherently tied to
photographic representations of Black men, and the works assembled for this exhibition are a well - rounded example of how collage, found objects and re-assemblage are being
used by Black artists in contemporary art.
It focused on political and protest works exploring in depth the
use of multiples in his work and the varied ways the artist has
used photographic material to investigate
representation in contemporary society.